James Pryde
James Ferrier Pryde (30 March 1866 – 24 February 1941) was a British artist. A number of his paintings are in public collections, but there have been few exhibitions of his work. He is principally remembered as one of the Beggarstaffs, his artistic partnership with William Nicholson, and for the poster designs and other graphic work they made between 1893 and 1899, which influenced graphic design for many years.
Also recorded as James Ferrierr Pryde · James Ferrier Pryde · J. Beggarstaff · Pryde
James Pryde

James Pryde · Art UK · Public domain
- Name
- James Pryde
- Birth Name
- James Ferrier Pryde
- Born
- 30 March 1866
- Birthplace
- Edinburgh, Scotland
- Died
- 24 February 1941
- Place of death
- Kensington, London, England
- Spouse
- Marian Symons
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Occupation
- painter · printmaker · illustrator · poster artist
- Fields
- painting
- Education
- Académie Julian
- Languages
- English
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Documentary summary
James Ferrier Pryde (30 March 1866 – 24 February 1941) was a British artist. A number of his paintings are in public collections, but there have been few exhibitions of his work. He is principally remembered as one of the Beggarstaffs, his artistic partnership with William Nicholson, and for the poster designs and other graphic work they made between 1893 and 1899, which influenced graphic design for many years.
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getty · 500466266 · gnd · 5089732-9 · wikidata · Q6141491 · wikipedia · James Pryde
In this article
Key facts
Key facts
• Name — James Pryde • Birth Name — James Ferrier Pryde • Born — 30 March 1866 • Birthplace — Edinburgh, Scotland • Died — 24 February 1941 • Place of death — Kensington, London, England • Spouse — Marian Symons • Children — 1 • Relatives — * Mabel Pryde (sister) • Robert Scott Lauder (uncle) • James Eckford Lauder (uncle) • Illustration — Portrait of James Pryde by William Nicholson, woodcut, 1899; published in The Studio, July 1901
Life
Life
James Ferrier "Jimmy" Pryde was born at 23 London Street, Edinburgh, on 30 March 1866. He was the only son of the six children of David Pryde (1834–1907), who was headmaster of Edinburgh Ladies' College from 1870 to 1891, and his wife Barbara née Lauder (born 1833 or 1834), whose father William was a brother of the famous Scottish artists Robert Scott Lauder and James Eckford Lauder. The family moved to 10 Fettes Row, Edinburgh, in 1872. Pryde attended George Watson's Boys' College, and from 1885 to 1888 studied at the Royal Scottish Academy, where he had first exhibited in 1884. He was encouraged to paint by the Glasgow school painters James Guthrie and Edward Arthur Walton. In about 1899 he went to Paris to study under William-Adolphe Bouguereau at the Académie Julian, but the dismal and crowded atelier with its smell of tobacco smoke, stove-oil and human sweat did not please him, and after three months he returned to Scotland. In 1890 he went to London, and began to make pastel drawings in a style influenced by that of James McNeill Whistler. In 1899 Pryde married Marian Symons, a musician; their daughter Betty was born in 1903. The marriage ended in separation in 1914.
Work
Work
In 1893 his sister Mabel married William Nicholson, four years after the two had met while studying at Hubert Herkomer's school of art in Bushey, in Hertfordshire. In the same year Pryde and Nicholson formed the Beggarstaff partnership, which lasted until 1899, and produced innovative poster designs and signboards. Between 1894 and 1899 Pryde tried his hand as an actor, playing small parts in several plays. Ellen Terry's son Edward Gordon Craig, with whom Pryde toured Scotland in 1895, described 'Jimmy' as 'one of the best painters who ever lived' and 'one of the biggest hearts on earth'. But Craig had no illusions about Pryde's dramatic ability: as an actor he never really existed: but the idea of acting, the idea of the theatre – or rather the smell of the place, meant a lot to him. Yes, I think he got much 'inspiration' from the boards – and the thought and feel of it all, as of a magical place... He was an associate of the International Society of Sculptors, Painters and Gravers from 1901 and vice-president in 1921. His first one-man exhibition was held at the Baillie Gallery in 1911. He also exhibited at the Goupil Gallery, the Leicester Galleries, the Grosvenor Gallery, London Salon, New English Art Club, Royal Hibernian Academy, Royal Glasgow Institute of the Fine Arts and Royal Scottish Academy. In 1934 he was elected an honorary member of the Royal Institute of Oil Painters. His only work as a theatre designer was for a production at the Savoy Theatre of Othello in 1930. He became ill in 1939, and died on 24 February 1941 in St Mary Abbots Hospital in Kensington. He was cremated at Golders Green Crematorium.
Early life and training
Early life and training
James Pryde was born on 30 March 1866 in Edinburgh. Pryde held the nationality of United Kingdom and United Kingdom of Great Britain and Ireland. Pryde was educated at Académie Julian. Recorded sibling: Mabel Pryde.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Edinburgh.
Birth place
Kensington.
