Francesco Primaticcio

Training under Giulio Romano and Innocenzo di Pietro Francucci da Imola is recorded. Ponce Jacquiot and Henri Lerambert are recorded as having studied under Francesco Primaticcio. The recorded working language is Italian. Positions recorded include Surintendant des Bâtiments. Work by Francesco Primaticcio is recorded in the collections of Museum Boijmans Van Beuningen, Städel Museum, Minneapolis Institute of Art, Museo del Prado and J. Paul Getty Museum.

Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. • Illustration — Holy Family with St Elizabeth and John the Baptist, now in the Hermitage Museum, St Petersburg, Russia. • Illustration — Ulysses and His Companions Fighting the Cicones Before the City of Ismaros, Study for a destroyed fresco in the Galerie d'Ulysee, Chateau de Fontainebleau Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau (where he is grouped with the so-called "First School of Fontainebleau") spending much of his life there. Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, sometimes, engravings. Francis I trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau. Primaticcio retained his position as court painter to Francis' heirs, Henry II and Francis II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559. Primaticcio's crowded Mannerist compositions and his long-legged canon of beauty influenced French art for the rest of the century. Primaticcio turned to architecture towards the end of his life, his greatest work being the Valois Chapel at the Abbey of Saint-Denis, although this was not completed until after his death and was destroyed in 1719.

• Illustration — Alexander tames Bucephalus • Illustration — The rape of Helena, 1530-1539 • Illustration — Ceiling at Chaalis Abbey • Illustration — Annunciation at Chaalis

Engravings by Giorgio Ghisi after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau • Illustration — Apollo, Pan, and a putto blowing a horn • Illustration — Three Muses and a Gesturing Putto • Illustration — Three Muses and a Putto with a Lyre, a cruciform composition • Illustration — Three Muses and a Putto with Cymbals • Illustration — Hercules, Bacchus, Pan, and Saturn(?) • Illustration — Ceres Seated on Clouds with Two Goddesses and Two Putti • Illustration — Pluto, Neptune, Minerva and Apollo • Illustration — Venus and Cupid, Two Other Goddesses, and a Putto

Francesco Primaticcio is recorded with the occupation visual artist. Recorded as painter, architect, decorator, sculptor and plasterer.