Fabrizio De André
Fabrizio De André is established in Library of Congress under n93032221. Established in Open Library under OL5753769A. Fabrizio De André is established in Discogs under 660740. Established in FAST under 319877.
Also recorded as Faber
Fabrizio De André

Newspaper · Public domain
- Name
- Fabrizio De André
- Birth Name
- Fabrizio Cristiano De André
- Born
- 18 February 1940
- Birthplace
- Genoa, Italy
- Died
- 11 January 1999
- Place of death
- Milan, Italy
- Occupation
- Singer-songwriter
- Nationality
- Italy and Kingdom of Italy.
- Fields
- traditional folk music.
- Movements
- Genoa school.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Fabrizio De André is established in Library of Congress under n93032221. Established in Open Library under OL5753769A. Fabrizio De André is established in Discogs under 660740. Established in FAST under 319877.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Fabrizio De André. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
not yet certified
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q25106 · wikipedia · Fabrizio De André
In this article
Biography
Biography
Fabrizio De André was born on 18 February 1940. André died on 11 January 1999. Recorded with the gender male. Classed in the genre traditional folk music. Fabrizio De André was recorded as singer-songwriter, composer, poet and singer. Associated with Genoa school. Recorded with the occupation singer-songwriter. Recorded with the occupation composer. Recorded with the occupation poet. Recorded with the occupation singer. Recorded with the occupation musician. Recorded with the occupation Liedermacher.
Key facts
Key facts
• Name — Fabrizio De André • Birth Name — Fabrizio Cristiano De André • Born — 18 February 1940 • Birthplace — Genoa, Italy • Died — 11 January 1999 • Place of death — Milan, Italy • Instrument — * Vocals • guitar • acoustic guitar • classical guitar • Genre — * Folk • Italian folk • Folk rock • Chanson • world • Occupation — Singer-songwriter • Years Active — 1958–1999 • Label — * Karim • Bluebell • Produttori Associati • Ricordi • Sony BMG • Website — fondazionedeandre.it Fabrizio Cristiano De André (18 February 1940 – 11 January 1999) was an Italian singer-songwriter and the most-prominent cantautore of his time. He is also known as Faber, a nickname given by the friend Paolo Villaggio, as a reference to his liking towards Faber-Castell's pastels and pencils, aside from the assonance with his own name, and also because he was known as il cantautore degli emarginati or il poeta degli sconfitti. His 40-year career reflects his interests in concept albums, literature, poetry, political protest, and French music. He is considered a prominent member of the Genoese School. He sang in both Italian and in other languages such as Genoese. Because of the success of his music in Italy and its impact on the Italian collective memory, many public places such as roads, squares, and schools in Italy are named after De André.
Biography
Biography
• Illustration — Memorial plaque on the birth house of Fabrizio De André in Pegli • Illustration — De André in 1960 Fabrizio De André was born in Pegli, Genoa, Italy, to an upper-class family. He had a warm, deep voice, and started playing guitar at the age of 14. His father gave him some Georges Brassens records, whose songs influenced the style of his first songs. Brassens also inspired De André to become a libertarian and a pacifist, which was influential in his music and later, more-sophisticated productions.
1960s
1960s
When he was a student in February 1961, De André debuted, singing two songs in a theater in Genoa. The two songs were later recorded as his first single, "Nuvole Barocche" b/w "E fu la Notte", which was released in 1961 and was an imitation of Domenico Modugno. In his following recordings in the early 1960s, De André found a more personal style, mixing literature with traditional songs (in particular medieval ones), presenting himself as a contemporary troubador and storyteller. His narrative centered on the stories of marginalized people and antiheroes. He later recorded protest songs such as "La Ballata del Miché" ("Mickey's Ballad"), which he co-wrote with his friend Clelia Petracchi and considered his first true song; "La Guerra di Piero" ("Piero's War"), an anti-war song, with music contributed by Vittorio Centenaro, and several other songs. Some of the songs were inspired by his city, Genoa, such as "La Città Vecchia" ("The Old [side of the] City"), which he co-wrote with Elvio Monti; and "Via del Campo", with the music of Enzo Jannacci. He also wrote two songs with his life-long friend Paolo Villaggio, "Il Fannullone" and "Carlo Martello (Ritorna dalla Battaglia di Poitiers)" ("Charles Martel Returns from the Battle of Poitiers"), in 1963. In 1962, his first son Cristiano De André was born to his first wife Enrica "Puny" Rignon, whom he married in the same year. His first song to find commercial success was "La canzone di Marinella" ("The Song of Marinella") in 1967, thanks to a television performance by Mina. Following this first success, his first album of new songs was released in 1967 with the title Volume 1. The album opens with "Preghiera in Gennaio" ("Prayer in January"), which is dedicated to De André's friend Luigi Tenco, a singer-songwriter who committed suicide before the album's release during his participation in the Sanremo Festival. Despite the popularity of this festival, De André refused to participate in any song competition by principle, and rarely appeared on television. In 1966, De André's first compilation album Tutto Fabrizio De André was released. • Illustration — Riccardo Mannerini and Fabrizio De André in 1968 In 1968, De André released Tutti morimmo a stento, a concept album sung in Italian, with orchestral arrangements of Gian Piero Reverberi—a first for De André. The lyrics of the first song "Il Cantico dei Drogati" ("Junkies' Canticle") were co-written with poet Riccardo Mannerini, one of the most significant people in De André's life. De André and Mannerini also co-wrote lyrics for the 1968 album of the band New Trolls, Senza orario Senza bandiera. In 1969, it was released on the album Volume 3; due to their lyrics, some of its songs were censored by the national Italian television channel but were broadcast by Vatican Radio.
