Angelo Grillo
Dom Angelo Grillo (1557October 1629) was an Italian early Baroque poet belonging to the noble Genoese family of the Spinola. He wrote mostly religious verse under his own name, but as Livio Celiano, his pseudonym, he wrote amorous madrigal texts.
Also recorded as Livio Celiano
Angelo Grillo

Le glorie de gli incogniti: O vero gli hvomini illvstri della̓ccademia de ̓signori incogniti di Venetia, 1647 · Public domain
- Name
- Angelo Grillo
- Birth Name
- Vincenzo Grillo
- Born
- 1557
- Birthplace
- Genoa, Republic of Genoa
- Died
- 1629 10
- Place of death
- Parma, Duchy of Parma
- Occupation
- * Poet
- Known for
- Pietosi affetti
- Full name
- Vincenzo Grillo.
- Movements
- Baroque.
- Languages
- Italian.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q4762891 · wikipedia · Angelo Grillo
In this article
Key facts
Key facts
• Honorific Prefix — Dom • Name — Angelo Grillo • Honorific Suffix — OSB • Title — abbot • Parents — Nicolò Grillo and Barbara Grillo (née Spinola) • Birth Name — Vincenzo Grillo • Born — 1557 • Birthplace — Genoa, Republic of Genoa • Died — 1629 10 • Place of death — Parma, Duchy of Parma • Other Names — Livio Celiano • Occupation — * Poet • Christian monk • Known for — Pietosi affetti • Religion — Roman Catholicism • Order — Benedictines • Ordination — 14 September 1572
Biography
Biography
Born in 1557 to a wealthy Genovese family, Grillo took Benedictine orders as a teenager in 1572. He rose to be abbot of several, including Saint Paul Outside the Walls in Rome, where he was one of the founding members of the Accademia degli Umoristi. Monastic rules did not prevent him from taking full part in the literary life of the day. Grillo's religious poems began appearing in anthologies in 1585, and he published his first single-authored collection of Rime in 1589. A prolific writer, he published several other collections; in 1595, his Pietosi affetti, his masterwork, appeared for the first time. He reworked and expanded the collection, and it was published eleven times by its arrival at a final version, a corpus of more than two thousand poems, in 1629. He died that same year.
Works
Works
• Rime morali (1580 and 1599); • Affetti pietosi (1581); • Pompe della Morte (1599); • Elogio di Giovanni Imperiali di doge a Genova (1618).
Places
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Places
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Genoa.
Birth place
Parma.
Death place
Impact and legacy
Grillo was one of the most highly regarded poets of his generation. Between 1587 and 1613, twenty editions of his poetry appeared, a record for a poet of that time. His verse hovers between Petrarchism and conceptismo, with substantial debts to Torquato Tasso. Grillo was an important and innovative letter writer as well as a poet. His Lettere, published in several editions after his death, contain correspondence with most of the major writers of the day and give a detailed and lively picture of contemporary literary life. Beginning in 1584, Grillo maintained an epistolary correspondence with Torquato Tasso, then imprisoned in Sant'Anna; Tasso dedicated several works to him, including the Discorso dell'arte del dialogo of 1585. Marino knew Grillo's poetry and utilised some of his religious themes. Much of his verse was especially designed for musical settings. His madrigal texts were set by Monteverdi, Filippo Bonaffino, Orazio Vecchi, Luca Marenzio, Giuliano Paratico, Salamone Rossi, Pomponio Nenna and others. The close relationship between Grillo and Monteverdi appears in their correspondence, which began about 1610 and continued until the poet's death in 1629. Grillo's letters to Giulio Caccini, to Caccini's daughters, Francesca and Settimia, who were both musicians, to Monteverdi, to the poets Rinuccini and Chiabrera, to Giovanni Matteo Bembo, throw most interesting and revealing sidelights on the relationships of poets and musicians.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Angelo Grillo, revision 1359219250 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Raboni, 1991, p=146 .
- 2.Snyder, Jon R. Writing the Scene of Speaking: Theories of Dialogue in the Late Italian Renaissance. Stanford University Press. 146–7. 1989. 9780804714594.
- 3.Molinaro, Julius A., Marino's Lyric and Pastoral Poetry: Three Recent Interpretations, « Canadian Journal of Italian Studies », I, 3 (Spring, 1978), 199.
- 4.Vocal music set to Angelo Grillo's texts at the LiederNet Archive
- 5.Stevens, Denis. Monteverdi in Venice. Fairleigh Dickinson University Press. 56. 2001. 978-0838638798.
Bibliography printed in the source article · 6
- Slawinski, M. Grillo, Angelo. The Oxford Companion to Italian Literature. Oxford University Press. 2002. 978-0-19-818332-7.
- cite book
- Raboni, Giulia. Il madrigalista genovese Livio Celiano e il benedettino Angelo Grillo. Studi secenteschi. XXXII. 137–88. 1991.
- Farro, Maria Cristina. Un libro di lettere da riscoprire: Angelo Grillo e il suo epistolario. Esperienze Letterarie. XVIII. 3. 69–81. 1993.
- cite journal
- McHugh, Shannon. Innovation in the Italian Counter-Reformation. University of Delaware Press. 145–166. 2020. 10.2307/j.ctv15d81vf.10.
References
Citations
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
Elsewhere in Books
39,529 published records in this field, each with its sources named.
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