Emma Mendenhall
- Born
- 1873 · Cincinnati.
- Died
- 1964 · Cincinnati.
- Nationality
- United States
- Occupation
- painter
- Fields
- painting
- Movements
- Impressionism
- Education
- Art Academy of Cincinnati · Shinnecock Hills summer school
In this article
Key facts
• Name — Emma Mendenhall
• Born — 1873 03 15
• Birthplace — Cincinnati, Ohio
• Died — 1964 03 25
• Movement — Impressionism
• Field — Painting
• Training — Art Academy of Cincinnati
Emma Mendenhall (March 15, 1873 – March 25, 1964) was an American landscape, portrait and still life painter. A lifelong resident of Cincinnati, where she taught at the Oakhurst School, Mendenhall also traveled widely, incorporating scenes of Europe and North America into her work.
Early life and education
Emma Mendenhall was born in Cincinnati, Ohio, the eldest daughter of Charles and Fannie Mendenhall. She was the niece of Cincinnati art patron and philanthropist Mrs. Larz Anderson, a connection which helped her become a part of local society.
Mendenhall attended classes at the Art Academy of Cincinnati from 1890 to 1914, where she studied with Vincent Nowottny and Frank Duveneck. She also studied at the Julian Academy in Paris with Jules Lefebvre, with William Merritt Chase at the Shinnecock Hills Summer School of Art, and Charles Woodbury at his Ogunquit, Maine summer school.
Career
Mendenhall taught at the Oakhurst School in Cincinnati, but she also traveled extensively with her friend and fellow artist Dixie Selden. The pair traveled to France, Mexico, Denmark, Spain, Portugal, China, Japan, Morocco, England and the Holy Land. Mendenhall often spent summers along the New England coast, where she painted with Annie Gooding Sykes.
Known for her impressionistic watercolors, Mendenhall also worked with oil and pastel. She produced portraits, landscapes, travel scenes, flowers and still lifes. Her art was shown at the Art Institute of Chicago, Pennsylvania Academy of the Fine Arts, and the Cincinnati Art Museum, including a 1910 exhibition of her works with those of Dixie Selden and Annie G. Sykes.
Mendenhall was a member of the American Watercolor Society from 1921 to 1964. She was also a member of the National Arts Club, the Washington Water Color Club, the Women's Art Club of Cincinnati, the Professional Artists of Cincinnati, the 3 Arts Club, and the MacDowell Club.
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Emma Mendenhall, revision 1362372196 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record.
Collections
• Cincinnati Art Museum: Street Scene, Brittany
• Indianapolis Museum of Art: A Warm Day in the Market San Miguel d'Allende
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 28 August 2026.
Elsewhere in Paintings
16,774 published records in this field, each with its sources named.
- Emma JonesArtist
- Emma Josepha SparreArtist
- Emma Lampert CooperArtist
- Emma Maria WalrondArtist
- Emma MeyerArtist
- Emma Minnie BoydArtist
- Emma MorettoArtist
- Emma OliverArtist
Best supported in this field
For owners
Own a work by Emma Mendenhall?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.