1970s
1970s
• Illustration — De André with Leo Ferré, 1975 In 1970 the song "Il pescatore" ("The Fisherman") was released. The same year, he released La buona novella (The Good News), another concept album that was inspired by the life of Jesus Christ as reported mainly by the Apocryphal gospels. The album was followed in 1971 by Non al denaro non all'amore né al cielo which was inspired by the Spoon River Anthology, a collection of short poems from Edgar Lee Masters, with the collaboration of Nicola Piovani for the music and Giuseppe Bentivoglio for the lyrics. The album's booklet contains an interview from Fernanda Pivano, the Italian translator of Masters' works. In 1973, De André wrote the concept album Storia di un impiegato, which is about the protests of those years, also involving Piovani and Bentivoglio. In 1974, he released the album Canzoni, which includes re-recordings of many old songs and new translations of songs of Brassens, Leonard Cohen ("Suzanne" and "Joan of Arc"), and Bob Dylan ("Desolation Row"), thanks to the collaboration of Francesco De Gregori. In 1975, the experimental (both musically and linguistically) album Volume/8 was a collaboration with the songwriter Francesco De Gregori, and includes a translation of a song by Leonard Cohen ("Seems so long ago, Nancy"). In 1975, De André made his concert debut at La Bussola in Viareggio. Before that event, De André refused to perform live concerts because he considered himself more a songwriter than a performer. In the same period, he moved from Genoa to Sardinia. In 1978, his new concept album Rimini, which he co-wrote with singer-songwriter Massimo Bubola was released; it includes a translation of Bob Dylan's "Romance in Durango" ("Avventura a Durango"). For the first time, he wrote a song in Gallurese, a local language related to Corsican, "Zirichiltaggia" ("Lizard Den"), inspired by the Ballu tundu, beginning to show his passion for minority languages and music traditions. In 1977, his daughter Ludovica Vittoria (nicknamed simply Luvi) was born to his partner Dori Ghezzi. Between December 1978 and January 1979, De André toured with the Italian progressive rock band Premiata Forneria Marconi (PFM), from which two live albums (In Concerto - Arrangiamenti PFM, vol. 1 and 2) were released. Many years later, in 2020, a video taken from that tour was discovered and published as a DVD with the title "Fabrizio De André e PFM - Il concerto ritrovato". On 27 August 1979, De André and Dori Ghezzi were kidnapped in Sardinia. They were not released until December.
