Jean-Paul Laurens

• Name — Jean-Paul Laurens • Born — 28 March 1838 • Birthplace — Fourquevaux, France • Place of death — Paris, France • Field — History painting • Movement — Academic art Romanticism

Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical mise-en-scène, came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens's lifetime. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monumental series on the life of Saint Genevieve in the apse of the Panthéon, the decorated ceiling of the Odéon Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's Récits des temps mérovingiens ("Accounts of Merovingian Times"). He died in Paris, aged 82. Two of his sons, Paul Albert Laurens (1870–1934) and Jean-Pierre Laurens (1875–1932), both also became painters and teachers at the Académie Julian.

• Illustration — Cato's Death at Utica, 1863 • Illustration — The Death of Tiberius, 1864 • Illustration — Pope Formosus and Stephen VI—The Cadaver Synod, 1870 • Illustration — The Execution of the Duke of Enghien, 1873 • Illustration — The Last moments of Maximilian, Emperor of Mexico, 1882 • Illustration — Hostages, 1896