Bartolomeo Bassante
Bartolomeo Passante or Bassante (1618 – 1648) was an Italian painter of the Baroque era active in Naples.
Also recorded as Bassante Passante · Bartolommeo Passante · Bassante Bassante · Bartolommeo Bassante
Bartolomeo Bassante

Bartolomeo Bassante · [1] · Public domain
- Name
- Bartolomeo Passante
- Born
- 1618
- Birthplace
- Brindisi
- Died
- 1648
- Place of death
- Naples
- Occupation
- Painter
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Documentary summary
Bartolomeo Passante or Bassante (1618 – 1648) was an Italian painter of the Baroque era active in Naples.
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Note VALÉORINE
Bartolomeo Bassante (1618–1648) was a painter. The painter was born in Brindisi and died in Naples. Bartolomeo Bassante worked in Naples. Works are held at Museo del Prado and São Paulo Museum of Art.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q809486 · wikipedia · Bartolomeo Passante
In this article
Key facts
Key facts
• Name — Bartolomeo Passante • Born — 1618 • Birthplace — Brindisi • Died — 1648 • Place of death — Naples • Occupation — Painter
Life
Life
He was born in Brindisi. He reached Naples in 1629, where he probably studied under Jusepe de Ribera (according to Bernardo De Dominici), but according to other documents he frequently attended the studio of a certain Pietro Beato, marrying Beato's niece Angela Formichella in 1636. De Dominici saw his style as almost identical with that of Ribera, but modern critics find his style so different from Ribera's that it is thought to be close to that of Massimo Stanzione and Agostino Beltrano, whom he probably also studied under during his time with Beato. He died in Naples.
Works
Works
• Illustration — The Adoration of the Shepherds by Passante, São Paulo Museum of Art There are two signed works by Passante: The Adoration of the Shepherds at The Prado and a Mystic Marriage of Saint Catherine in a private collection in Naples. Saint Sebastian Tended by Pious Women (London), Holy Family with Saint Joseph Sleeping (private collection, Causa), a large Adoration of the Shepherds (in a Swedish church – perhaps the painting cited by De Dominici as being in the church of San Giacomo degli Spagnoli in Naples according to Giuliano Briganti), a Saint Catherine of Alexandria (Palazzo Madama, Turin) and a Triumph (private collection in Rome) are all also attributed to him for stylistic reasons. At the São Paulo Museum of Art there's another Adoration of the Shepherds attributed to him. Spinosa argued that Passante is to be identified with the Master of the Annunciation to the Shepherds, who was active in Naples in the mid 17th century.

Il quadro dipinto è conosciuto da numerose altre repliche conservate in diversi musei, stilisticamente affini, che ha portato gli studiosi a chiamare l'artista col soprannome di "Maestro dell'Annuncio ai Pastori". Recentemente il Maestro è stato identificato con Bartolomeo Bassante o con Juan Dò. Acquisizione post-unitaria.
Possibly Giovanni Do / Possibly Bartolomeo Bassante

Bartolomeo Bassante, Bassante-adoracion pastores-prado
Life and career
Dated record
Life and career
The full dated record · 2 entries
1618
Bartolomeo Bassante born at Brindisi.
1648
Bartolomeo Bassante died at Naples.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Brindisi.
Birth place
Naples.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bassante, Bartolomeo. The Adoration of the Shepherds. Museo del Prado.
- 2.palazzomadamatorino.it. Homepage | Palazzo Madama.
- 3.Passante, Bartolomeo. The Adoration of the Shepherds.
- 4.Nicola Spinosa, Bartolomeo Bassante. Santa Caterina d'Alessandria, in Civiltà del Seicento a Napoli, exhibition catalogue, Napoli 1984, scheda n. 2.5, p. 189
Bibliography printed in the source article · 7
- Bernardo De Dominici, Vite dei Pittori, Scultori, ed Architetti Napolitani (3 volumes), Stamperia del Ricciardi, Napoli 1742
- Raffaello Causa, La pittura del Seicento a Napoli dal naturalismo al barocco, in Storia di Napoli, Napoli 1972, pp. 974;
- Nicola Spinosa, Bartolomeo Bassante. Santa Caterina d'Alessandria, in Civiltà del Seicento a Napoli, exhibition catalogue, Napoli 1984, scheda n. 2.5, p. 189;
- Giuliano Briganti, Bartolomeo Bassante (?). Santa Caterina d'Alessandria, in G. Romano (ed.), Da Biduino ad Algardi. Pittura e scultura a confronto, Torino 1990, scheda n. 13, pp. 154–157;
- Ferdinando Bologna, Battistello Caracciolo e il primo naturalismo a Napoli, Napoli 1991, scheda n. 2.90, pp. 321–322;
- Francesco Abbate, Storia dell'arte nell'Italia meridionale, IV: Il secolo d'oro, Roma 2002, pp. 77–79.
- Giuseppe Porzio, La Scuola di Ribera : Giovanni Dò, Bartolomeo Passante, Enrico Fiammingo, Napoli, Arte'm, 2014.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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