John Varley
Illustration — Portrait of John Varley by William Mulready, 1814 • Illustration — Portrait of John Varley by John Linnell, 1820 • Illustration — Hackney Church by John Varley • Illustration — The Straits of Gibraltar John Varley (17 August 177817 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819–1820 on the book Visionary Heads, written by Varley and illustrated by Blake. He was the elder brother of a family of artists: Cornelius Varley, William Fleetwood Varley, and Elizabeth, who married the painter William Mulready.
Also recorded as John Varley, Sr. · John Varley I · John, I Varley · John I Varley
John Varley

William Mulready (died 1863) · Public domain
- Born
- 1778 · Greater London.
- Died
- 1842 · Greater London.
- Nationality
- United Kingdom of Great Britain and Ireland · Kingdom of Great Britain · United Kingdom
- Occupation
- painter · astrologer · artist · draftsperson
- Teachers
- Joseph Charles Barrow
- Languages
- English
VALÉORINE Encyclopedia
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Documentary summary
Illustration — Portrait of John Varley by William Mulready, 1814 • Illustration — Portrait of John Varley by John Linnell, 1820 • Illustration — Hackney Church by John Varley • Illustration — The Straits of Gibraltar John Varley (17 August 177817 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819–1820 on the book Visionary Heads, written by Varley and illustrated by Blake. He was the elder brother of a family of artists: Cornelius Varley, William Fleetwood Varley, and Elizabeth, who married the painter William Mulready.
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Note VALÉORINE
John Varley (1778–1842) was a British and British artist, astrologer and draftsperson, among other activities. The artist was born and died in Greater London. John Varley was a member of Royal Watercolour Society.
Languages used include English. Works by the artist are held at Auckland Art Gallery, Glynn Vivian Art Gallery and National Library of Wales, among others.
Composed from admitted, traceable facts · 27 September 2026
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gnd · 101903727X · wikidata · Q2057288
In this article
Life and work
Life and work
Training under Joseph Charles Barrow is recorded. John Linnell and George Fennell Robson are recorded as having studied under John Varley. The recorded working language is English. Work by John Varley is recorded in the collections of Auckland Art Gallery, Tate, Smithsonian American Art Museum, Yale Center for British Art and National Library of Wales.
John Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. His mother was an alleged descendant of the regicide Oliver Cromwell through the marriage of his daughter, Bridget, and the Parliamentarian soldier and politician General Charles Fleetwood. Varley's parents discouraged his leanings towards art, and placed him under a silversmith.[1] But on their death he was for a brief time employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow (fl. 1789–1802) who had an evening drawing school twice a week at 12 Furnival's Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral at the Royal Academy and became a regular exhibitor at the RA until the foundation of the Old Watercolour Society in 1805. In 1799 he visited North Wales, and in its wild mountain scenery found the subjects best suited to his brush. He returned there in 1800, and again in 1802, and the impressions then received powerfully influenced the whole course of his art. He married Esther Gisborne on 14 November 1803 at St. James, Piccadilly, London, and became brother-in-law to Muzio Clementi in 1810 when the latter married Emma Gisborne. Varley exhibited more than 700 works at the OWS of which he was one of the founders. He also became a highly successful drawing master, his pupils including Copley Fielding, David Cox, John Linnell and William Turner (artist) of Oxford. Despite his success, his growing family meant he was constantly in financial difficulties, "since he was both a hopeless businessman and by temperament something of a Micawber". (Mallalieu). Varley was particularly skilled at the laying of flat washes of watercolour which suited the placid, contemplative mood that he often sought to evoke. Varley published A Treatise on the Principles of Landscape Drawing, 1816–21 and A Practical Treatise on the Art of Drawing in Perspective. He also wrote an astrological text (with illustrations) entitled A Treatise on Zodiacal Physiognomy in 1828. He is buried at Kensal Green Cemetery.[2]
Works
Works
• J Varley's List of Colours, published by John Varley, London 1818, 1pp. • A Treatise on the Principles of Landscape Drawing... • A Practical Tratise on the Art of Drawing in Perspective: adapted for the study of those who draw from nature; by which the usual errors can be avoided (printed for Sherwood, Gilbert, and Piper,...and R. Ackermann,..., London?1815/1820?). • A Treatise on Zodiacal Physiognomy, illustrated by engravings of heads and features, and accompanied by tables of the time of rising of the twelve signs of the zodiac; and containing also new and astrological explanations of some remarkable portions of ancient mythological history (published for the author, 10½, Great Tichfield Street, London 1828; sold by Longman) IV, 60pp.: 6 Plates, (8vo), 25 cm; plates engraved by J. Linnell. According to the Encyclopædia Britannica Eleventh Edition, "Varley's landscapes are graceful and solemn in feeling, and simple and broad in treatment, being worked with a full brush and pure fresh transparent tints, usually without any admixture of body-colour. Though his works are rather mannered and conventional, they are well considered and excellent in composition. Some of his earlier water-colours, including his "Views of the Thames," were painted upon the spot, and possess greater individuality than his later productions, which are mainly compositions of mountain and lake scenery, produced without direct reference to nature."
Identity and origins
Identity and origins
The authorities additionally record the headings John Varley, Sr. Varley I, John, I Varley, John I Varley and John Varley (I). His recorded language was English. He was the child of Richard Varley and Hannah Fleetwood. He married Esther Gisborne and Delvalle Lowry. One child is recorded: Albert Fleetwood Varley.

