Liu Rushi
Liu Rushi (Chinese: 柳如是; pinyin: Liú Rúshì; Wade–Giles: Liu Ju-shih; 1618–1664), also known as Yang Ai (楊愛), Liu Shi (柳是), Liu Yin (柳隱),Yang Yinlian (楊影憐) and Hedong Jun (河東君), was a Chinese courtesan, poet and writer in the late Ming dynasty and early Qing dynasty. She is one of the "Eight Beauties of Qinhuai" described by late Qing official Zhang Jingqi. In addition to her creative works (many of which have survived) and independent spirit, she has been revered in later times for her unwavering love for her husband and for her country (the Ming) during the Ming–Qing transition.
Also recorded as Liu Shi · Yangaier · Wumijun · Rushi
Liu Rushi

Yu Ji, 1738-1823 Cheng Tinglu, 1796-1858 · This image has been extracted from another file · Public domain
- Full name
- 杨爱.
- Born
- 1618. · Jiaxing.
- Died
- 1664.
- Nationality
- Ming dynasty and Qing dynasty.
- Occupation
- poet, writer, painter, changji, calligrapher and courtesan.
- Fields
- poetry.
- Known for
- Grass on the Lake.
- Languages
- Chinese.
VALÉORINE Encyclopedia
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Documentary summary
Liu Rushi (Chinese: 柳如是; pinyin: Liú Rúshì; Wade–Giles: Liu Ju-shih; 1618–1664), also known as Yang Ai (楊愛), Liu Shi (柳是), Liu Yin (柳隱),Yang Yinlian (楊影憐) and Hedong Jun (河東君), was a Chinese courtesan, poet and writer in the late Ming dynasty and early Qing dynasty. She is one of the "Eight Beauties of Qinhuai" described by late Qing official Zhang Jingqi. In addition to her creative works (many of which have survived) and independent spirit, she has been revered in later times for her unwavering love for her husband and for her country (the Ming) during the Ming–Qing transition.
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Note VALÉORINE
Liu Rushi (1618–1664) was a calligrapher, changji and courtesan, among other activities, a national of Ming dynasty and Qing dynasty. The calligrapher was born 杨爱 in Jiaxing. Activity centred on poetry.
Among the works is Grass on the Lake. Languages used include Chinese.
Composed from admitted, traceable facts · 26 September 2026
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technical hold · checked 25 September 2026
- Identity
- resolved
- Independent source families
- 0
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Authority files
gnd · 119483793 · wikidata · Q6653701 · wikipedia · Liu Rushi
In this article
Early life
Early life
Historian Chen Yinke, who spent decades researching and writing about her, characterizes Liu Rushi as "a heroine, a belle, a wordsmith, and a patriot" (女俠名姝 文宗國士).
Liu Rushi was born in 1618. Her original surname was Yang and she was from Jiaxing, Zhejiang. Due to her poor family, she was sold to Guijia Yuan (归家院) who trained courtesans since she was a child. She was unfortunate in her childhood and her life experience is unknown. When Liu Rushi was about four or five years old, she began to receive training in art and literature. She worked as a courtesan apprentice and maid in Guijia Yuan. She was very smart since she was a child, the boss of Guijia Yuan is Xu Fo (徐佛), a former famous courtesan. Xu Fo is also Liu Rushi's teacher. Under her influence, Liu Rushi was able to read extensively, write poetry and paint flowers. When Liu Rushi was about 13 years old, she was sold into the home of Zhou Daodeng, the former prime minister of Chongzhen, and married to Zhou Daodeng, who was over sixty years old, as his concubine. The relationship between Liu Rushi and Zhou Daodeng is more like that of a granddaughter and a grandfather, Zhou Daodeng often held her on his lap and taught her poetry and songs, which made the other wives and concubines very jealous. After Zhou Daodeng's death, fourteen-year-old Liu Rushi was kicked out of the Zhou family. Liu Rushi, who left the Zhou family, chose to become a courtesan. In 1632, Liu Rushi came to Songjiang and gave herself the name Yinglian (影怜), which stands for self-pity in troubled times. In Songjiang, she communicated with Fushe, Jishe, and Donglin Party members. She often wore Confucian attire and men's clothing to gather with literati, talk about the general situation of the country, and sang many poems. When making friends with men, she liked to call herself "brother". She also often travels by boat between Jiangsu, Zhejiang and Jinling. Liu Rushi performed at the 75th birthday party of calligrapher and painter Chen Jiru. She performed singing and dancing, and the song she sang was the poem "Poetry·Xiaoya·Tianbao" in which the officials of the Zhou Dynasty prayed for the Emperor of Zhou. Liu