Carl Sundt-Hansen
Illustration — Carl Sundt-Hansen (before 1900) Carl Fredrik Sundt-Hansen (30 January 1841, Stavanger27 August 1907, Stavanger) was a Norwegian-Danish genre painter in the Romantic Nationalist style.
Also recorded as Carl Frederik Sundt-Hansen · Carl Frederik Hansen · Carl-Frederik-Sundt Hansen · Carl Fredrik Sundt-Hansen
Carl Sundt-Hansen

Carl Sundt-Hansen · Digitalt Museum · CC0
- Born
- 1841 · Stavanger.
- Died
- 1907 · Stavanger.
- Nationality
- Norway · Kingdom of Denmark
- Occupation
- painter
- Education
- Royal Danish Academy of Fine Arts · Kunstakademie Düsseldorf
- Teachers
- Benjamin Vautier
- Languages
- Norwegian
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Illustration — Carl Sundt-Hansen (before 1900) Carl Fredrik Sundt-Hansen (30 January 1841, Stavanger27 August 1907, Stavanger) was a Norwegian-Danish genre painter in the Romantic Nationalist style.
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wikidata · Q4583808 · wikipedia · Carl Sundt-Hansen
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Biography
Carl Sundt-Hansen studied at Royal Danish Academy of Fine Arts and Kunstakademie Düsseldorf. Training under Benjamin Vautier is recorded. The recorded working language is Norwegian. Work by Carl Sundt-Hansen is recorded in the collections of Nationalmuseum, National Museum of Art, Architecture and Design, Stavanger kunstmuseum and Museum Stavanger.
Carl Sundt-Hansen was born in Stavanger, Norway. He came from an old family of wealthy merchants. He was the son of the merchant and mayor Lauritz Wilhelm Hansen (1816–1871) and his wife Elisa Margaretha Sundt (1814–1892). He adopted his mother's maiden-name (Sundt) in 1878. Originally, he was meant to take over the family business, "Plough & Sundt", but he preferred to become an artist, so he handed the business over to his younger brother, Hans Wilhelm. • Illustration — Wounded (1888) In 1859, he studied at the Royal Danish Academy of Fine Arts and a private school operated by Frederik Ferdinand Helsted. After two years, he transferred to the Kunstakademie Düsseldorf. He took private lessons with Swiss genre painter Benjamin Vautier. In 1864, his first painting was shown at an exhibit by the Oslo Kunstforening and was well received. One of his landscapes was purchased by King Charles IV. He moved on to Paris in 1866; drawing inspiration from the works of Meissonier and Delaroche. When King Charles visited the Exposition Universelle (1867), he awarded him the Order of Vasa. He stayed in Paris until 1871, when he returned to Norway by way of Düsseldorf. His intention was to establish a studio in Oslo, but the art market there was unpromising. He eventually came to rest in Stockholm, and remained there until 1882. That year, an economic crisis precipitated by the Paris Bourse Crash forced the family business to declare bankruptcy. The income from his paintings was insufficient, so in an attempt to improve his situation, he moved to Copenhagen. His brother, Wilhelm, was financially ruined and Wilhelm's wife, artist Frida Hansen, had to be the family's support. He became a Danish citizen in 1889 and was admitted to the Royal Academy as a full member. During this period, his paintings became larger and his subject matter lighter. He lived in Copenhagen until 1896, when he went back to Norway and settled in Valle Municipality. • Illustration — Burial at Sea (1890) In 1907, he became ill with what was diagnosed as nicotine poisoning. He went to a hospital in Stavanger, where it was discovered that he had cancer. For the last few months of his life, he lived in Stavanger with his brother, Hans.
Other sources
Other sources
• Hild Sørby (1976) Carl Sundt-Hansen 1841–1907 (Stavanger Lithografiske Anstalt)
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bettina Baumgärtel, Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Verzeichnis der ausländischen Künstler und Künstlerinnen. Nationalität, Aufenthalt und Studium in Düsseldorf. In: Bettina Baumgärtel (Hrsg.): Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918. Band 1, Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9, S. 441.
- 2.Wend von Kalnein: Der Einfluß Düsseldorfs auf die Malerei außerhalb Deutschlands. In: Wend von Kalnein (Hrsg.): Die Düsseldorfer Malerschule. Verlag Philipp von Zabern, Mainz 1979, ISBN 3-8053-0409-9, S. 200.
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