1980s
1980s
• Illustration — The Outlier, depicted by Frederic Remington, was used as cover of the 1981 album with Bubola. Together with Sergio Bardotti De André translated the song "Famous Blue Raincoat" with the title "La Famosa Volpe Azzurra", which was performed by Ornella Vanoni on her album Ricetta di donna (1980). In 1981, De André and Massimo Bubola released the single "Una storia sbagliata", which was dedicated to Pier Paolo Pasolini and appeared as an opening theme to an Italian television program. Later in 1981, in July, De André released an album without a title, also known as L'Indiano (The Indian) due to the cover reproducing the painting The Outlier by Frederic Remington. The album is more inspired by rock music than De André's earlier ones, partly because of the collaboration in songwriting with Bubola. The arrangements were done by the American-born musician Mark Harris, who also sings "Ave Maria" in Sardinian. The track "Hotel Supramonte" was inspired by the De André's kidnapping experience. In September, De André and Ghezzi produced the next Bubola's album, Tre Rose (Three Roses), where they are also credited in the chorus. In 1982, De André, who disliked traveling, went on his first and only European tour of Austria, Germany, and Switzerland. In 1982 De André made one of his very rare TV presences, singing live the songs Fiume Sand Creek (Sand Creek River) and Andrea on the Italian television program Sotto le stelle. In 1984, Joan Baez sang "Marinella" during an Italian public television program (Blitz, conducted by Gianni Minà). In 1984 the album Crêuza de mä was released, a collaboration with the multi-instrumentalist Mauro Pagani, a former member of PFM. This album is very unusual: its music was inspired by the Mediterranean music played with instruments from many local traditions, resulting in a special kind of world music and entirely sung in Genoese. David Byrne, later talking to Rolling Stone, named the album as one of the most-important releases of the decade. In 1985, De André co-wrote the song "Faccia di Cane", however unofficially, which was performed by the New Trolls at the Sanremo Music Festival 1985, where it placed third and won the Prize of the Critic. In 1987, De André and Pagani wrote the score of the film Topo Galileo. In 1988 De André sung in the song "Questi posti davanti al mare" together with Francesco De Gregori and Ivano Fossati, who also wrote the song, included in Fossati's 1988 album La pianta del tè. The song won the Targa Tenco in the Best Song category. In 1985, De André promised his dying father to stop his abuse of alcohol but he continued to be a heavy smoker. In 1989, De André married Dori Ghezzi. Their marriage testimony was witnessed by the actor and life-long friend Beppe Grillo. In the same year, Fabrizio's brother Mauro, a corporate lawyer, who also helped Fabrizio with his career, died.
1990s
1990s
In 1990 De André released Le nuvole, another collaboration with Pagani. This album also brings a flavour of social protest, especially the song "La domenica delle salme". The album was arranged by Piero Milesi. The first half of the album (side A) is sung in Italian while the second half (side B) is sung in Sardinian, Genoese, and Neapolitan. The album is also credited to Francesco Baccini for some verses of the song "Ottocento". In 1991, De André toured released the double live album 1991 Concerti. In these years, De André collaborated also with other duets in Italian: Genova Blues with Francesco Baccini (1990), Davvero davvero, with Mauro Pagani (1991), Navigare with Ricky Gianco (1992), Don Raffaé with Roberto Murolo (1992) and La Fiera della Maddalena with Max Manfredi (1994). De André also performed Don Raffaé live with Murolo at the 'Concerto del Primo Maggio' (May Day Concert) in 1992 in Rome. De André also collaborated with the band Tazenda, singing a song in Sardinian ("Etta Abba Chelu") and co-writing the song "Pitzinnos in sa gherra" ("Children in the War"), both of which were included on their 1992 album Limba. He sang in Old Occitan with the band Troubaires de Coumboscuro ("Mis Amour") in 1995. In 1994, he collaborated on the lyrics of his son Cristiano's song "Cose che dimentico". In 1993, he performed the song "Cielito Lindo" in Spanish as an opening theme for an Italian television show of the same name. In 1996, a rearranged recording of the song Sidún together with Pagani and Exodus community is included in the charity album Fatto per un mondo migliore Made for a better world. In 1996 he released his last album Anime Salve, a concept album about solitude, in collaboration with Ivano Fossati. The arrangements are by Milesi. Fossati also duets with De André on two of the songs, the tile track and "Â cùmba". The first song on the album, "Prinçesa", is inspired by the autobiography of the transsexual Fernanda Farias De Albuquerque. This song was awarded the Targa Tenco as Song of the Year. The last song of the album, "Smisurata preghiera", summarizes the work of writer Álvaro Mutis; De André also released a spanish version of the song titled "Desmedida plegaria", which was included in the score of the film Ilona Arrives with the Rain. The song was awarded the Lunezia Prize. • Illustration — Via Fabrizio De André (Genoa) Also in 1996, De André co-wrote his only novel Un destino ridicolo with writer Alessandro Gennari; in 2008, this novel inspired the film Amore che vieni, amore che vai. In 1997, he recorded a new version of "Marinella", this time as a duo with Mina, which is included in the compilation Mi innamoravo di tutto. During the period of 1997–1998, De André went on the longest tour of his career, playing in arenas, open spaces, and theaters. Some of the summer dates were opened by poet and songwriter Oliviero Malaspina, with whom he was planning a collaboration for his next studio album. This long tour had to be interrupted because of the first signs of health problems. He was subsequently diagnosed with lung cancer. Fabrizio De André died in Milan on 11 January 1999. Two days later, a public funeral took place in the Basilica of Santa Maria Assunta in Carignano, Genoa, in front of a large audience. De André was buried in the family chapel in the Monumental Cemetery of Staglieno.
