Franz Meerts
Illustration — Self-portrait at the easel Franz Meerts or Frans Meerts (Ghent, 1836 – Brussels, May 1896) was a Belgian painter and aquarellist known for his interior scenes, genre scenes, still lifes and landscapes. He was also active as an author, publisher and copyist.
Also recorded as Frans Meerts
Franz Meerts
Franz Meerts · https: id=279667 · Public domain
- Born
- 1836 · Ghent.
- Died
- 1896 · Brussels.
- Nationality
- Belgium
- Occupation
- painter · watercolorist · draftsperson · muralist
- Fields
- painting
- Education
- Royal Academy of Fine Arts of Brussels
- Languages
- Dutch
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Documentary summary
Illustration — Self-portrait at the easel Franz Meerts or Frans Meerts (Ghent, 1836 – Brussels, May 1896) was a Belgian painter and aquarellist known for his interior scenes, genre scenes, still lifes and landscapes. He was also active as an author, publisher and copyist.
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Note VALÉORINE
Franz Meerts (1836–1896) was a Belgian draftsperson, muralist and painter, among other activities. Born in Ghent, the draftsperson died in Brussels.
Franz Meerts studied at Royal Academy of Fine Arts of Brussels. The draftsperson worked in Brussels, Italy and Spain. Franz Meerts was active in painting.
Languages used include Dutch. Works by the draftsperson are held at Jakob Smitsmuseum, M Leuven and Royal Museums of Fine Arts of Belgium, among others.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q20021809 · wikipedia · Franz Meerts
In this article
Life
Life
Franz Meerts studied at Royal Academy of Fine Arts of Brussels. The recorded working language is Dutch. The field of work recorded is painting. Places of work recorded in the authority are Brussels, Spain and Italy. Work by Franz Meerts is recorded in the collections of Jakob Smitsmuseum, Royal Museums of Fine Arts of Belgium, Shipley Art Gallery, Southampton City Art Gallery and M Leuven.
Franz Meerts was born in Ghent. He studied in his home town at the Academy of Fine Arts of Ghent. Meerts later moved to Brussels, where he attended the private art studio of Jean-François Portaels, a prominent painter of genre scenes, biblical stories, landscapes, portraits and Orientalist subjects and the founder of the Belgian Orientalist school. Portaels trained in his private art studio the next generation of Belgian painters. • Illustration — At the café Meerts was commissioned by the Belgian government to travel to Spain and Italy to copy the works of the great masters. On the occasion of these trips, he studied the technique of the fresco. He also received a commission from the city council of Louvain to copy works of Dirck Bouts for the Leuven Town Hall. He completed the works in 1899-1890. He spent the last years of his life restoring the murals of St. Peter's Church in Anderlecht (Brussels). Meerts was the co-founder of two artist associations in Brussels. The first one was L'Union des Arts that existed from 1876 to 1885 and organised group exhibitions of works of visual artists. Three of such exhibitions were held, all in the personal studio of Meerts. They were not particularly successful. Members of this association included Louis Baretta, Marie De Bièvre, Charles Defreyn, Jules Dujardin, Joseph Flameng, Ernest Hoerickx, Louis Ludwig, Léon Massaux, Joseph Middeleer, René Ovyn, Emile Rimbout, Pieter Stobbaerts, Flori Van Acker and H. Van der Taelen. • Illustration — View of a third-class waiting room Franz Meerts subsequently co-founded a new association for young artists, which was given the Dutch name Voorwaarts ('Forward') in 1885. Co-founder was Louis Baretta. Its motto was: Hooger is ons doel ('Higher is our goal'). What is remarkable is both the Dutch-language name of the association and the Dutch-language motto. Its members included Ernest Hoerickx, Léon Massaux, Emile Rimbout, Jan Stobbaerts, Pieter Stobbaerts, Eugène Surinx, Flori van Acker and Camille Wauters. Later others joined including Theodoor Verstraete, Emile Claus, Adrien-Joseph Heymans, Gustave Vanaise, Alfred Verhaeren, Victor Gilsoul, Eugène Laermans, August De Bats, Henri Ottevaere and Emile Van Doren. The first salon of Voorwaarts was held in 1885 in the IJzerenkruistraat in the bustling heart of Brussels. In 1888, Voorwaarts exhibited in the Royal Museums of Fine Arts of Belgium in Brussels. The association ceased to exist in 1893. For more than twenty years, Meerts was the director of the Art Academy of Soignies. He was a co-author of "La Belgique illustrée", an illustrated history and overview of Belgium. Joseph Middeleer was his pupil. Franz Meerts died in May 1896 in Brussels.
Work
Work
Franz Meerts is known for his interior scenes, genre scenes, still lifes and landscapes. His genre scenes often depicted Catholic clergy and monks and notaries and lawyers in their offices. These works are characterised by their humorous or sentimental touch and their pleasant colors.
Gallery
Gallery
• Illustration — The old attorney • Illustration — Meeting at the notary's • Illustration — A good lunch • Illustration — Chrysanthemums
Places
Named by the record
Places
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Ghent.
Birth place
Brussels.
Death place
Primary material
Documents and archives
reference work
- “Franz Meerts”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q20021809: Franz Meerts
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Franz Meerts at the Netherlands Institute for Art History
- 2.Boudewijn Goossens, Franz Meerts in: Dictionnaire des peintres belges
- 3.Edmond-Louis de Taeye, Les artistes belges contemporains. Leur vie, leurs œuvres, leur place dans l'art, Castaigne, Brussels, 1894, pp. 9-25
- 4.Marike Labrie, Glorification de l'Art ou de la Ville? De cultuurpolitiek van het liberale stadsbestuur van Leuven (1872-1895), Master Thesism, Leuven, 2012
- 5.Ernest Verlat, Exposition du Voorwaarts 1892 in: La Jeune Belgique, 1892, XI, 2, p. 124
- 6.Jules Du Jardin, L'Art Flamand, Bruxelles, A. Boitte, 1896, p. 81-85
- 7.Francine Claire Legrand, Symbolism in Belgium, Laconti, 1972, p. 265
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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