Johannes of Ljubljana
Illustration — Copy of Johannes of Ljubljana's fresco Saint Nicholas Saves Three Innocents (1443), National Gallery of Slovenia Johannes of Ljubljana (Johannes de Laybaco, Slovenized as Janez Ljubljanski), was a painter active between 1433 and 1460.
Also recorded as John of Ljubljana · Johannes de Laybaco
Johannes of Ljubljana

Johannes of Ljubljana · This image is available from the Digital Library of Slovenia under the reference number NGIDX3SE This tag does not indicate the copyright status of the attached work. A normal copyright tag is still r · Public domain
- Born
- 1410
- Died
- 1460
- Nationality
- Holy Roman Empire
- Occupation
- painter
- Languages
- Slovene
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Illustration — Copy of Johannes of Ljubljana's fresco Saint Nicholas Saves Three Innocents (1443), National Gallery of Slovenia Johannes of Ljubljana (Johannes de Laybaco, Slovenized as Janez Ljubljanski), was a painter active between 1433 and 1460.
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wikidata · Q16172302 · wikipedia · Johannes of Ljubljana
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Life and work
Johannes was the son of Frederic of Villach, and he became a citizen of the town of Ljubljana around 1440. He initially worked in his father's workshop in Carinthia, where he created his first independent works. He is believed to have had close contact with the Cistercians, and in Carniola he worked on commissions from Stična Abbey. His bet-known signed and dated frescoes are in the Gothic Saint Nicholas's Church in Visoko (1443) and in Muljava (1456). A work of his bearing only a date (1459) is found in Saint Peter's Church in Kamni Vrh pri Ambrusu. His independent works also include paintings at the monastery in Stična and at the churches in Metnaj and Mačkovec pri Dvoru, and together with painters from his workshop he also created works in Troščine and at Saint Nicholas's Chapel of Ease in Žužemberk. Products of his workshop are also considered the frescoes in Mengeš and the pilgrimage church dedicated to the Annunciation in Crngrob, where he painted Holy Sunday around 1460. Johannes brought a late soft style of painting to Carniola from Carinthia, pervaded by Bohemian and Italian influences. His works are characterized by the skill of his workshop, their colorful plastic modeling, idealized calm, and the beauty of the figures. With regard to his iconography, his work shows some adaptation to the painting style common to Carniolan chancels.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Campbell, Gordon. The Grove Encyclopedia of Northern Renaissance Art. Oxford University Press. 274. 2009.
- 2.Hourihane, Colum. The Grove Encyclopedia of Medieval Art and Architecture. Oxford University Press. 625. 2012.
- 3.Turner, Jane. The Dictionary of Art, vol. 16. Grove. 494. 2005.
- 4.Križnar, Anabelle. A Comparative Study of Wall Painting Materials and Techniques Used in Fifteenth Century Austria by Frederich of Villach and His Followers. Studies in Conservation. 59. 5. 289–299. 2014. 10.1179/2047058413Y.0000000114.
- 5.Križnar, Anabelle. Plasters in Mediaeval Mural Paintings of Carinthia and Their Influence on Slovenia. Journal of Architectural Conservation. 20. 1. 43–55. 2014. 10.1080/13556207.2014.886375.
- 6.Rozman, Ksenija. Janez Ljubljanski. Enciklopedija Slovenije. Mladinska knjiga. 4. 263–264. 1990.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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