Albums
Albums
• Volume 1 (1967) • Tutti morimmo a stento (1968) • Volume 3 (1968) • La buona novella (1970) • Non al denaro non all'amore né al cielo (1971) • Storia di un impiegato (1973) • Canzoni (1974) • Volume 8 (1975) • Rimini (1978) • Fabrizio De André (1981) • Crêuza de mä (1984) • Le nuvole (1990) • Anime salve (1996)
Compilations
Compilations
• Tutto Fabrizio De André (1966) • La canzone di Marinella (1968) • Nuvole barocche (1968) • Fabrizio De André (also known as the Black Anthology) (1976) • Fabrizio De André (also known as the Blue Anthology) (1986) • Il viaggio (1991) • La canzone di Marinella (1995, reissue) • Mi innamoravo di tutto (1997) • Da Genova (1999) • Peccati di gioventù (2000) • In direzione ostinata e contraria (2005) • In direzione ostinata e contraria 2 (2006) • Effedia: Sulla mia cattiva strada (2008)
Live albums
Live albums
• Fabrizio De André in Concerto (1979) • Fabrizio De André in Concerto vol. 2 (1980) • 1991 concerti (1991) • In concerto (1999) (A selection of songs from De André's last-ever filmed concerts, released in their entirety on the same-titled 2004 DVD) • Ed avevamo gli occhi troppo belli (2001) • In concerto volume II (2001) (The remaining songs from the 1998 In Concerto final shows) • Fabrizio De André & PFM in concerto (2007) (Newly mixed and "de-mastered" reissue of the PFM-led live albums from 1979 and 1980)
Singles
Singles
• "Nuvole barocche"/"E fu la notte" (1960) • "La ballata del Michè"/"La ballata dell'eroe" (1961) • "Il fannullone"/"Carlo Martello ritorna dalla battaglia di Poitiers" (1963) • "Il testamento"/"La ballata del Michè" (1963) • "La guerra di Piero"/"La ballata dell'eroe" (1964) • "Valzer per un amore"/"La canzone di Marinella" (1964) • "Per i tuoi larghi occhi"/"Fila la lana" (1965) • "La città vecchia"/"Delitto di paese" (1965) • "La canzone dell'amore perduto"/"La ballata dell'amore cieco (o della vanità)" (1966) • "Geordie"/"Amore che vieni, amore che vai" (1966) • "Preghiera in Gennaio"/"Si chiamava Gesù" (1967) • "Via del Campo"/"Bocca di rosa" (1967) • "Caro amore"/"Spiritual" (1967) • "La canzone di Barbara"/"Carlo Martello ritorna dalla battaglia di Poitiers" (1968) • "La canzone di Marinella"/"Amore che vieni, amore che vai" (1968) • "Il gorilla"/"Nell'acqua della chiara fontana" (1969) • "Leggenda di Natale"/"Inverno" (1969) • "Il pescatore"/"Marcia nuziale" (1970) • "La stagione del tuo amore"/"Spiritual" (1970) • "Nuvole barocche"/"E fu la notte" (1971, reissue) • "Un matto (Dietro ogni scemo c'è un villaggio)"/"Un giudice" (1971) • "Suzanne"/"Giovanna d'Arco" (1972) • "La cattiva strada"/"Amico fragile" (1974) • "Il pescatore"/"Carlo Martello ritorna dalla battaglia di Poitiers" (1978) • "Una storia sbagliata"/"Titti" (1980)
Box-sets
Box-sets
• I concerti (16 CDs) (2012)
Music videos
Music videos
• La domenica delle salme (1990) – directed by Gabriele Salvatores • Mégu megún (1990) – directed by Gabriele Salvatores, starring: Claudio Bisio • Ho visto Nina volare (1997) – directed by Pietro Follini
Concerts
Concerts
• Fabrizio De André in Concerto (2004) • Fabrizio De André e PFM - Il concerto ritrovato (2020)
Documentaries
Documentaries
• Effedia: Sulla mia cattiva strada (2008) • Dentro Faber (2011) (8 DVDs on different subjects each) • Faber in Sardegna & L'ultimo concerto di Fabrizio De André, directed by Gianfranco Cabiddu, 2015
Inspired movies
Inspired movies
• Amore che vieni, amore che vai (2008) – directed by Daniele Costantini • Fabrizio De André - Principe libero (2018) – directed by Luca Facchini
Novels
Novels
*
Diaries
Diaries
*
Interviews
Interviews
* *
Biographies
Biographies
* * *
Essayes
Essayes
• Fondazione Fabrizio De André, Bruno Bigoni, Romano Giuffrida, Accordi eretici, La Nave di Teseo, 2021.. * *
Photobooks
Photobooks
* *
Comics
Comics
* * *
Life and work
Life and work
Fabrizio De André was born on 18 February 1940 in Genoa. André held the nationality of Italy and Kingdom of Italy. André was educated at University of Genoa. Married to: Dori Ghezzi and Enrica Rignon. Recorded father: Giuseppe De André. Recorded child: Cristiano De André and Luvi De André. Recorded sibling: Mauro De André. André worked as singer-songwriter, composer, poet and singer, and the authority record catalogues a further 2 occupations under the same name, among them musician and Liedermacher. André was active from 1958 to 1998. The fields André worked in include traditional folk music. André played the guitar. André worked in Italian. André is placed by the collections within Genoa school. André died on 11 January 1999 in Milan. André is buried at Monumental Cemetery of Staglieno.