Rushi's sweet singing voice made the birthday star feel relaxed and happy, and also made the guests present shine. In 1632, when Liu Rushi met the poet Song Zhengyu, he was similar in age to her and liked each other. This was Liu Rushi's first lover in Songjiang. Song Zhengyu was born into a wealthy family, and their love was opposed by Song Zhengyu's mother. Liu Rushi cut off the strings of the guqin with a knife in front of Song Zhengyu and broke up with Song Zhengyu. Liu Rushi later fell in love with Chen Zilong, and both of them were very affectionate. They lived in Songjiang Nanlou for a long time, wrote poems, and discussed poems. Chen Zilong's wife, Zhang, led people to make trouble in the south building. Due to opposition from Chen Zilong's family, the two were forced to break up. Liu Rushi was unwilling to be humiliated and left sadly and resolutely. Despite this, Chen Zilong still has feelings for Liu Rushi. Chen Zilong was unfortunately defeated and died in the anti-Qing uprising. Liu Rushi discussed poetry with male literati and socialized with men, but some only stayed in poetry exchanges, and some men were just friends. Wang Ruqian, a wealthy businessman and literati, was Liu Rushi's good friend and he appreciated Liu Rushi's talent. The talented courtesan and poet Wang Wei was also Wang Ruqian's good friend. She was friends with fellow courtesan Chen Yuanyuan. Liu Rushi is also good friends with the courtesans Dong Xiaowan, Gu Hengbo, Li Xiangzhen and Li Xiangjun. She is also good friends with the boudoir woman and painter Huang Yuanjie. Liu Rushi gave herself the name Rushi (如是), taken from a line in "Hexinlang · Shenyiwushuaiyi" (贺新郎·国脉微如缕) written by poet Xin Qiji, "I see how charming the green mountains are, and I expected that the green mountains should see the same in me". Liu Rushi's patriotic spirit is very strong, and she also regards Liang Hongyu, a patriotic female general of the Song Dynasty who was a courtesan, as her idol.
Marriage to Qian Qianyi
Marriage to Qian Qianyi
In 1640 Liu embarked on a campaign to marry the respected scholar Qian Qianyi. Dressed in men's clothing, she accosted Qian and requested his opinion on one of her poems. Qian apparently believed her to be a man, but later in the year he had established her at a specially built hermitage in the grounds of his Suzhou estate, called the "According to Sutra Studio". They married in 1641 on a river cruise; Qian bestowed upon his bride the new name of Hedong. Although he married her as a concubine, Qian treated Liu as his principal wife, and they were married in a formal wedding ceremony. Her affinity for crossdressing persisted after they were married; she regularly wore men's clothing in public and on occasion made calls on her husband's behalf dressed in his Confucian robes, earning her an alternative interpretation of her name "Rushi", which means a Confucian scholar or Rushi (儒士). After the collapse of the Ming dynasty in 1644, Liu tried to persuade her husband to commit suicide and martyr himself to the fallen Ming. Qian refused, instead choosing to assist the growing anti-Qing resistance movement. In 1648, the couple had a daughter together. The last years of her life were difficult for Liu. In 1663, she entered the Buddhist laity, partly as a response to the destruction of her husband's substantial personal library, the Crimson Cloud-Storied Hall. After Qian's death in 1664, his creditors and enemies attempted to extort money from Liu; their machinations eventually drove her to hang herself.
Poetry
Poetry
During her life Liu Rushi was a prolific poet, publishing four collections of her work before the age of 22. Her calligraphy was noted for its bold, masculine strokes, using the "wild-grass script" style. Her solo anthologies included Songs from the Mandarin Duck Chamber and Poems Drafted by a Lake, and her poetry was published alongside her husband's in a number of his works. Other collections of poems by Liu Rushi include, "Grass on the Lake (湖上草)", "Wuyin Grass (戊寅草)", "Liu Rushi's Poems (柳如是詩)", "Hongdou Village Miscellanies (紅豆村莊雜錄)", "Plum Blossom Collection (梅花集句)", "Dongshan Sing Collection (東山酬唱集)", "Collection of Poems from Hedong (河東詩文集)", etc. In addition to poetry collections, calligraphy and painting works, Liu Rushi also wrote 31 Chidu (尺牘).
Commemorate
Commemorate
The Qing dynasty magistrate Chen Wenshu (陳文述) helped preserve her tomb and once helped rebuild it. To this day, Liu Rushi's tomb still exists.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1618
Liu Rushi born at Jiaxing.
1664
Liu Rushi died.
