Emilie Linder
Emilie Linder (Oct. 11, 1797 – Feb. 12, 1867) was a Swiss painter and art patron.
Also recorded as Sophie Emilie Linder
Emilie Linder

Anonymous Unknown author · Webseite der Carl-Blechen-Gesellschaft · Public domain
- Name
- Emilie Linder
- Born
- 11 October 1797
- Birthplace
- Basel, Switzerland
- Died
- 12 February 1867
- Place of death
- Munich, Germany
- Nationality
- Switzerland
- Occupation
- painter · artist
- Languages
- German
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Documentary summary
Emilie Linder (Oct. 11, 1797 – Feb. 12, 1867) was a Swiss painter and art patron.
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Emilie Linder (1797–1867) was an artist, painter and visual artist, of Swiss nationality. The artist was born Sophie Emilie Linder in Basel and died in Munich. Emilie Linder worked in Basel. Languages used include German.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q1337336 · wikipedia · Emilie Linder
In this article
Key facts
Key facts
• Name — Emilie Linder • Other Names — Sophie Emilie Linder; Émilie Linder • Born — 11 October 1797 • Birthplace — Basel, Switzerland • Died — 12 February 1867 • Place of death — Munich, Germany
Early life
Early life
Linder was born in Basel, Switzerland in 1797. She was the daughter of painter Franz Lukas Linder and Anna Maria Dienast; the Linders were an established family of textile manufacturers in Basel. Orphaned by age fifteen, her grandfather Johann Konrad Dienast-Burckhardt took her in and encouraged her talent for art.
Education and career
Education and career
In 1824, Linder moved to Munich for artistic education. While she visited the Academy of Fine Arts in Munich, because she was a woman, she could not attend the academy herself. Her primary teacher was history painter Joseph Schlotthauer. Her family friend Johann Nepomuk von Ringseis introduced Linder to many of the artists active in Munich. She was wooed by Franz Xaver von Baader and Clemens Brentano, but did not marry either of them. She traveled to northern and central Italy in 1825 with Schlotthauer and his wife. Between 1828 and 1831, Linder lived in Rome and studied Italian paintings. While in Italy, Linder befriended Johann Friedrich Overbeck, leader of the Nazarene movement of German Romantic Christian painters. In 1832, Linder settled permanently in Munich. She became well-known as a painter and as an intellectual hostess of salons. • Illustration — Linder, portrait of Clemens Brentano, 1835.
Conversion
Conversion
Linder converted to Catholicism in 1843. Her artwork became entirely religious.
Cultural impact
Cultural impact
• Illustration — Linder, Portrait of the Baroness von Eichthal, 19th century. Linder was one of Brentano's main correspondents during his religious seclusion. Franz von Baader dedicated his "Forty Sentences from a Religious Erotic" to her in 1831. In 1860, Ernst von Lasaulx dedicated his “Philosophy of Fine Arts" to her.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Emilie Linder was born at Basel.
Birthplace
Emilie Linder died at Munich.
Deathplace
Basel.
Birth place
Munich.
Death place
Paintings
Linder mostly painted anonymous devotional pictures and altarpieces, which she gave to destitute churches. Though she was known for her paintings during her lifetime, her habit of not signing her paintings has concealed her impact in German religious painting. She also painted portraits of friends and nobility. Her 1835 portrait of Brentano is widely used, though it is often uncredited. Today, it is in the Munich Stadtmuseum.
Legacy
In 1847, Linder donated her entire art collection, including many important Nazarene paintings, to the public art gallery in Basel. Today, her works are in the Kunstmuseum Basel. She also donated a sizable fortune to the Catholic diocese in Basel, which enabled them to build the Church of St. Marien (Basel), which was the first Catholic church built in Basel after the Reformation.

Emilie Linder, Clemens Brentano2
Emilie Linder · Zeitschrift: Damals, Jg. 45, Ausgabe 5/2013, Artikel: "Volkspoesie" aus Grimm’scher Feder
Art Collection
Art Collection
Linder used her wealth to collect and commission paintings by the Nazarenes and other, lesser-known painters. She commissioned Schlotthauer to travel to Italy to copy Leonardo da Vinci's Last Supper in 1834.
Documents and archives
Primary material
Documents and archives
reference work
- “Emilie Linder”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1337336: Emilie Linder
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Conzemius, Victor. Linder, Emilie. Historisches Lexikon der Schweiz. November 27, 2008.
- 2.Historische Commission bei der königl. Akademie der Wissenschaften. Linder, Emilie. Allgemeine Deutsche Biographie, Bd. 18. Duncker & Humblot. 697. 1883.
- 3.Wichers, Hermann. Linder. Historisches Lexikon der Schweiz. November 27, 2008.
- 4.Rosenthal, David August. Convertitenbilder aus dem neunzehnten Jahrhundert. Hurter. 3. 328–342. 1870. 1072891364.
- 5.Historische Commission bei der königl. Akademie der Wissenschaften. Schlotthauer, Joseph. Allgemeine Deutsche Biographie, Bd. 31. Duncker & Humblot. 554. 1890.
- 6.Oxford University Press. Linder, Émilie. Benezit Dictionary of Artists. 2011-10-31. 10.1093/benz/9780199773787.article.b00109964.
- 7.Brentano, Clemens. Briefe an Emilie Linder. Gehlen. 1970.
- 8.Boerlin, P. H. Emilie Linder: painter and patroness of the arts. Apollo. 104. 178. 491–495. 1976.
Bibliography printed in the source article · 5
- Bischoff, Teresa and Karl Möseneder. Kunst Und Caritas: Leben Und Werk Der Kunstsammlerin, Mäzenin Und Malerin Emilie Linder. Schriftenreihe Des Erlanger Instituts Für Kunstgeschichte; Bd. 2. Petersberg: Imhof, 2014. (in German)
- Braun, Patrick, and Axel Christoph Gampp. Emilie Linder, 1797-1867: Malerin, Mäzenin, Kunstsammlerin. Beiträge Zur Basler Geschichte. Basel: Christoph Merian, 2013. (in German)
- Meier, Nikolaus. Stiften Und Sammeln Für Die Öffentliche Kunstsammlung Basel: Emilie Linder, Jacob Burckhardt Und Das Kunstleben Der Stadt Basel. Basel: Schwabe, 1997. (in German)
- Jent, Verena. Emilie Linder, 1797-1867: Studien zur Biographie der Basler Kunstsammlerin und Freundin Clemens Brentanos, 1970. Dissertation. (in German)
- Lehner, Philomena. Emilie Linder Und Ihr Freundeskreis, 1935. Dissertation. (in German)
References
Citations
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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