Life and career
Dated record
Life and career
Explore 1940–2002
The full dated record · 5 entries
1940
Fabrizio De André was born in 1940.
1975
Le Canzoni Di Fabrizio De Andrè Edizioni Leonardi Milano (1975) is digitised and catalogued by Internet Archive.
1999
Dies at Milan.
1999
Fabrizio De André died at Milan.
2002
La buona novella di Fabrizio De André.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
IT.
Country
Fabrizio De André was born at Genoa.
Birthplace
Fabrizio De André died at Milan.
Deathplace
Works documented in more than one form
Catalogued output
Works documented in more than one form
17 titles are catalogued under more than one form, which is to say the registers hold them both as a work and as a distinct object, score, recording or edition. Where a title is documented in several forms the evidence behind it is correspondingly wider, and the article treats those forms as separate records of the same work rather than as separate works. La canzone di Marinella, dated 1964 — catalogued as musical work/composition, album and single. Nuvole barocche, dated 1969 — catalogued as musical work/composition, music track with vocals and album. La città vecchia — catalogued as musical work/composition and music track with vocals. Valzer per un amore — catalogued as musical work/composition and music track with vocals. Suzanne — catalogued as musical work/composition and music track with vocals.
La guerra di Piero
1964 — catalogued as musical work/composition and music track with vocals
La ballata dell'eroe
1961 — catalogued as musical work/composition and music track with vocals
Il fannullone
1963 — catalogued as musical work/composition and music track with vocals
Carlo Martello ritorna dalla battaglia di Poitiers
1963 — catalogued as musical work/composition and music track with vocals
Per i tuoi larghi occhi
1965 — catalogued as musical work/composition and music track with vocals
La canzone dell'amore perduto
1966 — catalogued as musical work/composition and music track with vocals
Amore che vieni, amore che vai
1966 — catalogued as musical work/composition and music track with vocals
Geordie
1966 — catalogued as musical work/composition and music track with vocals
Volta la carta
1978 — catalogued as musical work/composition and music track with vocals
La guerra di Piero / La ballata dell'eroe
1964 — catalogued as single and 7″ single
In Concerto
1999 — catalogued as album and video album
Compositions, 1961–1978
Catalogued output
Compositions, 1961–1978
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. The 1960s are the densest part of the run, with 17 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 122 titles in all, from 1961 to 1978.
21 compositions carry dates between 1961 and 1978
The run opens with La ballata dell'eroe and closes with Zirichiltaggia
Dans l’eau de la claire fontaine
1961
La ballata del Miché
1963
La canzone di Marinella
1964
Bocca di Rosa
1967
Spiritual
1967
Via del Campo
1967
Il testamento
1968
Girotondo
1968
Nuvole barocche
1969
Il pescatore
1978
Compositions without a settled date
Catalogued output
Compositions without a settled date
101 further compositions are catalogued under André's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. A selection is set out below and the complete run may be opened beneath it.
