Mary Miss

Mary Miss received Anonymous Was A Woman Award and Guggenheim Fellowship. Work by Mary Miss is held by Museum of Modern Art, Smithsonian American Art Museum and MTA Arts & Design Permanent Art Collection.

What the record establishes about Mary Miss.

The press at Strawberry-Hill to Miss Mary and Miss Agnes Berry. is dated 1788 and held by Wellcome Collection. Mary Miss is recorded as having received Anonymous Was A Woman Award and Guggenheim Fellowship. An extract of Miss Mary Gilbert's journal is dated 1799 and held by Wellcome Collection. By Mary Stocks and Miss Crothers is dated c.1950s and held by Wellcome Collection. Memorial for Miss Mary Wilson .. is dated 1759 and held by Wellcome Collection. Mary Miss is recorded as artist, printmaker, photographer and sculptor.

Wellcome Collection records 400 objects associated with this heading. Miss Mary Greaves. is dated 1983 and held by Wellcome Collection. Miss Mary Ashbee. is dated 1984 and held by Wellcome Collection. Mary Miss is recorded with the citizenship of United States.

Where material relating to Mary Miss is held.

Sister Saint-Pierre and the work of reparation : a brief history by the Very Rev. P. Janvier ... Translated by Miss Mary Hoffman (1885) is digitised and catalogued by Internet Archive. Report of the celebration of the centennial of the incorporation of the town of Marlborough : August 23d and 25th, 1903 (1904) is digitised and catalogued by Internet Archive. I'd be a star / words by R. J. N. Keeling composed.by Ch. H. Gerken (1859) is digitised and catalogued by Internet Archive. Arabian war-cry : march / composed for the piano by Leopold Haak (1858) is digitised and catalogued by Internet Archive. First series of the knitters companion (1800) is digitised and catalogued by Internet Archive. Birth day waltz / Julius Becht. (1866) is digitised and catalogued by Internet Archive.

The identifiers under which Mary Miss may be traced in institutional catalogues.

Mary Miss is established in the international name authorities as Wikidata Q16732679.

Work associated with this heading is recorded in 1 named public collection.

Wellcome Collection: 400 recorded objects, read from the institution's own published catalogue.

13 scholarly publications naming this subject were located in the registry of record.

Miss, Mary, Oxford Art Online, 2003. Miss, Mary, Benezit Dictionary of Artists, 2015. Bradley, Mary (Miss), Benezit Dictionary of Artists, 2011. Stewart, Mary (Miss), Benezit Dictionary of Artists, 2011. Bleaden, Mary (Miss), Benezit Dictionary of Artists, 2011. 11. Decoding the River: Artists and Scientists Reveal the Water System of the White River, Rivers of the Anthropocene, 2020. Decoding the River: Artists and Scientists Reveal the Water System of the White River, 2017. Remixing Messages: A Call for Collaboration Between Artists and Scientists, 2013. Art Cart: Honoring the Legacy HD, 2016. Honoring the Legacy: an Exhibition of Works Presented by ART CART: SAVING THE LEGACY, 2016. Insights/On Sites : Perspectives on Art in Public Places, 1984. On a Redefinition of Public Sculpture, 1984. H.I.V. STATUS: RIGHT TO KNOW?, 1990.

This heading is established in Gemeinsame Normdatei (GND) (1091215049). Those registers additionally record the forms Installation and Exhibition "Mary Miss: Projects 1966-1987" (1987 : London) and Exhibition "Mary Miss: Projects 1966-1987" (1987 : London).

Bibliographic registers publish measured figures for this heading: 4 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Mary Miss studied at University of California, Santa Barbara.

Works named in the authority record are Framing Union Square.

Work by Mary Miss is recorded in the collections of Museum of Modern Art, Smithsonian American Art Museum and MTA Arts & Design Permanent Art Collection.

Distinctions recorded are Anonymous Was A Woman Award and Guggenheim Fellowship.