Giovanni Mochi
Illustration — Juan Mochi; portrait by Alfredo Valenzuela Puelma (1885) • Illustration — The Client Juan Mochi or, in Italian, Giovanni Mochi (1831– 1892) was an Italian painter who spent sixteen years as a Professor in Chile and influenced the artists who came to be known as the Great Chilean Masters.
Also recorded as Juan Mochi
Giovanni Mochi
Alfredo Valenzuela Puelma · http: tamano=large tipo=visual tamano=original tipo=visual · Public domain
- Died
- 1892 · Santiago.
- Nationality
- Kingdom of Italy
- Occupation
- painter
- Fields
- painting
- Education
- Academy of Fine Arts and Florence
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Illustration — Juan Mochi; portrait by Alfredo Valenzuela Puelma (1885) • Illustration — The Client Juan Mochi or, in Italian, Giovanni Mochi (1831– 1892) was an Italian painter who spent sixteen years as a Professor in Chile and influenced the artists who came to be known as the Great Chilean Masters.
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wikidata · Q20031947 · wikipedia · Juan Mochi
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Biography
Biography
Giovanni Mochi studied at Academy of Fine Arts, Florence. The field of work recorded is painting. Places of work recorded in the authority are Florence, Paris and Chile. Work by Giovanni Mochi is recorded in the collections of Pinacoteca Foresiana, Galleria d'arte moderna, Museo de Bellas Artes de Valparaíso and Memoria Chilena.
He was born in Florence. He began his artistic studies in his hometown and set up a studio there, achieving some local fame doing paintings in Greco-Roman and Renaissance style. Later, he moved to Rome, where he came to know the Chilean politician, Ángel Gallo Goyenechea, who would play a decisive role in his career. Gallo took some of Mochi's paintings to Chile and, when Mochi moved to Paris after the Franco-Prussian War, introduced him to a circle of notable people from Chile. Later, Mochi would be recommended as a replacement for Ernesto Kirchbach, the Director of the Academy of Painting (Santiago, Chile), who was resigning due to poor health, and he was hired by the novelist Alberto Blest Gana, who was serving as the Chilean Ambassador in Paris. He arrived in Santiago in 1876 and took up his position as third Director of the Academia. His contract was eventually renewed six times and he remained in that position until his death. He also served on the commission to organize the Museo Nacional de Pintura; becoming the museum's first Director, from 1880 to 1887. As a Professor, he emphasized spontaneity, in contrast to Kirchbach's aggressive approach and the classical conservatism of the Academia's first Director, Alejandro Ciccarelli. Among his best-known pupils were Alfredo Valenzuela Puelma, Alberto Valenzuela Llanos, Juan Francisco González, and the sisters Magdalena and Aurora Mira. He continued to paint prolifically; including portraits, landscapes, religious works and scenes from the War of the Pacific.
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Florence.
Birth place
Santiago.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Breve biografía de Mochi, s/f; acceso 03.06.2015
- 2.Historia del Museo Nacional de Bellas Artes. I. Fundación del Museo , Calendario Colección Phillips 1998; acceso 06.09.2015
- 3.[http://www.mac.uchile.cl/catalogos/anales/mochi.htm Obituario de Mochi escrito por Domingo Amunátegui Solar, entonces secretario de la Facultad de Filosofía, Humanidades y Bellas Artes de la Universidad de Chile y publicado en la revista Anales de esa casa de estudios, 1892, t. LXXXII, mayo-oct., pp. 232-239; artículo reproducido en el portal del Museo de Arte Contemporáneo de Santiago; acceso 06.09.2015
- 4.Biografía de Mochi, portal Artistas Plásticos Chilenos, del Museo Nacional de Bellas Artes (Chile), s/f; acceso 03.06.2015
- 5.[https://gallica.bnf.fr/ark:/12148/bpt6k49756h/f258.image Salon de 1866. Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants, des envois des pensionnaires de l'Academie de France a Rome, et des Grands Prix de 1865 exposés au Palais des Champs-Élysées le 1 mai 1866], Paris, Charles de Mourgues Fréres, successeurs de Vinchon, imprimeurs des musées imperiaux, rue J.-J. Rousseau, n° 8, pág.175
- 6.Salon de 1875. Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants exposés au Palais des Champs-Élysées le 1 mai 1875, Imprimerie Nationale, Paris, 1875, pág.216; acceso 03.06.2015
- 7.Isabel Cruz de Amenábar. Arte. Historia de la pintura y escultura en Chile desde la Colonia hasta el s.XX, 6º tomo de la Biblioteca Antártica, Chile a Color; editorial Antártica, pp.173-178
- 8.Antonio R. Romera. Historia De La Pintura Chilena, editorial Andrés Bello, 1976, p. 46
- 9.Iglesia de los Capuchinos de Santiago , s/f; acceso 03.06.2015
- 10.Historia del San Ignacio, página web del citado colegio; acceso 03.06.2015
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