La città vecchia
La ballata dell'amore cieco
Fila la lana
Preghiera in gennaio
Si chiamava Gesù
La canzone di Barbara
Leggenda di Natale
S'i' fosse foco
Cantico dei drogati
Ballata degli impiccati
La stagione del tuo amore
L'infanzia di Maria
The complete catalogue · 55
La città vecchia
La ballata dell'amore cieco
Fila la lana
Preghiera in gennaio
Si chiamava Gesù
La canzone di Barbara
Leggenda di Natale
S'i' fosse foco
Cantico dei drogati
Ballata degli impiccati
La stagione del tuo amore
L'infanzia di Maria
Il ritorno di Giuseppe
Il sogno di Maria
Maria nella bottega d'un falegname
Via della Croce
Il testamento di Tito
Un malato di cuore
Il suonatore Jones
Valzer per un amore
Nell'acqua della chiara fontana
Il re fa rullare i tamburi
E fu la notte
Delitto di paese
Ballata del Miche'
Ballata dell'eroe. Â duménega
Nella mia ora di libertà
Khorakhané (A forza di essere vento)
La canzone del padre
Canzone del maggio
Ho visto Nina volare
Le acciughe fanno il pallone
D’ä mê riva
Canzone per l’estate
La bomba in testa
Canto del servo pastore
Le storie di ieri
Het doodlopend straatje
Monti di mola
La domenica delle salme
Cose che dimentico
La morte. Â pittima
Corale (Leggenda del re infelice)
La cattiva strada
Morire per delle idee
La nova gelosia. Â cúmba. ’Â çímma
La ballata dell’amore cieco (o della vanità)
Coda di lupo
Geordie (London Bridge Rmx)
Avventura a Durango
Fiume Sand Creek
Bella se vuoi volare
La famosa volpe azzurra
Dai monti della Savoia
Al ballo mascherato
Catalogued output
Writings on music
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 2000s are the densest part of the run, with 4 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
Testo originale a fronte and closes with Fabrizio De André, via del campo
La buona novella di Fabrizio De André
2002
6 editions carry dates between 1996 and 2016
The run opens with Françoise Villon
The entries follow Open Library
Testo originale a fronte
1996
E poi, il futuro
2002
Fabrizio De André, via del campo
2016
Tributes
Tributes
• Canti randagi (1995) • Äia da respiâ - Genova canta De André (1999) • Faber, amico fragile (2003) (2 CDs) • Non più i cadaveri dei soldati (Un omaggio a Fabrizio De André) (2003) • Mille papaveri rossi (2003) • Non al denaro non all'amore nè al cielo (2005) by Morgan • 2004 Creuza de mä (Mauro Pagani) (2004) • Omaggio a Fabrizio De André (2006) (DVD) • PFM canta De André (2008) (CD + DVD) • Dai diamanti non nasce niente (2009) by QuartAumentata • De André canta De André (2009) by Cristiano De André • De André canta De André vol. 2 (2010) by Cristiano De André • Canti randagi 2 (2010) • Sogno n° 1 (2011), London Symphony Orchestra directed by Geoff Westley • De André canta De André vol. 3 (2017) by Cristiano De André • Faber nostrum (2019)
Tributes
Tributes
• Omaggio a Fabrizio De André (2006) (tribute concert performed in the Roman Amphitheatre of Cagliari on 10 July 2005) • PFM canta De André (2008)
Issued recordings
Primary material
Issued recordings
These are published sound issues catalogued under the name. Most postdate the works they carry, and an issue is never counted here as a work of composition. 64 issues carry dates between 1961 and 2017. The run opens with La ballata del Miché / La ballata dell'eroe and closes with …Era solo Fabrizio Vol.
Recordings and discography
Primary material
Recordings and discography
The discography assembled here shows how André's work has been published in sound, not what André made. 85 sound issues are catalogued, carrying dates from 1961 to 2025. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. 56 issues were published within the subject's lifetime and 29 after 1999, so the greater part of this record is the work of later performers, editors and labels. The 1960s are the densest decade of publication, with 24 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
Prima di Faber
2020
Sulla mia cattiva strada
2008
Crêuza de mä
1984
La canzone di Barbara / Carlo Martello ritorna dalla battaglia di Poitiers
1968
In concerto, Volume II
2001
Tutti morimmo a stento
1968
Mi innamoravo di tutto
1997
In direzione ostinata e contraria 2
2006
In the Summertime / Amore che vieni, amore che vai
1970
Geordie / Amore che vieni, amore che vai
1966
L’indiano: Il concerto 1981.82
2013
Via del Campo / Bocca di rosa
1967
Carlo Martello ritorna dalla battaglia di Poitiers / Il testamento
1968
In teatro: Il concerto 1992.93
2013
La leggenda di Natale / Inverno
1969
Il fannullone / Carlo Martello ritorna dalla battaglia di Poitiers
1963
In concerto (arrangiamenti PFM), Volume 2
1980
1991 Concerti
1991
Suzanne / Giovanna d’Arco
1972
Il pescatore / America
1979
Canzoni
1974
La cattiva strada / Amico fragile
1974
Non al denaro non all’amore né al cielo
1971
1982-04-24: Philipshalle, Düsseldorf, Germany
In direzione ostinata e contraria
2005
Sogno nº 1
2011
Il viaggio
1991
Sally
1978
La canzone dell’amore perduto / La ballata dell’amore cieco (o della vanità)
1966
Tu che m’ascolti insegnami
2017
Nuvole barocche / E fu la notte
1961
Ed avevamo gli occhi troppo belli
2001
La Bussola e Storia di un impiegato: Il concerto 1975.76
2013
Il pescatore / Una storia sbagliata / In concerto
2009
La ballata dell’eroe (Analog Source Remaster 2019)
2019
Caro amore / Spiritual
1967
Ballata del Michè / Ballata dell’eroe
1961
Una storia sbagliata / Titti
1980
Opera completa
2009
Valzer per un amore / La canzone di Marinella
1964
Per i tuoi larghi occhi / Fila la lana
1965
Opere complete
1999
Mediterraneo
2001
Il concerto ritrovato
2020
La canzone di Marinella / Amore che vieni, amore che vai
1968
Rimini
1978
Il gorilla
1969
Members Club
2020
Peccati di gioventù
2000
La ballata del Michè / La guerra di Piero
1968
La buona novella
1970
Anime salve: Il concerto 1997
2013
Anime salve
1996
Le nuvole
1990
Storia di un impiegato
1973
Il testamento / La ballata del Michè
1963
In concerto (arrangiamenti PFM)
1979
Registrazioni di Fabrizio De André
2025
Creuza de ma - Il concerto1984
2012
Da Genova
1999
A further 9 recorded entries stand behind this article and are held on the record.