List of paintings
Landscapes with Figures, album leaves, ink and color on paper. Freer Gallery of Art, Washington, D.C. Misty Willows at the Moon Dike, 1643, handscroll, ink and color on paper. Palace Museum, Beijing. Other paintings by Liu Rushi include "Mountain Village in Smoke and Rain(煙雨山村)", "Early Spring Garden Drama(早春園戲)", "Fragrance Far and Bright(香遠益清)" etc.
Primary material
Documents and archives
scholarly publication
- A Comparative Study on Gisaeng Poet between Kim Uncho from Korea and Liu Rushi from China-Focused on Sex Consciousness, 한국문화연구, 2009
Scholarly · Crossref registry · 2009
- Liu Rushi 柳如是 (1618–1664), Readings in Chinese Women’s Philosophical and Feminist Thought, 2022
Scholarly · Crossref registry · 2022
reference work
- “Liu Rushi”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Gemeinsame Normdatei 119483793, Liu, Rushi.
Unverified · GND (German National Library)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Xie 谢, Yongfang 永芳. 像传题咏与经典重构———以《秦淮八艳图咏》为中心. Zhongguo Wenhua Yanjiu. 2. 180–188. 2014.
- 2.Eight Scenes of Shenghu Lake.
- 3.清·郏抡逵《虞山画志》:“博览群籍,能诗文,间作白描花卉,秀雅绝伦。”
- 4.[Baijia Forum] Although Liu Rushi came from a humble background and was bullied, she remained proud and refreshing.
- 5.Take off all the rouge and gouache in the boudoir.
- 6.[Stories in the Clouds] Liu Rushi in the Clouds - Songjiang Memories Behind the Names of Celebrities.
- 7.Liu Rushi, practicing love.
- 8.陈寅恪《柳如是别传·第三章》:“未几,为郡守所驱,如是请辕文商决。置古琴一张,倭刀一口。问辕文曰:‘为今之计,奈何?’辕文徐应曰:‘姑避其锋。’如是大怒曰:‘他人为此言,无是怪。君不应尔。我与君自此绝矣。’持刀斫琴,七弦俱断。辕文骇愕出。”
- 9."Thinking about past stories makes me sad like this" ——A brief explanation of "Liu Rushi's Farewell Biography".
- 10.Wang Ranming, a businessman who values friendship.
- 11.Dorothy Ko. Teachers of the Inner Chambers: Women and Culture in Seventeenth-Century China. Stanford University Press. 273–7. 1994. 978-0-8047-2359-6.
- 12.Dong Xiaowan has outstanding talents, loves to write poetry, and is very serious and hardworking.
- 13.《親愛的・柳如是》劇力萬鈞 主題沉重卻不失幽默|何故專欄.
- 14.[Baijia Forum] Liu Rushi's name comes from a poem by Xin Qiji.
- 15."女侠名姝"柳如是.
- 16.Victoria Baldwin Cass. Dangerous Women: Warriors, Grannies, and Geishas of the Ming. Rowman & Littlefield. 40–44. 1 January 1999. 978-0-8476-9395-5.
- 17.Bonnie G. Smith. The Oxford Encyclopedia of Women in World History: 4 Volume Set. Oxford University Press. 125–6. 2008. 978-0-19-514890-9.
- 18.Cahill, James. Flowering in the Shadows: Women in the History of Chinese and Japanese Painting. University of Hawai'i Press. 104. 1990. 978-0824811495.
- 19.Smitihsonian Institution. Landscapes with Figures. Freer/Sackler.
- 20.Lee, Hui-shu. Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618-1664) Misty Willows by Moonlit Dike. Journal of Chinese Literature and Culture. 2. 1. 173–206. April 2015. 10.1215/23290048-2887589.
- 21.Group photo: Talented, beautiful and upright, the life and calligraphy and painting works of Qinhuai Bayan.
- 22.Liu Rushi.
- 23.莫怪女儿太唐突,蓟门朝士几须眉:秦淮八艳之柳如是.
- 24.Qian Yong (钱泳)《履园丛话》也有记载:“嘉庆二十年间,钱塘陈云伯(陈文述)为常熟令,访得柳夫人墓在拂水岩下,为清理立石。”
Bibliography printed in the source article · 1
- Liu Shih.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
A Comparative Study on Gisaeng Poet between Kim Uncho from Korea and Liu Rushi from China-Focused on Sex Consciousness, 한국문화연구, 2009Crossref registry
Verifiedscholarly publication
Liu Rushi 柳如是 (1618–1664), Readings in Chinese Women’s Philosophical and Feminist Thought, 2022Crossref registry
Verifiedreference work
Partially resolvedinstitutional register
Gemeinsame Normdatei 119483793, Liu, Rushi.GND (German National Library)
Unverifiedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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