Bartolomeo Altomonte
Illustration — Self-portrait, Oil on canvas Bartolomeo Altomonte, also known as Bartholomäus Hohenberg (24 February 1694, in Warsaw – 11 November 1783, in Sankt Florian), was an Austrian baroque painter of Italian extraction who specialized in large scale frescoes. Bartolomeo Altomonte was born in Poland, he was the son of Martino Altomonte who was also a painter.
Also recorded as Bartolomeo Hohenberg · Bartholomäus Altomonte · Bartholomäus Altomonte-Hohenberg · Bartolomäus Altomonte
Bartolomeo Altomonte

Bartolomeo Altomonte · Rudolf Lehr- Landeschronik Oberösterreich. 3000 Jahre in Daten, Dokumenten und Bildern. Wien: Verlag Christian Brandstätter, 2004 S. 171 (Scanned by de:Benutzer:Lewenstein on the German Wikipedia) · Public domain
- Born
- 1694 · Warsaw.
- Died
- 1783 · Sankt Florian.
- Nationality
- Polish–Lithuanian Commonwealth · Archduchy of Austria
- Occupation
- painter
- Fields
- painting
- Languages
- German
VALÉORINE Encyclopedia
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Documentary summary
Illustration — Self-portrait, Oil on canvas Bartolomeo Altomonte, also known as Bartholomäus Hohenberg (24 February 1694, in Warsaw – 11 November 1783, in Sankt Florian), was an Austrian baroque painter of Italian extraction who specialized in large scale frescoes. Bartolomeo Altomonte was born in Poland, he was the son of Martino Altomonte who was also a painter.
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wikidata · Q679722 · wikipedia · Bartolomeo Altomonte
In this article
Biography
Biography
Altomonte was born in Warsaw, where his father, Martino Altomonte, had been appointed to the court of John III Sobieski, King of Poland. He was the third of six children. He learned from assisting his father at painting, but also from an apprenticeship with Daniel Gran. He studied with Benedetto Luti in Rome and in Naples with Francesco Solimena. A sketchbook compiled by Altomonte while with Luti is in the Albertina. From 1722 he lived in Austria. Altomonte spent most of his life in Linz and worked primarily in Austrian monasteries such as St. Florian's Priory and Admont Abbey. In 1747 he painted a ceiling fresco for the library at St. Florian's. Other frescoes and altarpieces he painted for the convents of Wilhering, Herzogenburg, for the cathedral of Sankt Pölten, and for churches in Vienna. In Seitenstetten Abbey the frescoes on the Grand Staircase are by Altomonte. Around 1740, he did an oil on canvas painting of the Wunder des heiligen Nikolaus for Neuberg Abbey. Tendencies towards the rococo remained foreign to the artist all his life; he is considered one of the last great painters in the manner of the baroque allegory.
Works
Works
• Illustration — The Four Seasons Favoring Chronos (1737), oil on canvas. In the collection of the Residenzgalerie, Salzburg • Illustration — Ceiling frescoes at the Wilhering Abbey • Illustration — The death of St. Joseph • Illustration — Isaac blessing Jacob, 1760 • Illustration — The Immaculate Conception, 1719
Identity
Identity
Bartolomeo Altomonte is recorded as painter. The death of St.
Life and career
Dated record
Life and career
Explore 1694–1765
The full dated record · 4 entries
1694
Bartolomeo Altomonte born at Warsaw.
1750
Bartolomeo Altomonte died at Sankt Florian.
1750
Selbstporträt is dated 1750.
1765
Church St-Josef is dated 1765.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Warsaw.
Birth place
Sankt Florian.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q679722: Bartolomeo Altomonte
Reputable secondary · Wikimedia Foundation
- “Bartolomeo Altomonte”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- <i>ANNA TEACHING ELISABETH</i>BY BARTOLOMEO ALTOMONTE: A CASE STUDY OF AUSTRIAN BAROQUE PAINTING TECHNIQUE, Studies in Conservation, 1998
Scholarly · Crossref registry · 1998
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Benedetto Luti", Royal Collection Trust
- 2.Salvadori, 1891, p=126 ; harvnb, Duller, 1845, p=506
- 3."Monastery Library", Stift St. Florian
- 4."Altomónte, Bartolomeo", Treccani
- 5."Barock", Neuberg Abbey
Bibliography printed in the source article · 4
- Duller, Eduard. Maria Teresa ed i suoi tempi. Carlo Rettig. 1. 1845.
- Heinzl, Brigitte. Altomonte family. Grove Art Online. OUP. 2003. 978-1-884446-05-4.
- Lehr, Rudolf. Landeschronik Oberösterreich 3000 Jahre in Daten, Dokumenten und Bildern. 2004. 978-3-85498-331-6.
- Salvadori, Giovanni. La congregazione della chiesa nazionale italiana in Vienna. Notizie storiche estratte da documenti originali. Drexher & Company. 1. 1891.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
<i>ANNA TEACHING ELISABETH</i>BY BARTOLOMEO ALTOMONTE: A CASE STUDY OF AUSTRIAN BAROQUE PAINTING TECHNIQUE, Studies in Conservation, 1998Crossref registry
Institutional witnessreference work
Wikidata, structured authority record Q679722: Bartolomeo AltomonteWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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