Carel de Moor

Training under Godfried Schalcken, Abraham Lambertsz van den Tempel and Frans van Mieris the Elder is recorded. The recorded working language is Dutch. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Leiden, Amsterdam and Dordrecht. Works named in the authority record are The Angler, Self-Portrait and Soldier Scene. Work by Carel de Moor is recorded in the collections of Finnish National Gallery, Nationalmuseum, Royal Museum of Fine Arts Antwerp, Groeningemuseum and Centraal Museum.

• Illustration — The fisher, ca. 1700 Carel de Moor was born in Leiden. According to Houbraken, his father was an art dealer who wanted him to study languages and only allowed him to study art when his talent for drawing surfaced at a young age. Houbraken met him in person at the atelier of Godfried Schalcken when he was completing his education there. According to the RKD, he was the son of a Leiden painter of the same name and a pupil of Dou, Frans van Mieris, Godfried Schalcken, and Abraham van den Tempel. He became a member of the Leiden Guild of St. Luke in 1683, and became deacon many times over in the years 1688–1711. His own pupils later were Pieter Lyonet, Andrei Matveev, his own son Carel Isaak de Moor, Arent Pijl, Arnout Rentinck, Nicolaas Six and Mattheus Verheyden. He died in Leiden or Warmond.