James Nares

James Nares studied at School of Visual Arts. The recorded working language is English. The field of work recorded is time-based media. Places of work recorded in the authority are New York City. Work by James Nares is recorded in the collections of Whitney Museum of American Art, Museum of Modern Art, Art Institute of Chicago, Buffalo AKG Art Museum and Picker Art Gallery.

Nares attended the Chelsea Art School in London from 1972 to 1973. She later studied at the School of Visual Arts in New York from 1974 to 1976.

Nares is best known as a contemporary art painter. Her method involves repeated strokes that eventually create a precise representation. She is known for employing single but intricate gestural brush strokes in most of her works. Grace Glueck, New York Times art critic, described the effect of Nares's paintings as a combination of Japanese calligraphy and the 1960s cartoon works of Roy Lichtenstein. These techniques have been compared to those of the Action Painters as well as Abstract Expressionists. Her work is exhibited in various museums in the United States: such as the Museum of Modern Art in New York, the Albright-Knox Art Gallery in Buffalo, NY, and the Whitney Museum of American Art in New York. Some of her solo exhibitions include 1976: Films and Other Works at Paul Kasmin Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain. Nares's other solo exhibitions include New Paintings in 2004 at the Hamiltons Gallery in London and the New Paintings and Chronophotographs exhibition in 2005 at the Goss Gallery in Dallas. Her works were also featured in the Painting and Sculpture exhibition at the Lehmann Maupin gallery in New York City in 2010. Rizzoli published a monograph dedicated to Nares's works in 2013. When speaking on her work, Nares once stated: I try to embody the nature and combine the forms—it's like one and one making three—to expose a metaphor of some kind. It's searching for metaphors, for likeness, like a breeding ground. It seems to me, that's how a language develops. Everything breeds through metaphors.

• 2019: Nares: Moves, Baker/Rowland Gallires, Milwaukee Art Museum, Milwaukee, WI • 2013: Street, Reinberger Galleries, Cleveland Institute of Art, Cleveland, OH • 2013: Road Paint, Paul Kasmin Gallery, New York, NY • 2013: Street, Cinemarfa Film Festival, Marfa, TX • 2013: Street, Metropolitan Museum of Art, New York, NY • 2012: New Media Series – James Nares: Street, St. Louis Art Museum, St. Louis, MO • 2012: Street, Wadsworth Atheneum, Hartford, CT • 2012: James Nares, 1976: Films and Other Works, Paul Kasmin Gallery, New York, NY • 2011: Cinemarfa Film festival, Marfa, TX • 2011: The Films of James Nares, IFC Center, New York, NY • 2010: New Paintings and a Film, Michael Kohn Gallery, Los Angeles, CA • 2010: James Nares at the Armory Show, Paintings and Video, The Armory Show, Paul Kasmin Gallery, Pier 94, New York, NY • 2009: James Nares, New Paintings, New Video: Element Number One, Paul Kasmin Gallery, New York, NY • 2009: James Nares, Galleria Arnes Y Roepke, Madrid, ES • 2008: Galerie Stefan Roepke, Cologne, DE • 2008: Sebastian Guinness Gallery, Dublin, IE • 2008: James Nares: Motion Pictures (film retrospective), Anthology Film Archives, New York, NY • 2007: Galerie Stefan Roepke, Cologne, DE • 2007: Michael Kohn Gallery, Los Angeles, CA • 2005: New Paintings and Chronophotographs, Paul Kasmin Gallery, New York, NY • 2005: Goss Gallery, Dallas, TX

• 2011: Street (61 min, HD video) • 2010: Thread (3.5 minutes, HD video) • 2010: To Make A Prairie (12.5 mins, 16mm) • 2009: Element Number One (30 mins, HD video) • 2008: With God On Our Side (8 mins, HD video) • 2007: Globe (43 min, HD video) • 2007: Paper Factory (8 min, video) • 2007: Drip (2 min, video) • 2007: Drop (4 min, HD Video) • 2007: Primary Function (2 min, HD video) • 1998: Cloth (3 min, 16mm, silent) • 1998: Punch (2 min, 16mm, silent) • 1998: Giotto Circle #2 (3.5 min, Hi-8 video) • 1991: Hammered (2 min, video) • 1991: The Lighthouse (30 min, video) • 1991: Weather Bed (3 min, video) • 1991: Cornfield (8.5 min, video) • 1991: Piano (8.5 min, video) • 1990: Glove (1.5 min, Hi-8 video) • 1990: Lens (2.5 min, Hi-8 video) • 1987: Studio Tape (45 min, Hi-8 video) • 1982: Waiting For The Wind (7.5 min, Super8) • 1980: No Japs At My Funeral (60 min, video) • 1978: Rome '78 (75 min, Super8-to-16mm.) • 1977: TV Faces (6 min, Super8-to-16mm) • 1977: Suicide? No, Murder (30 min, Super8-to-16mm) • 1976: Game (3 min, video) • 1976: Block (3 min, Super8-to-16mm, silent) • 1976: Giotto Circle #1 (3 min, Super8-to-16mm, silent) • 1976: Poles (2 min, video) • 1976: Pendulum (17 min, Super8-to-16mm) • 1976: Studio Pendulum (7 min, Super8-to-16mm) • 1976: First Pendulum (5 min, Super8-to-16mm) • 1976: Steel Rod (5 min, Super8-to-16mm, silent) • 1976: Arm And Hammer (3.5 min, Super8-to-16mm, silent) • 1976: Ramp (3 min, Super8-to-16mm) • 1976: Twister (2 min, Super8-to-16mm, silent) • 1975: Handnotes #2 (5 min, video, silent) • 1975: Roof (12 min, 1/2" video)