Further digitised and archival material
Primary material
Further digitised and archival material
A further 48 rows were returned by the same open archives and are not shown here, because the only tie between them and this person was lexical: the name appeared in a title, a description or a series heading without the register stating any relation to André. They are kept in the evidence layer and return the moment a relation is demonstrated. The register's own description is kept rather than reclassified, so a reader can see what each institution says it holds.
Fabrizio de Andrè - La buona novella. #277: Fabrizio de Andre, cantautor italiano
2021
Da Carlo Martello a Don Raffaé
1995
Le Canzoni Di Fabrizio De Andrè Edizioni Leonardi Milano
1975
Fabrizio De André - Ed Avevamo Gli Occhi Troppo Belli
Bocca Di Rosa Milanese
2024. Bailesinmascaras fabrizio de andre octubre 2012
Fabrizio De André, Giorgio Gaber, Bruno Lauzi, Gino Paoli - Amore Cronaca E Morte, Audio Cassette Compilation (Folk, World and Country, Pop, Ballad, Chanson) [1972]
1972
ERIC ED608146: 'La Ballata Dell'amore Cieco': A Case Study on the Use of Songs in Italian Language Learning
2020
Documents and archives
Primary material
Documents and archives
institutional register
- MusicBrainz artist record for Fabrizio De André
Unverified · MusicBrainz
- Wikidata, structured authority record Q25106: Fabrizio De André
Unverified · Wikimedia Foundation
reference work
- “Fabrizio De André”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
Further cited scholarship
14 scholarly and reference publications are cited here, each one identified by title and by the publication, publisher or institution that carried it, with its year where the register states one. The cited literature runs from 2009 to 2025, which is a measure of how long André has been a subject of scholarship rather than of how much has been written. The publications represented include L'ospite ingrato, Textual Cultures, inOpera Esercizi di lettura su testi contemporanei, Signótica, Punto y Coma: Revista Interdisciplinaria and L’esperienza della musica. The Encyclopedia cites this literature and does not summarise the arguments of works it has not read in full. Da canzoni (e poesie) a canzoni: adattamenti metrici nelle traduzioni di Fabrizio de André, Signa: Revista de la Asociación Española de Semiótica, 2013. <b>Canções de guerra e canções da guerra: a poesia em Si menor de Fabrizio De André</b><br>doi:10.5007/2175-7917.2010v15n2p249, Anuário de Literatura, 2010. The visible translator: Fabrizio De André translates Leonard Cohen, (Re)visiting Translation.
Fabrizio De André, il tema dell’incontro nella dialettica testuale di Storia di un impiegato, L'ospite ingrato, 2025
How Popular Music Enters University Classrooms in the Humanities?
The Case of the Canzone d’Autore in Italy Study Proposal between Umberto Saba and Fabrizio De André, Textual Cultures, 2025
Commento a “Don Raffaè” di Fabrizio De André [pp
241-264], inOpera Esercizi di lettura su testi contemporanei, 2024
O direito à literatura como forma de expressão e conhecimento: condições da censura musical em Chico Buarque e Fabrizio De André, Signótica, 2024
Letteratura e canzone d’autore negli anni Novanta: una interpretazione di “Smisurata preghiera” (Fabrizio De André, 1996) (pp
277-320), inOpera Esercizi di lettura su testi contemporanei, 2024
La buena noticia Fabrizio de André (1940-199) "Y no por un dios pero tampoco por el juego", Punto y Coma: Revista Interdisciplinaria, 2024
Prinçesa di Fabrizio De André, L’esperienza della musica, 2020
“Le donne, i cavalier, l’arme, gli amori”: lingua e poetica del primo Fabrizio De André, ATeM Archiv für Textmusikforschung, 2020
Fabrizio De André riscrive Edgar Lee Masters: la società italiana dello sviluppo economico in Non al denaro non all’amore né al cielo, California Italian Studies, 2016
THE VOICE OF FABRIZIO DE ANDRé: STYLE AS AESTHETICS AND IDEOLOGY, The Italianist, 2015
Une Smisurata réécriture
De Alvaro Mutis à Fabrizio De André, Cahiers d'études romanes, 2009
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bertoncelli, Riccardo. Belin, sei sicuro?. 44.
