Hermenegildo Anglada Camarasa
Hermenegildo Anglada Camarasa (1871–1959), known in Catalan as Hermenegild (or Hermen) Anglada Camarasa, was a Catalan and Balearic Spanish painter.
Also recorded as Herenegild Anglada-Camarasa · Hermengil Anglada Camarasa · Herman Anglada Camarasa · Hermenegildo Anglada-Camarasa
Hermenegildo Anglada Camarasa

Isidro Fernández Fuertes · (1916-07-08). " Anglada Camarasa ". La Esfera (132). ISSN 1577-0389. From Biblioteca Virtual de Prensa Histórica (CC BY 4.0) · Public domain
- Name
- Hermenegildo Anglada Camarasa
- Born
- 1871
- Birthplace
- Barcelona, Spain
- Died
- 1959
- Place of death
- Pollença, Mallorca, Spain
- Education
- Llotja School, Barcelona
- Occupation
- Painter
- Nationality
- Spain.
- Fields
- painting and Post-impressionism.
- Movements
- Catalan modernism.
- Known for
- Wedding in Seville.
- Honours
- Grand Cross of the Civil Order of Alfonso X the Wise.
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Hermenegildo Anglada Camarasa (1871–1959), known in Catalan as Hermenegild (or Hermen) Anglada Camarasa, was a Catalan and Balearic Spanish painter.
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wikidata · Q1343042 · wikipedia · Hermenegildo Anglada Camarasa
In this article
Biography
Biography
Hermenegildo Anglada Camarasa studied at Académie Colarossi and Académie Julian. The recorded working language is Spanish and Catalan. The field of work recorded is painting and Post-impressionism. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Catalonia. Works named in the authority record are Wedding in Seville. Work by Hermenegildo Anglada Camarasa is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía, Museu del Modernisme Català, Musée Carnavalet, Hispanic Society of America and Biblioteca Museu Víctor Balaguer. Distinctions recorded are Grand Cross of the Civil Order of Alfonso X the Wise.
Key facts
Key facts
• Name — Hermenegildo Anglada Camarasa • Born — 1871 • Birthplace — Barcelona, Spain • Died — 1959 • Place of death — Pollença, Mallorca, Spain • Other Names — * Hermenegild • Hermen • Education — Llotja School, Barcelona • Occupation — Painter
Life and career
Life and career
Born in Barcelona, he studied there at the Llotja School. His early work had the clear academic imprint of his teacher, Modest Urgell. In 1894 he moved to Paris, and studied at the Académie Julian. He adopted a more personal style, after that of Degas and Toulouse-Lautrec, with their depictions of nocturnal and interior subjects. But his work was also marked by the intense colors which presaged the arrival of Fauvism. Lively brushwork reveals strong Oriental and Arab influences. Allied with the Vienna Secession movement, his decorative style draws comparison to Gustav Klimt. One of his most important works is a portrait of Sonia Klamery. He died in Pollença, on the island of Mallorca, and is commemorated by a bronze bust on the 'Pine Walk' at Port de Pollença.
Identity and origins
Identity and origins
The authorities additionally record the headings Herenegild Anglada-Camarasa, Hermengil Anglada Camarasa, Herman Anglada Camarasa, Hermenegildo Anglada-Camarasa and Hermenegild Anglada-Camarasa. His recorded languages were Spanish and Catalan.
Identity
Identity
Hermenegildo Anglada Camarasa is recorded as having received Grand Cross of the Civil Order of Alfonso X the Wise. Career and activity. Camarasa worked in painting and Post-impressionism. His work is associated with Catalan modernism. He belonged to Reial Acadèmia Catalana de Belles Arts de Sant Jordi. He worked at Catalonia.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1871
Hermenegildo Anglada Camarasa born at Barcelona.
1959
Hermenegildo Anglada Camarasa died at Port de Pollença.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Barcelona.
Birth place
Port de Pollença.
