Hermine Freed

Hermine Freed studied at Cornell University College of Architecture, Art, and Planning. The field of work recorded is painting. Employment is recorded with New York University and School of Visual Arts. Work by Hermine Freed is recorded in the collections of National Gallery of Victoria, Museum of Modern Art, Stedelijk Museum Amsterdam, ZKM Center for Art and Media Karlsruhe and Whitney Museum of American Art.

• Name — Hermine Freed • Born — 29 May 1940 • Birthplace — New York, New York • Died — 21 November 1998 • Place of death — New York, New York • Field — painting, photographer, video art • Training — Cornell University (BA, 1961), New York University (MA, 1967) • Spouse — James Ingo Freed • Works — Art Herstory (1974)

Freed studied painting at Cornell University and New York University, where she taught starting from the late 1960s. In 1972 she became a professor for video art at the School of Visual Arts in New York. She worked with colleague Andy Mann as a program editor for an NYU-sponsored series on art books for WNYC. Initially she filmed artist portraits, beginning with James Rosenquist, as well as Lee Krasner, Adolph Gottlieb, Robert Morris, Roy Lichtenstein, and Joyce Kozloff. Although WNYC did not broadcast the portrait, she was not discouraged and produced a whole series. Apart from her documentary work she created videos that artistically negotiated female subjectivity and self-perception. In 1972 she participated in the exhibition Circuit: A Video Invitational at the Everson Museum of Art, curated by David Ross. Two Faces (1973) and Art Herstory (1974) are two of her most notable works. At the time she was an artist-in-residence at the Television Lab at WNET. In Art Herstory, Freed's technique was to add herself as a presence in various paintings selected from the male-dominated canon of eight centuries of European Art. Freed arranged photographic fragments sourced from autobiography and various cultures, using collage to examine the notions of time, reality, and tradition, and the relationship between the historical and the contemporary. Later works included manipulated photographs of her television screen.

• 1981 Hermine Freed–Beads & Marbles - Leo Castelli Gallery, New York City, NY

• 1977 Documenta 6, Kassel • 1975 Projects: Video VI−MoMA, Museum of Modern Art, New York City, NY • 1975 IX Paris Biennial, Paris • 1975 Projections at the Whitney Museum • 1975 Video Art at the Serpentine Gallery in London • 1973 10th São Paulo Art Biennial