- 2.Redazione. Fabrizio de André: il poeta cantautore dei perdenti e degli emarginati (di G.Aufiero). Stato Quotidiano. 2009-10-11.
- 3.Franchini, Alfredo. Uomini e donne di Fabrizio De André. Conversazioni ai margini. Fratelli Frilli Editori. cap. VII.
- 4.Haworth, Rachel. From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence. Routledge. 121. 2016-03-03. 978-1-317-13168-7.
- 5.Intitolazioni.
- 6.Fabbri, Franco. L'ascolto tabù. Il Saggiatore. 216–222. 2017.
- 7.Viva, p. 40.
- 8.Viva, p. 49.
- 9.Romana, p. 61.
- 10.Viva, p. 83.
- 11.Viva, p. 225.
- 12.Viva, p. 83.
- 13.Viva, p. 102.
- 14.Viva, p. 93.
- 15.Viva, p. 133.
- 16.Viva, p. 125.
- 17.Viva, p. 139.
- 18.Viva, p. 129.
- 19.Meacci, Giordano. Fabrizio De André (1974-1981). Treccani. 15 November 2021.
- 20.Viva, p. 164.
- 21.Viva, p. 103.
- 22.Viva, p. 172.
- 23.Viva, p. 179.
- 24.Collaborazione: Autore.
- 25.Viva, p. 186.
- 26.Viva, p. 187.
- 27.De André, Fabrizio. E poi, il futuro. Mondadori. 124. 2003. 8804497084.
- 28.Interview on mybestlife.com.
- 29.Giannotti, M. (2005). L'enciclopedia di Sanremo: 55 anni di storia del festival dalla A alla Z, Gremese: pag. 148.
- 30.Viva, p. 197.
- 31.Viva, p. 205.
- 32.Viva, p. 229.
- 33.Songs of Social Protest: International Perspectives. (2018). United States: Bloomsbury Publishing: p. 211-212.
- 34.Tazenda.
- 35.Troubaires.
- 36.Viva, p. 221.
- 37.Mediating the Human Body: Technology, Communication, and Fashion. (2003), Taylor & Francis.: p. 56.
- 38.Viva, p. 237.
- 39.Giunti. Belin, sei sicuro? Storia e canzoni - Con gli appunti inediti de I Notturni. 2012.
- 40.Viva, p. 244.
- 41.Una folla silenziosa per Fabrizio De André. La Repubblica. 13 January 1999.
- 42.25 December 2010.
- 43.Affiora un video 'perduto' di Fabrizio De André. 13 Sep 2005.
Bibliography printed in the source article · 6
- Gilbert, Mark. Historical Dictionary of Modern Italy. Rowman & Littlefield. 120–. 2020. 978-1-5381-0254-1.
- Haworth, Rachel. From the Chanson Française to the Canzone D'autore in the 1960s and 1970s: Authenticity, Authority, Influence. Taylor & Francis. 2016. 978-1409441731.
- Fondazione Fabrizio De André. Accordi Eretici. La nave di Teseo. 2021. 9788893955881.
- Romana, Cesare G. Amico fragile. Sperling & Kupfer. 1991. 8820012146.
- Pistarini, Walter. Il libro del mondo. Le storie dietro le canzoni di Fabrizio De André. Giunti. 2010. 978-88-09-74851-4.
- Zanetti, Franco. Fabrizio De André in concerto. Giunti Editore. 2008. 9788809062115.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedinstitutional register
Partially resolvedinstitutional register
Wikidata, structured authority record Q25106: Fabrizio De AndréWikimedia Foundation
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Books
38,960 published records in this field, each with its sources named.
- Fabius RusticusAuthor
- Fabre d'OlivetAuthor
- Fabrice HadjadjAuthor
- Fabrizia RamondinoAuthor
- Fabyula BadawiAuthor
- Faddey BulgarinAuthor
- Fadela EchebbiAuthor
- Fadhil AssultaniAuthor
Best supported in this field
For owners
Own a work by Fabrizio De André?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.