Death place
Where the work is held
Recognition and collections
Hermenegildo Anglada Camarasa received Grand Cross of the Civil Order of Alfonso X the Wise.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Villalonga Cabeza S. 49–95; cristarod S. 38–42
- 2.Fontbona/Miralles S. 14 f
- 3.Isabellarivers Kap.1 Abs. 2
- 4.Sanz in: Arabesco y seducción, S. 144
- 5.Fontbona/Miralles S. 24 f
- 6.Ribot-Bayé: De Barcelona a Paris S. 73 Fn. 82; Ribot-Bayé: La reprentació de la dona S. 91 Fn. 188
- 7.Ribot-Bayé: De Barcelona a Paris S. 87 Fn. 117
- 8.Fontbona/Miralles S. 30; Pressekritiken abgedruckt in Ribot-Bayé: De Barcelona a Paris S. 128–137
- 9.la Caixa: Al Gran Hotel S. 161.
- 10.Moreno in: Arabesco y seducción, S. 48; Fontbona: Desnudo baja la parra S. 7; Karl Eugen Schmidt in: Kunstchronik NF 15, 1904, Heft 26 v. 27. Mai 1904 S. 417. 421; Hans Rosenhagen in: Die Kunst für alle Bd. 21, 1905, Heft 19 v. 1. Juli 1906 S. 433, 445.
- 11.Fontbona/Miralles S. 62; Fontbona: Desnudo baja la parra S. 5
- 12.Oskar Pollak: Die Internationale Kunstausstellung in Rom 1911 in Zeitschrift für die bildende Kunst, Verlag E.A. Seemann Leipzig Bd. 23 1911/12 S. 273–296
- 13.Fontbona/Miralles S. 122
- 14.Fontbona/Miralles S. 80
- 15.Ribot-Bayé: De Barcelona a París S. 98
- 16.Fontbona/Miralles S. 90
- 17.Ribot-Bayé: La representacio de la dona S. 724
- 18.Fontbona: Desnudo baja la parra S. 9
- 19.Fontbona: Desnudo baja la parra S. 10
- 20.Sanz in: Arabesco y seducción S. 149
- 21.Fontbona/Miralles S. 138
- 22.Fontbona/Miralles S. 140 ff
- 23.Fontbona: Desnudo baja la parra S. 13 f
- 24.Fontbona/Miralles S. 173
- 25.Sanz in: Arabesco y seducción S. 151
- 26.Sanz in: Arabesco y seducción S. 198 f
- 27.Sanz in: Arabesco y seducción S. 153
- 28.Fontbona/Miralles S. 188
- 29.Fontbona/Miralles S. 196 und Fn. 196; cristarod S. 8
- 30.Fontbona/Miralles S. 194
- 31.Fontbona/Miralles S. 196
- 32.Fontbona/Miralles S. 198
- 33.Interview mit seiner Tochter. Diario de Mallorca. 18. Juli 2009.
- 34.Villalonga Cabeza S. 17 Fn. 1
- 35.cristarod S. 10
- 36.Sanz in: Arabesco y seducción S. 144
- 37.Moreno in: Arabesco y seducción S. 45
- 38.Moreno in: Arabesco y seducción S. 46
- 39.Moreno in: Arabesco y seducción S. 64
- 40.Isabellarivers
- 41.Hans Rosenhagen. Von Ausstellungen und Sammlungen. Die Kunst für alle 18. Jahrgang 1902–1903 Heft 10. 1903-02-15.
- 42.Ludwig Hevesi. Wiener Brief. Kunstchronik XVI. Jahrgang 1904/1905. 30.12.1904.
