Charles Tunnicliffe

Charles Tunnicliffe studied at Royal College of Art and Manchester Academy of Fine Arts. The recorded working language is English. The field of work recorded is Naturalism, visual arts and painting. Work by Charles Tunnicliffe is recorded in the collections of National Library of Wales, Manchester Art Gallery and Auckland War Memorial Museum Tāmaki Paenga Hira. Distinctions recorded are fellow and Officer of the Order of the British Empire.

• Name — Charles Frederick Tunnicliffe • Born — 1 December 1901 • Birthplace — Langley, Cheshire, England • Died — 7 February 1979 • Place of death — Malltraeth, Anglesey, Wales • Awards — Fellow of the Royal Academy RSPB Gold Medal OBE

Tunnicliffe was born in 1901 in Langley, Macclesfield, England, the fourth surviving child of William Tunnicliffe (died 20 June 1925) of Lane Ends Farm, Sutton, near Macclesfield, a tenant farmer, formerly a boot and shoemaker, and Margaret (died 21 February 1942). He spent his early years living on the farm at Sutton, where he saw much wildlife. As a young boy he attended Sutton St. James' C.E. Primary School, and in 1916 he began to study at the Macclesfield School of Art. He went on to win a scholarship to the Royal College of Art in London. He married in 1929 at the Methodist Church, Whalley Range, Manchester, to Winifred Wonnacott (24 June 1902 – 27 June 1969), a fellow art student, from Hollywood, near Belfast. In 1947 he moved from Manchester to a house called "Shorelands" at Malltraeth, on the estuary of the Afon Cefni on Anglesey, where he lived until his death in 1979.

Tunnicliffe worked in several media, including watercolour painting, etching and aquatint, wood engraving, woodcut, scraperboard (sometimes called scratchboard), and oil painting. • Illustration — A Snowy Owl, Anglesey, date unknown. Much of Tunnicliffe's work depicted birds in their natural settings and other naturalistic scenes. He illustrated Henry Williamson's 1927 novel Tarka the Otter. His work was also used to illustrate Brooke Bond tea cards and as a result was seen by millions of young people in the United Kingdom during the 1950s and 1960s. He also illustrated a number of books, including the Ladybird books. His work was characterised by its precision and accuracy, but also by the way in which he was able to portray birds as they were seen in nature rather than as stiff scientific studies. In 1951, Tunnicliffe drew an image of a takahē for the Ornithological Society of New Zealand, which since 1952 has been used for covers of the organisation's publications, including the society's journal Notornis. From March 1953, he painted many of the cover illustrations for the Royal Society for the Protection of Birds's (RSPB) magazine Bird Notes, and several for the later Birds magazines. Two of the originals are on long-term loan to the gallery at Oriel Ynys Môn, but in 1995 the RSPB sold 114 at a Sotheby's auction, raising £210,000; the most expensive being a picture of a partridge, which sold for £6,440. At his death, there was some dispute over Tunnicliffe's real intention for his body of work. However, much of his personal collection of work was finally bequeathed to Anglesey council on the condition that it was housed together and made available for public viewing. This body of work can now be seen at Oriel Ynys Môn (The Anglesey Gallery) near Llangefni. His work is still celebrated with the Charles and Winifred Tunnicliffe Memorial Art Competition, which is held annually at Hollinhey Primary School, Sutton Lane Ends, which itself is built on land which was formerly part of the farm he lived on as a boy.

The following works and productions are recorded by name or by count.