Helen Cordero
Helen Cordero (June 15, 1915 – July 24, 1994) was a Cochiti Pueblo potter from Cochiti, New Mexico. She was renowned for her storyteller pottery figurines, a motif she invented, based upon the traditional "singing mother" motif.
Also recorded as Helen Quintana · Daiyrowsita · Helen Quintana Cordero
Helen Cordero

Tom Pich · Public domain
- Name
- Helen Cordero
- Birth Name
- Helen Quintano
- Born
- 15 June 1915
- Birthplace
- Cochiti Pueblo, New Mexico, U.S.
- Died
- 24 July 1994
- Occupation
- Traditional potter
- Known for
- Storyteller pottery figurines
- Awards
- Santa Fe Living Treasure, 1985; National Heritage Fellow, 1986
- Spouse
- George Cordero
- Nationality
- United States
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Key facts
Key facts
• Name — Helen Cordero • Birth Name — Helen Quintano • Born — 15 June 1915 • Birthplace — Cochiti Pueblo, New Mexico, U.S. • Died — 24 July 1994 • Occupation — Traditional potter • Known for — Storyteller pottery figurines • Awards — Santa Fe Living Treasure, 1985; National Heritage Fellow, 1986 • Spouse — George Cordero • Children — 5
Documentary record
Helen Cordero lived from 1915 to 1994 and was a ceramicist, potter, painter and sculptor. Helen Cordero was born in 1915 in Cochiti Pueblo. Helen Cordero died in 1994.
Early work
Early work
She first learned to create leatherwork, then in the 1950s started creating pottery birds and animals that her husband painted. It is said that Helen's aunt suggested clay as a medium over the more expensive leather. She also recommended figures after the early attempts by Helen at bowls and jars were misshapen.
Style and materials
Style and materials
Cordero "followed a traditional way of life including digging her own clay and preparing her own pigments". She used three types of clay, all sourced near Cochiti Pueblo, and clay and plant materials for paint. Over time, Helen's finish became more refined, and she made her children separately instead of from the primary piece of clay allowing for her to vary their placement around the storyteller. As Helen's work progressed, she ultimately developed the trademark face for which her dolls are now known. Cordero had a personal connection to her work, "They're my little people. I talk to them and they're singing." This reflects the Pueblo belief that clay is living substance, and that the figurines are like living being.
Storyteller figurines
Storyteller figurines
The Cochiti women potters made figurines of women with children known as "Singing Mother" or Madonna, Cordero transformed this form into her Storyteller design in 1964. According to one account, she was commissioned by the Anglo designer and collector Alexander Girard to create the first Storyteller. Yet, in a 1981 article, Cordero said she created the first Storyteller on her own in 1964. "I made some more of my Storytellers with lots of children climbing on him to listen, then I took them up to the Santo Domingo Feast Day" where Alexander Girard bought them. Alexander Girard was a patron who purchased her early work. Not long after Helen started her figurines, Gerard asked her to increase her yield and the size of her figures. This request ultimately terminated in a 250-piece Nativity set. It is suggested that Gerard also proposed Helen should fashion a larger "Singing Mother" figure. Helen mulled over the idea, and thought of her grandfather, Santiago Quintana, who she remembered as a great storyteller. Helen's grandfather would in part inspire her first Storyteller, a male figure surrounded by five grandchildren. After 1964, her family members joined her in making Storyteller figurines. She described her process: "work outdoors in warm weather and at her kitchen table in the winter. Her husband and son drove one hundred miles to bring home the cedar wood she used to fire her pieces... on an open iron grate behind her house." Her Storyteller design became popular with other pottery-makers, who have created variations, including animal storytellers. By the 1990s, over 200 potters were making Storyteller figures for a booming market. To distinguish her work and to fulfill the expectations of some collectors, Helen began signing her works. After the success of the Storyteller, Helen eventually drew more from her experiences and went on to develop other types including, drummers, singing mothers, Pueblo father, and Hopi maiden.
Personal life
Personal life
Cordero was a lifelong resident of Cochiti Pueblo. She married Fred Cordero, an artist, drum-maker, and governor of Cochiti Pueblo, and they had four children.
Collections
Cordero's work is found in the Museum of International Folk Art and the New Mexico Museum of Art in Santa Fe, New Mexico, the Museum of Texas Tech University in Lubbock, Texas, the Smithsonian American Art Museum in Washington, DC, the Heard Museum in Phoenix, the Bandelier National Monument museum in Los Alamos Co., New Mexico and the Brooklyn Museum.
Awards and honors
• Cordero was honored as a Santa Fe Living Treasure in 1985. • She was a recipient of a 1986 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. • Helen Cordero Primary School, in Albuquerque, New Mexico, is named after her.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Helen Cordero, revision 1345433094 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Helen Cordero: Death Record from the Social Security Death Index (SSDI). GenealogyBank.
- 2.Smith, Jack. Old and New; The History Is Here, but the Action Is Elsewhere. The New York Times. 30 March 2005.
- 3.Michael, Pettit. Artists of New Mexico traditions : the National Heritage fellows. Museum of New Mexico Press. 2012. 978-0-89013-575-4.
- 4.Love, Marian. Helen Cordero's Dolls. The Santa Fean. December 1981.
- 5.Jones, Michael Owen. How Can We Apply Event Analysis to "Material Behavior," and Why Should We?. Western Folklore. 56, 3/4. 3/4. 204. 1997. 10.2307/1500274.
- 6.Helen Cordero – Artist, Fine Art, Auction Records, Prices, Biography for Helen Cordero. Ask Art, the Artist's Bluebook.
- 7.Babcock, Barbara. Helen Cordero, The Storyteller Lady. New Mexico Magazine. December 1978.
- 8.Moira., Vincentelli. Women potters : transforming traditions. Rutgers University Press. 2004. 0-8135-3381-3.
- 9.Peterson, Susan. Pottery by American Indian Women: The Legacy of Generations. Abbeville Press. 92. 1997.
- 10.Helen Cordero, Cochiti Pueblo. Adobe Gallery, Santa Fe.
- 11.Antonita Cordero Suina (b. 1948 - ). Adobe Gallery, Santa Fe.
- 12.Cordero, Helen. Santa Fe Living Treasures – Elder Stories.
- 13.National Endowment for the Arts. NEA National Heritage Fellowships 1986. www.arts.gov.
- 14.Helen Cordero Primary School.
Bibliography printed in the source article · 3
- Babcock, Barbara A. The Pueblo Storyteller: Development of a Figurative Ceramic Tradition. University of Arizona Press. 1986. 978-0-8165-0870-9.
- Howard, Nancy Shroyer. Helen Cordero and the Storytellers of Cochiti Pueblo. Davis Publications. 1995. 978-0-87192-295-3.
- Monthan, Guy. Art and Indian Individualists: the Art of Seventeen Contemporary Southwestern Artists and Craftsmen. Northland Press. 1975. 0-87358-137-7.
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