- 43.Fontbona/Miralles S. 61 f, 112
- 44.Fontbona/Miralles S. 118
- 45.Pizarro in: Arabesco y seducción S. 67
- 46.Moreno in: Arabesco y seducción S. 48
- 47.Ribot-Bayé: La representació de la dona S. 593 und passim; Moreno in: Arabesco y seducción S. 51
- 48.Fontbona/Miralles S. 112
- 49.Fontbona/Miralles S. 118
- 50.Fontbona: Desnudo baja la parra S. 9
- 51.Ribot-Bayé in: La representacion de la dona S. 602
- 52.Fontbona/Miralles S. 184
- 53.cristarod S. 25 Fn. 18
- 54.Fontbona/Miralles S. 181
- 55.Fontbona/Miralles S. 184
- 56.Fontbona/Miralles S. 184
- 57.la Caixa: Al Gran Hotel S. 162
- 58.Moreno in: Arabesco y seducción S. 48
- 59.Fontbona/Miralles S. 94
- 60.Kunstchronik: Wochenschrift für Kunst und Kunstgewerbe N.F. 23, 1912 S. 110 online; Hutchinson Harris S. 20; Fontbona/Miralles S. 108; Moreno in: Arabesco y seducción S. 55 m.w.N. unter Fn. 23
- 61.Sanz in: Arabesco y seducción S. 152
- 62.Villalonga Cabeza S. 177 ff
- 63.Fontbona: Desnudo baja la parra S. 5
- 64.Thompson S. 425; Villalonga Cabeza S. 185; Fontbona/Miralles S. 90, 108, 112
- 65.Francesc Fontbona: La clientela internacional de Anglada-Camarasa, bei Seminario de investigacion der Real Academia de Bellas Artes de San Fernando, Madrid: Desamortizaciones, colecciones, exposiciones y mercato del arte en los siglos XIX y XX, 10 y 11 de junio de 2011
- 66.Fontbona/Miralles S. 118
- 67.bejahend Villalonga Cabeza S. 185; eher zweifelnd Fontbona in: Arabesco y seducción S. 29
- 68.Fontbona/Miralles Fn. 183
- 69.Tom Birchenough. Alexander Golovin and Spain. The Tretyakov Gallery Magazine. 2015.
- 70.Fontbona/Miralles S. 102; Fontbona: Desnudo baja la parra S. 9
- 71.z. B. Die Kunst für alle, Verlagsanstalt F. Bruckmann AG, München, Bd. 17 1901–1902, Heft 4 v. 15. November 1901 S. 94,95; Heft 10 v. 15. Februar 1902 S. 239,240; Bd. 18 1902–1903 Heft 20 v. 15. Juli 1902 S. 468; Bd. 19 1903–1904 Heft 13 v. 1. April 1904 S. 310; Bd. 20 1904–1905 v. 15. Dezember 1904 S. 142; Heft 22 v. 15. Juli 1905 S. 465,471; Bd. 21 1905–1906 Heft 19 v. 1. Juli 1906 S. 433,445; Kunstchronik, Wochenschriften für Kenner und Sammler, C.G.Boerner, Leipzig Bd. NF 15 1903–1904 Heft 18 S. 302; Heft 26 S. 421; Bd. NF 16 1904–1905 Heft 10 v. 30. Dezember 1904 S. 145,147; Kunst und Künstler, Illustrierte Monatsschrift für Bildende Kunst und Kunstgewerbe, Verlag von Bruno Cassirer, Berlin Bd. 2 1903–1904 S. 337; Bd. 3 1905 S. 442
- 72.Hans Rosenhagen: Die fünfte Ausstellung der Berliner Sezession in: Die Kunst für alle XVII 1901–1902 Heft 19 v. 1. Juli 1902 S. 433,443
- 73.Villalonga Cabeza S. 211–287
- 74.Fontbona/Miralles, Catálogo S. 233–304
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q1343042: Hermenegildo Anglada CamarasaWikimedia Foundation
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Paintings
18,875 published records in this field, each with its sources named.
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- Hermanus Willem KoekkoekArtist
- Hermelindo FiaminghiArtist
- Hermen RodeArtist
- Hermenegildo BustosArtist
- Hermenegildo SábatArtist
- Hermenegildo SosaArtist
- Hermine FreedArtist
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