Joseph Urban

• Name — Joseph Urban • Born — 26 May 1872 • Birthplace — Vienna, Austria-Hungary • Died — 10 July 1933 • Place of death — New York City, U.S. • Occupation — Architect, illustrator, scenic designer • Spouse — Mary Porter Beegle (m. 1919)

• Illustration — Caricature by Rudolf Swoboda (c. 1900) • Illustration — Joseph Urban set design drawing for Ziegfeld Follies of 1919 Joseph Urban was born on May 26, 1872, in Vienna. He received his first architectural commission at age 19 when he was selected to design the new wing of the Abdin Palace in Cairo by Tewfik Pasha. He became known around the world for his innovative use of color, his pointillist technique, and his decorative use of line. He designed buildings throughout the world from Esterhazy Castle in Hungary to the Ziegfeld Theatre in New York. Urban studied architecture at the Academy of Fine Arts Vienna under Karl von Hasenauer. In 1890, he and his brother-in-law, Heinrich Lefler, were among the founders of the Hagenbund. Urban's early work with illustrated books was inspired by Lefler and, together, they created what are considered seminal examples of children's book illustration. Urban immigrated to the United States in 1911 to become the art director of the Boston Opera Company. He was already an accomplished international architect, illustrator and theatre set designer with over 50 productions from his home Vienna Royal Opera, the Champs-Elysées Opera, and Covent Garden. By applying points of primary colors side by side on the canvas backdrops he was able to create and light theatre sets of vivid color reminiscent of the works by Monet or Seurat. In 1914, he moved to New York City, where he designed productions for the Metropolitan Opera and the Ziegfeld Follies; he continued to design for Florenz Ziegfeld Jr. until 1931. William Randolph Hearst was an important client and supporter. He also co-produced with Richard Ordynski Percy MacKaye's "Community Masque" Caliban by the Yellow Sands. Beginning in 1917, he was frequently engaged as stage designer by the Metropolitan Opera of New York City. In all he created set designs for 47 new productions at the house through 1933. His many designs provided the opera company with a cohesive production style throughout the tenure of General Manager Giulio Gatti-Casazza. Many of Urban's settings remained in the company's repertoire into the 1950s. Soon his sets and innovative lighting caught the eye of Florenz Ziegfeld Jr., who hired him to design the Follies in the 1920s. Urban went to work creating a stunning night-club with glass balconies, a moving stage, and rainbow lighting effects. This Danse de Follies soon became a blend of ideas and talent before serving in the Follies theatre. Urban had success after success in his creating of the Follies' sets, and William Randolph Hearst, a media tycoon, took notice and wanted to hire Urban to work on his films starring Marion Davies, his mistress, and previous Follies starlet. Hearst came to an understanding with his friend Ziegfeld that Urban's work for him would not interfere with any of the Follies productions. Urban worked on 25 films over the years. Urban died July 10, 1933, of a heart attack at his apartment at the St. Regis Hotel in Manhattan, where he had been convalescing following surgery in May.

This partial list omits unrealized projects. • 1900: Wohn- und Bürohaus Wien 8, Buchfeldgasse 6 (with Hermann Stierlin) • 1902: Villa Goltz, Wien 19, Grinzinger Straße 87 • 1903: Villa Wiener, Wien 13, Veitingergasse 21 • 1904: Exhibition space, Austrian Pavilion, Louisiana Purchase Exposition, St. Louis, Missouri • 1907: Villa Redlich, Wien 19, Kreindlgasse 11 • 1907: Wohnhaus, Wien 19, Krottenbachstraße 11 • 1907: Villa Max Landau, Semmering, Südbahnstraße 83 • 1910: Villa Dr. Mair, Scheiblingkirchen, Kreuzackergasse 43 • 1920: Sherman Hotel Panther Room, Chicago • 1922: Wiener Werkstätte showroom, New York City • 1925: C.C. Lightbown House, 4839 Colorado Avenue, NW, Washington, DC, Permit #7278, March 10, 1925, cost $25,000. • 1926: Mar-a-Lago, Palm Beach, Florida • 1926: Demarest Little Castle, Palm Beach, Florida • 1926: Paramount Theatre, Palm Beach, Florida • 1927: Anthony Biddle residence, Palm Beach, Florida • 1927: Bath and Tennis Club, Palm Beach, Florida • 1927: Ziegfeld Theatre, New York City • 1926–27: St. Regis Hotel Roof Garden • 1928: Hotel Gibson Roof Garden, Cincinnati, Ohio • 1928: Bossert Hotel, Grill Room, Brooklyn • 1928: Bedell Store, New York City • 1928–29: William Penn Hotel, Urban Room, Pittsburgh, Pennsylvania • 1929: International Magazine Building, New York City • 1929: Central Park Casino • 1929: Metropolitan Museum of Art 11th annual exhibition of American Industrial Art • 1929: The Gingerbread Castle, Hamburg, New Jersey • 1930: The New School for Social Research, New York City • 1929–31: Atlantic Beach Club, Long Island, New York • 1931: Park Avenue Restaurant, 128 E 58th Street • 1932: Congress Hotel, Joseph Urban Room, Chicago, Illinois • 1929: Urban Room, Omni William Penn Hotel, Pittsburgh, Pennsylvania • 1933: Katherine Brush Apartment • 1933: Color scheme for the Century of Progress International Exposition

Joseph Urban is recorded with the occupation scenographer. Established in Bibliothèque nationale de France under 15506579t. Established in Library of Congress under n85180973. Recorded as architect, scenographer and sculptor. Established in RKDartists under 78800. Established in FAST under 159061. The circumstances in which Joseph Urban stands. Identity and origins. The authorities additionally record the heading Josef Urban. His recorded languages were English and German. Other recorded relations include Heinrich Lefler.