Elizabeth Gould

In total, Elizabeth is credited with at least 650 works.

• Name — Elizabeth Gould • Birth Name — Elizabeth Coxen • Born — 18 July 1804 • Birthplace — Ramsgate, England • Died — 15 August 1841 • Place of death — England • Resting Place — Kensal Green Cemetery • Known for — Skilled drawing, watercolor painting and lithography, aiding her husband in illustrating many of his books. • Notable Works — Sizeable collection of illustrations for The Birds of Australia • Spouse — John Gould • Children — Charles Gould

• Illustration — An example of the highly precise coloring and sheen in Elizabeth's use of lithography Elizabeth was born on 18 July 1804 in Ramsgate, England to a military family. Little is known of her early life, however it is likely that Elizabeth underwent training in drawing and botany from a young age. In Victorian England, botany and natural history were part of the education of girls in middle-class English families. As Ann Moyal stated, "Cultivated women drew, walked, observed, collected specimens, arranged and painted." When aged twenty-two, Elizabeth was employed as a governess, and lived in James Street, London. It is known that she met John Gould through her brother, Charles Coxen, who was a fellow taxidermist. She married John in January 1829, when they were both 24 years old. Elizabeth began her professional work-life by producing ornithological drawings intended to supplement John's ornithological writing in letters to colleagues. Her first published work was in 1832 with A Century of Birds from the Himalaya Mountains. Lacking a publisher, the Goulds decided to publish it themselves. In the early days of the couple's partnership, Elizabeth provided an income for her family through selling her drawings. John encouraged her to learn lithography and asked his collaborator Edward Lear to teach her. The extent of Lear's direct influence on the artist is uncertain, but they moved in a circle of artists and natural historians working on similar publications. Elizabeth's work entailed making designs, compositions, and detailed observations of depictions of exotic birds, so that the works could be made into lithographic reproductions. In addition to that, Elizabeth made watercolor paintings accompanied with color keys for colorists to copy. All of the group were enthused with the depiction and scientific illustration of the unknown animals found on European expeditions, especially the novelties in English collections of Australian birds and mammals. Once proficient with the art form, she created illustrations from John's more rudimentary drawings. Elizabeth's knowledge of art and her skills were not handed to her by her husband. Their skills were complementary and the pair worked together to make significant advances in the world of natural history and ornithology. The Goulds skilfully emphasised the aesthetic value of nature, while educating those around them about new species, nurturing a need for the representations of birds and other species. In her eleven-year career (1830–1841), Elizabeth designed, lithographed and painted more than 650 plates, which appeared in: • A Century of Birds from the Himalaya Mountains (1831 and 1832). 80 plates. For this book, she worked with taxidermied birds. • The Birds of Europe (1832–1837). 380 plates. For this book, live (caged) birds were available for her reference. This is when her signature style of ornate backgrounds and realistic shading were first realized. Lithography allowed for more realistic textures, such as feathers and fluff. • A Monograph of the Ramphastidae, or Family of Toucans (1834). 24 plates. • A Monograph of the Trogonidae, or family of trogons (1835–1838). Most of the 36 plates. • The Zoology of the Voyage of H.M.S. Beagle, pt. III. Birds (1838). Gould created all 50 plates for this work but is uncredited. • A Synopsis of the Birds of Australia (1837–38).120 plates. • The Birds of Australia (1837–38). 84 plates, as well as an unspecified number of designs. This was the Gould's biggest and most ambitious project. Elizabeth sketched these subjects alive. Her most famous work is an image of the fairy wren (then known as the blue warbler). • The Birds of Australia (1840–1848). Many of the 681 hand-coloured plates prepared by Gould have been digitised by the State Library of New South Wales. • Icones avium, or, Figures and descriptions of new and interesting species of birds from various parts of the globe (1837–38). 20 plates. Elizabeth's early illustrations have been described as stiff, but they improved with experience. They are quite formal compositions, due to their use in ornithological classification. The Goulds and the oldest of their surviving four children travelled to Australia in 1838. Elizabeth spent much of her time in Hobart as a guest of British explorer Jane Franklin. John travelled extensively collecting specimens and Elizabeth drew and painted them. Her brother Charles Coxen also migrated to Australia, where he and his wife Elizabeth Coxen, who were also interested in natural history, became members of the Queensland Philosophical Society. While in Australia, Elizabeth made hundreds of drawings from specimens for the publications Birds of Australia and A Monograph of the Macropodidæ, or Family of Kangaroos, as well as illustrations for the ornithology volume of Charles Darwin's Zoology of the Voyage of HMS Beagle. • Illustration — Striated Acanthiza (Acanthiza lineata) illustrated by Elizabeth Gould for John Gould's Birds of Australia She bore one son while living in Australia, and gave birth to their eighth child when they returned to England in 1840. Elizabeth did not live to see the completion of her research, dying of puerperal fever shortly after the birth of her last child. Gould completed 84 plates for the monumental, seven-volume book, The Birds of Australia, before her death. Henry Constantine Richter (H.C. Richter) was employed by John Gould following Elizabeth's death, and worked on completing the illustrations in The Birds of Australia. The sketches of Elizabeth and Richter are difficult to distinguish from each other. Likely, her sketches informed the work of Richter. Though new artists were found to illustrate John's books, it is evident that he was devastated by the loss of Elizabeth. He never remarried and honored his wife for the extent of her involvement in his work.

Elizabeth is the principal character in the 2016 novel, The Birdman's Wife, written by Melissa Ashley, which won the University of Queensland Fiction Book Award in the 2017 Queensland Literary Awards.

• Illustration — Cacatua Eos (Rose-breasted Cockatoo) illustrated by Elizabeth Gould for John Gould's Birds of Australia

Elizabeth Gould was recorded at birth as Elizabeth Coxen. The authorities additionally record the headings Elizabeth, Miss Coxon, Eliza Gouge, Elizabeth Coxen Gould, Elizabeth Coxen and Mrs Gould. Her recorded language was English. She married John Gould. One child is recorded: Charles Gould.