Death place
Writings and published texts, 1878–1974
Catalogued output
Writings and published texts, 1878–1974
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The run opens with Mathematical tables consisting of logarithms of numbers 1 to 108000, trigonometrical, nautical, and other tables and closes with Chambers seven-figure logarithms of numbers up to 100,000. The 1880s are the densest part of the run, with 3 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 12 titles in all, from 1878 to 1974.
10 editions carry dates between 1878 and 1974
The entries follow Open Library
Mathematical tables consisting of logarithms of numbers 1 to 108000, trigonometrical, nautical, and other tables
1878
Mathematical tables consisting of logarithms of numbers 1 to 108000
1880
Mathematical tables
1881
Mathematical tables consisting of logarithms of number 1 to 108000
1888
Chambers seven-figure mathematical tables
1893
Practical mathematics
1904
Chamber's seven-figure logarithms of numbers up to 100000
1922
Chambers's seven-figure mathematical tables
1930
Chambers's seven-figure logarithms of numbers up to 100000
1936
Writings and published texts without a settled date
Catalogued output
Writings and published texts without a settled date
2 further editions are catalogued under Pryde's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. Chambers's seven-figure mathematical tables, consisting of logarithms of numbers 1 to 108000, trigonometrical, nautical & other tables.
Euclid's Elements of plane geometry
Paintings, drawings and prints, 1889–1934
Catalogued output
Paintings, drawings and prints, 1889–1934
These are objects catalogued as visual works, each held or recorded by the institution named against it. 25 works carry dates between 1889 and 1934. The 1900s are the densest part of the run, with 8 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 40 titles in all, from 1889 to 1934. A selection is set out below and the complete run may be opened beneath it.
The run opens with Portrait of a Boy and closes with The Untouchables
Portrait of a Boy
1889
Ellen Terry as Nance Oldfield
1894
Sir William Nicholson
1898
Moll Cutpurse (The Roaring Girl)
1902
John Price
1902
Cartouche
1902
Sir Henry Irving as Dubosc in 'The Lyons Mail'
1906
An Old Beggar
1908
A Romantic Landscape
1908
The Doctor
1909
The Deserted Garden
1909
The complete catalogue · 26
The run opens with Portrait of a Boy and closes with The Untouchables
Portrait of a Boy
1889
Ellen Terry as Nance Oldfield
1894
Sir William Nicholson
1898
Moll Cutpurse (The Roaring Girl)
1902
John Price
1902
Cartouche
1902
Sir Henry Irving as Dubosc in 'The Lyons Mail'
1906
An Old Beggar
1908
A Romantic Landscape
1908
The Doctor
1909
The Deserted Garden
1909
A Small Tower (Moonlight)
1911
Venetian Window
1911
The Unknown Corner
1912
The Death Bed
1913
The Monument
1916
The Slum
1916
The ‘Victory’ Monolith
1918
Death of the Great Bed
1920
A Silhouette
1921
An Ancient Harbour
1923
The Grave
1924
The Arch
1926
The Ladder
1930
The Untouchables
1934
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
15 further works are catalogued under Pryde's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. The deserted house.
The Black Pillar
Sketch for 'The Slum'
The Great Doorway
The Red Bed
Self Portrait as 'Scarron'
Ruined Arch with Figure
The Capture of Cartouche
The Haunted House
The Cameo Brooch
Townscape (San Gimignano, Tuscany)
Reception
Pryde did not belong to any artistic school or movement. His work was highly regarded in his lifetime; from 1912 he had the patronage of Annie Pearson, wife of Weetman Pearson, and from 1917 known as Viscountess Cowdray. In 1922 Frank Rutter, in his Some Contemporary Artists, described him as "stupendous". He had only two one-man shows, in 1911 at the Baillie Gallery and in 1933 at the Leicester Galleries. In 1949 an Arts Council Memorial Exhibition toured Edinburgh, Brighton and London. His work as a painter received little subsequent attention until 1992, when an exhibition was held at the Scottish National Gallery of Modern Art in Edinburgh.
Primary material
Documents and archives
authority file
- Gemeinsame Normdatei 5089732-9, Exhibition James Pryde 1866 - 1941 (1992 : Edinburgh).
General reference · Deutsche Nationalbibliothek
- Getty Union List of Artist Names 500466266, Beggarstaffs (James Pryde, Scottish 1866-1941 & William Nicholson, British 1872-1949).
General reference · The Getty Research Institute
institutional register
- VIAF cluster 64754739 for James Pryde, aggregating national library name authorities.
General reference · VIAF
- Wikidata, structured authority record Q6141491: James Pryde
General reference · Wikimedia Foundation
reference work
- “James Pryde”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Gemeinsame Normdatei 5089732-9, Exhibition James Pryde 1866 - 1941 (1992 : Edinburgh).Deutsche Nationalbibliothek
Secondary witnessauthority file
Getty Union List of Artist Names 500466266, Beggarstaffs (James Pryde, Scottish 1866-1941 & William Nicholson, British 1872-1949).The Getty Research Institute
Secondary witnessreference work
Secondary witnessinstitutional register
General referenceinstitutional register
Wikidata, structured authority record Q6141491: James PrydeWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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