Henri Michel-Lévy
Henri Michel-Lévy (July 11, 1844 in Passy, France - September 17, 1914 in Paris), was a French impressionist painter.
Also recorded as Henri Michel-Levy · Henri Michel Levy · Henri Michel Lévy · Michel Levy
Henri Michel-Lévy

Edgar Degas · CC BY-SA 4.0
- Name
- Henri Michel-Lévy
- Birth Name
- Henri Lévy
- Born
- 11 July 1844
- Birthplace
- Passy, France
- Died
- 17 September 1914
- Place of death
- Paris, France
- Known for
- portraits, landscape paintings, genre paintings, pastels
- Movement
- Impressionism
- Nationality
- France
- Occupation
- painter · art collector
- Teachers
- Félix-Joseph Barrias · Antoine Vollon
- Languages
- French
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Documentary summary
Henri Michel-Lévy (July 11, 1844 in Passy, France - September 17, 1914 in Paris), was a French impressionist painter.
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Note VALÉORINE
Henri Michel-Lévy (1844–1914) was a French art collector and painter. Born in Passy, the art collector died in 16th arrondissement of Paris. Henri Michel-Lévy was associated with Impressionism.
Languages used include French. Works by the art collector are held at Musée Carnavalet, Musée d'Orsay and Museum Baron Martin.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q20089685 · wikipedia · Henri Michel-Lévy
In this article
Key facts
Key facts
• Name — Henri Michel-Lévy • Birth Name — Henri Lévy • Born — 11 July 1844 • Birthplace — Passy, France • Died — 17 September 1914 • Place of death — Paris, France • Resting Place — Montmarte Cemetery • Known for — portraits, landscape paintings, genre paintings, pastels • Notable Works — Le Peintre Eugène Boudin peignant des animaux dans la prairie de Deauville (1880) • Movement — Impressionism
Biography
Biography
Henri was the third of the four sons of Michel Lévy and Thérèse Emerique, a Jewish couple originally from the Lorraine province in the north-east of France. Michel Lévy became a wealthy publisher in Paris, where Henri became a pupil of the painters Félix Barrias (1822-1907) and of Antoine Vollon (1833-1900). From 1868 to 1878, his paintings at the annual Paris Salon were cataloged under the name Henri-Michel Lévy or Michel Lévy; from 1879, he took the name Henri Michel-Lévy, perhaps to avoid confusion with his contemporary, the painter Henri-Léopold Lévy. Michel-Lévy also became an art collector of some distinction, as can be seen from the works of Watteau, Boucher, Fragonard, Delacroix, Hubert Robert, Prud'hon, Tiepolo, and numerous others included in the posthumous sale of his collection in 1919. His grave is located in the Montmartre Cemetery.
Work
Work
Henri Michel-Lévy met regularly with French impressionists, in particular Edgar Degas, Édouard Manet and Eugène Boudin. He was a portraitist and often painted subjects going about their usual business, a common thread in Impressionist painting. His painting of Eugène Boudin (1880) shows the famous painter sketching cows in the fields near Deauville. His subjects are not professionals but people in his social circle, like the wife of his friend, Edgar Degas, or his own family. From 1868 to 1914, Michel-Lévy exhibited at the Salon in Paris, where he was awarded honorable mention in 1880 and a third-class medal in 1881. He won a bronze medal at the Exposition Universelle of 1889. In 1878, he was painted by Edgar Degas in his atelier; the work was presented at the fourth Impressionist exhibition in 1879. In the image, the painting to the right of Michel-Lévy was identified by Theodore Reff as The Regattas, a painting by Michel-Lévy that was photographically documented but the whereabouts of which are unknown; the painting revisits the theme of Manet's Le Déjeuner sur l’herbe. Michel-Lévy and Degas exchanged portraits of each other on that occasion, but soon after, Michel-Lévy sold Degas' painting, which drew Degas' disdainful comment: "You have done a despicable thing; you knew very well that I couldn't sell your portrait." In 1885, he painted the portrait of Auguste Guerbois, owner of Café Guerbois, near Place de Clichy and Montmartre, where painters met. Art historian Ronald Pickvance suggested that Michel-Lévy may have been the painter of the portrait Madame Lévy, which is usually believed to have been painted by Édouard Manet. As a landscape painter, Henri Michel-Lévy focused on peasant life, away from the romantic views of the time, but a large portion of his exterior paintings dealt with middle-class life of the 19th century. An example is Le Pouligen, la plage at Museum Baron Martin, Gray, France, in a style reminiscent of Boudin's work.
In museums
In museums
• Le Peintre Eugène Boudin peignant des animaux dans la prairie de Deauville (1880), oil on canvas, 22 x 27 cm, Museum of modern art André Malraux - MuMa, Le Havre, France • Auguste Guerbois (1885), oil on canvas, 46 x 38 cm, Musée d'Orsay, Paris, France • La route de la Révolte, le soir (c. 1900), Musée Carnavalet • La Nourrice, oil on canvas, Museum of Fine Arts, Orléans, France • Ville balnéaire normande (about 1900), oil on canvas, 54.5 x 65 cm, Montebello Villa, Trouville, France • Le Pouligen, la plage, oil on canvas, Baron Martin Museum, Gray, France • Bateaux sur la grève, Louvre • Illustration — Le Peintre Eugène Boudin peignant des animaux dans la prairie de Deauville • Illustration — Auguste Guerbois • Illustration — La route de la Révolte, le soir • Illustration — La Nourrice (the wet nurse) • Illustration — Le Pouliguen, la plage
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Passy.
Birth place
16th arrondissement of Paris.
Death place
Primary material
Documents and archives
reference work
- “Henri Michel-Lévy”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q20089685: Henri Michel-Lévy
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Benezit Dictionary of Artists" Oxford University Press (Pub.), Oxford (2006) , e-
- 2.Nord, Philip. Intellectuals and the Dreyfus Affair. Historical Reflections/Réflexions Historiques. Spring 1998. 123. 41299109.
- 3.Henri Levy. geneanet.org.
- 4.Linda Nochlin. Degas and the Dreyfus Affair: A portrait of the artist as an anti-Semite. www.tabletmag.com. January 4, 2019.
- 5.(fr)Catalogue Bnf
- 6.Salons, 1673-1914.
- 7.Catalogue des tableaux anciens...composant la collection H. Michel-Lévy et dont la vente..., Galerie Georges Petit (Pub.), Paris (1919)
- 8.(fr)Cimetière de Montmartre, 3e Division
- 9.see for instance La Nourrice, Beaux-Arts Museum, Orléans, France
- 10.Mima-lehavre.fr
- 11.Oxford Index, Benezit Dictionary of Artists
- 12."Only the Best: Masterpieces of the Calouste Gulbenkian Museum, Lisbon", K. Baetjer and J. D. Draper (Eds), The Metropolitan Museum of Art, New York (2000) p140,
- 13.T. Reff "DEGAS: The Artist's Mind" The Metropolitan Museum of Art, Harper and Row publishers (1976)
- 14.R. Gimpel "Journal d'un collectionneur" Hermann Ed. (2011)
- 15.painting available from the Musée d'Orsay online collection "Auguste Guerbois by Henri Michel-Lévy", Orsay Museum, Paris, France
- 16.L. R. Lehmbeck "Edouard Manet's portraits of women" ProQuest p253-254 (2007)
- 17.Musee-baronmartin, jpg
- 18.Base Joconde 50350143772 Bateaux sur la grève
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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