Marie Ellenrieder
Marie Ellenrieder (20 March 1791 – 5 June 1863) was a German painter, known for her portraits and religious paintings.
Also recorded as Maria Ellenrieder · Anna Maria Ellenrieder · anna maria ellenrieder · M. Ellenrieder
Marie Ellenrieder

Marie Ellenrieder · PD by age · Public domain
- Name
- Marie Ellenrieder
- Born
- 20 March 1791
- Birthplace
- Konstanz, Electorate of Baden, Holy Roman Empire
- Died
- 5 June 1863
- Place of death
- Konstanz, Grand Duchy of Baden, German Confederation
- Education
- Academy of Fine Arts Munich
- Field
- Painting
- Nationality
- Grand Duchy of Baden.
- Occupation
- painter, draftsperson, printmaker, artist and etcher.
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Marie Ellenrieder (20 March 1791 – 5 June 1863) was a German painter, known for her portraits and religious paintings.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q328027 · wikipedia · Marie Ellenrieder
In this article
Key facts
Key facts
• Name — Marie Ellenrieder • Born — 20 March 1791 • Birthplace — Konstanz, Electorate of Baden, Holy Roman Empire • Died — 5 June 1863 • Place of death — Konstanz, Grand Duchy of Baden, German Confederation • Education — Academy of Fine Arts Munich • Field — Painting
Life and career
Life and career
Ellenrieder was born in Konstanz, Germany in 1791, the daughter of Konrad and Anna Maria Herrmann, and the granddaughter of Franz Ludwig Herrmann. She was considered to be the most important German woman artist of her time. In 1813, she enrolled in the Academy of Fine Arts Munich, making her the first woman admitted to an art academy in Germany. She thus paved the way for many other women to train professionally as artists at the Munich Academy. She studied there under the miniature painter Joseph Einsle. Her early portraits were similar in style to those of Angelica Kauffman and had a more relaxed naturalism than was usual in German portraiture of the time. • Illustration — Christ Blessing Little Children Between 1822 and 1824, during a study trip in Rome, Ellenrieder met the Nazarenes and became a disciple of Johann Friedrich Overbeck. The Nazarenes' objective was to lead a renewal of religious art in the spirit of the Italian Renaissance master Raphael, an ideal Ellenrieder adopted. After this journey, and further influenced by her friend and patron Baron von Wessenberg, she began painting religious images in the style of the Italian Renaissance, including Martyrdom of St. Stephen for the Church of St. Stephen in Karlsruhe in 1828. In 1829, she became court painter to Grand Duchess Sophie of Baden. Ellenrieder returned to her home town in the 1840s and continued producing religious images. Her two paintings Der 12 jährige Jesus im Tempel / The 12 year old Jesus in the Temple of 1849 (oil on canvas, 203,2 x 139,7 cm) and Hl Felicitas und ihre sieben Söhne / Holy Felicitas and her Seven Sons of 1847 (oil on canvas, 127 x 177,8 cm) were acquired by Queen Victoria, who had been introduced to her work by the Prince Consort, who in turn had encountered the artist on his travels to Rome. They are now part of the Royal Collection in Osborne House. She also taught painting, one of her notable students was Caroline Mezger. She died in her home town of Konstanz in 1863. The largest collection of the work of Marie Ellenrieder in the United States is held by the Jack Daulton Collection in Los Altos Hills, California.
Identity
Identity
Marie Ellenrieder is recorded as painter, draftsperson, printmaker and artist. The authorities additionally record the headings Maria Ellenrieder, Anna Maria Ellenrieder, anna maria ellenrieder and M.

Marie Ellenrieder, Vogel von Vogelstein, Carl Christian - Ellenrieder, Maria (1791-1863), Malerin, Radiererin DDB, 1832
Carl Christian Vogel von Vogelstein
Life and career
Dated record
Life and career
The full dated record · 2 entries
1791
Marie Ellenrieder born at Constance.
1863
Marie Ellenrieder died at Constance.
Selected paintings
• Illustration — Mary and the Infant Jesus • Illustration — Jesus Among the Children • Illustration — Mary Writing the Magnificat • Illustration — Mary with baby Jesus • Illustration — Flower-wreathed girl with harp, 1850 • Illustration — The baptism of Lydia of Thyatira, 1861 • Illustration — Kneeling girl, pouring out a basket of flowers, 1841 • Illustration — Three virgins, 1849 • Illustration — Saint Stephen Among the Angels, 1857, oil on mill-board, The Jack Daulton Collection, Los Altos Hills, California • Illustration — Head of a child, 1833 • Illustration — Portrait of a bearded young man, circa 1817, oil on canvas, The Jack Daulton Collection • Illustration — Christ in the Temple
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q328027: Marie Ellenrieder
Reputable secondary · Wikimedia Foundation
- “Marie Ellenrieder”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Buchholz, Elke Linda. Women Artists. Prestel. 58–59. 2003. 9783791329673.
- 2.Frederick Warne & Co. The Nuttall Encyclopædia, being a concise and comprehensive dictionary of general knowledge. 220. 1920. 61601104.
- 3.Conrad, Christin. 'Das Bild hat einigen historischen Werth und deshalb wird es vielleicht ausgestellt …' Zum Ausstellungsdebüt Julie Hagens in München: Das Porträt des Freundes und Mentors Moritz Rugendas. Baltic Journal of Art History. 12. 29. Autumn 2016. 10.12697/BJAH.2016.12.03.
- 4.Mainz, Valerie. Dictionary of Women Artists. Fitzroy Dearborn Publishers. 1. 39–43. 1997. 1884964214.
- 5.Sutherland Harris, Ann. Women Artists: 1550-1950. Knopf. 51. 1976. 9780394411699.
- 6.Facos, Michelle. An Introduction to Nineteenth-Century Art. Routledge. 179. 2011. 9780203833070.
- 7.Collection: Marie Ellenrieder (1791-1863) - St Felicitas and her Seven Sons. Royal Collection Trust.
- 8.Schmid, F. Carlo. Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700–1830. Cambridge University Press. 56–72. 2024. 978-1-108-95353-5.
- 9.von Roda, Hortensia. CarolineMezger. Historical Dictionary of Switzerland. 11 November 2008.
- 10.Oxford University Press. Mezger, Caroline. Benezit Dictionary of Artists. 31 October 2011. 10.1093/benz/9780199773787.article.b00122122.
- 11.Daulton, Jack. Self-Portrait as a Teenager making a Self-Portrait. marieellenrieder.com. The Daulton Collection.
- 12.Daulton, Jack. About the Collection. The Daulton Collection.
- 13.The Daulton Collection. Saint Stephen among the Angels. marieellenrieder.com.
- 14.The Daulton Collection. Portrait of a Young Man. marieellenrieder.com.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Institutional witnessreference work
Wikidata, structured authority record Q328027: Marie EllenriederWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Marie BracquemondEngraver
- Marie Catherine RiolletEngraver
- Marie DanseEngraver
- Marie Élisabeth Delatour-SimonsEngraver
- Marie Elyse St. GeorgeEngraver
- Marie LaurencinEngraver
- Marie-Anne TardieuEngraver
- Marie-Antoine CarêmeEngraver
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