Bray Church Yard, 1807, by John Varley
John Varley · The Cleveland Museum of Art · Bequest of James Parmelee

A bazaar (the Egyptian bazaar, Constantinople?). Oil painting attributed to John Varley II., by John Varley
John Varley · Wellcome Collection, London · Wellcome Collection
Life and career
Dated record
Life and career
The full dated record · 2 entries
1778
John Varley born at Greater London.
1842
John Varley died at Greater London.
Context
Primary material
Context
The circumstances in which John Varley stands.
Documents and archives
Primary material
Documents and archives
scholarly publication
- Varley, John, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
- Varley, John, the Younger, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
authority file
- Gemeinsame Normdatei 101903727X, Roberts, John Varley.
Unverified · Deutsche Nationalbibliothek
authority record
- Wikidata, structured authority record Q2057288: John Varley
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Varley, John. 27. 922.
- 2.Friends of Kensal Green Cemetery. Paths of Glory. 101. 1997.
Bibliography printed in the source article · 10
- Alfred Thomas Story. James Holmes and John Varley (London, R. Bentley, 1894).
- Varley, John.
- Randall Davies. "John Varley", (OWCS (Old Water Colour Society) Club Annual, II, 1924-5) pp. 9–27.
- Adrian Bury. John Varley of the Old Society, (Leigh on Sea, 1946).
- Huon Mallalieu. The Dictionary of British Watercolour Artists, up to 1920 (Antique Collectors' Club, 1976).
- C.M. Kauffmann. John Varley (Batsford, 1984) - contains a full bibliography, including manuscript sources.
- John Ramm. Neglected Master (Antique Dealer & Collectors' Guide, Feb 1992, Vol 45, No. 7) - principally concerned with Joseph Charles Barrow.
- Anne Lyles. "John Varley's Thames" (OWCS Club Annual, LXIII, 1994) pp. 1–37.
- Curry, Patrick. A Confusion of Prophets: Victorian and Edwardian Prophecy. London: Collins & Brown, 1992.
- Herrmann, Luke. "John Varley, David Cox, Peter de Wint, and their Followers." Nineteenth Century British Painting. London: DLM, 2000. 54-65.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Varley, John, Benezit Dictionary of Artists, 2011Crossref registry
Verifiedscholarly publication
Varley, John, the Younger, Benezit Dictionary of Artists, 2011Crossref registry
Verifiedauthority file
Gemeinsame Normdatei 101903727X, Roberts, John Varley.Deutsche Nationalbibliothek
Partially resolvedauthority record
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Further particulars
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Formation and teaching. He trained under Joseph Charles Barrow. Each of those relationships is stated by the authority record rather than inferred from style. Recorded as painter, astrologer, artist and draftsperson. Works and catalogued output.
Recognition and collections
Work by John Varley is
Auckland Art Gallery, Tate, Smithsonian American Art Museum and Yale Center for British Art
Landscape
1835 · Smithsonian American Art Museum
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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