Mattheus Terwesten

The authorities additionally record the headings Arend, Aquila Terwesten, Aquila, Matthaus Terwesten and Den Arent Terwesten.

2 children are recorded: Augustinus Terwesten and Pieter Terwesten.

Mattheus Terwesten worked in painting. His work is associated with Baroque.

Recorded position is court painter. He belonged to Bentvueghels and Augustinus and Mattheus Terwesten. He worked at The Hague, Berlin, Leipzig and Nuremberg.

What the record establishes about Mattheus Terwesten.

Theseus liberating Andromeda from her chains is dated 1697 and held by Herzog Anton Ulrich Museum (inventory 296). Cultural Heritage Agency of the Netherlands Art Collection records 1 object associated with this heading. Landscape with Playing Putti and Parrots is dated 1724 and held by Rijksmuseum (inventory SK-A-2839). Haags Historisch Museum/Rijksmuseum De Gevangenpoort records 3 objects associated with this heading. Abduction of Amphitrite by Poseidon is dated 1721 and held by Rijksmuseum Twenthe (inventory C851). Self-portrait is dated 1724 and held by Haags Historisch Museum/Rijksmuseum De Gevangenpoort.

Venus and Adonis is dated 1718 and held by Detroit Institute of Arts (inventory 1985.34). The godess Ceres surrounded by three cupids in a mountanous landscape is dated 1732. Allegory of Freedom is dated 1701 and held by Rijksmuseum (inventory SK-A-4086). Instituut Collectie Nederland records 1 object associated with this heading. Rijksdienst Beeldende Kunst records 1 object associated with this heading. Herzog Anton Ulrich Museum records 1 object associated with this heading.

Allegory of Peace is dated 1740 and held by Mauritshuis (inventory 1042). Detroit Institute of Arts records 1 object associated with this heading. Mattheus Terwesten is recorded with the citizenship of Dutch Republic. Kunstmuseum Den Haag records 1 object associated with this heading. Rijksmuseum Twenthe records 1 object associated with this heading. Self portrait is dated 1724 and held by Kunstmuseum Den Haag.

Arcadian landscape with couple of lovers is dated 1721. Mattheus Terwesten is recorded as painter and artist.

The identifiers under which Mattheus Terwesten may be traced in institutional catalogues.

Mattheus Terwesten is established in the international name authorities as Wikidata Q1889803.

3 scholarly publications naming this subject were located in the registry of record.

970, 1757-09-20, TERWESTEN (Mattheus), peintre, Art Sales Catalogues Online. ‘... in yver ten konsthemel uytbonzen’. Over twee tekeningen van Mattheus Terwesten, The Rijksmuseum Bulletin, 1986. Een album met tekeningen, vervaardigd door Mattheus Terwesten te Rome in 1697, Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 1982.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

The field of work recorded is painting. The authority associates the name with Baroque.

Places of work recorded in the authority are The Hague, Berlin and Leipzig. Positions recorded include court painter. Membership is recorded of Bentvueghels and Augustinus and Mattheus Terwesten.

Works named in the authority record are Landscape with Playing Putti and Parrots and Allegory of Freedom.

Work by Mattheus Terwesten is recorded in the collections of Drents Museum, Rijksmuseum, Mauritshuis, Rijksmuseum Twenthe and Bavarian State Painting Collections.