Aurore de Lafond de Fénion
Illustration — Fleurette at the fountain of Garenne, painting by Aurore de Lafond de Fénion, Salon of 1822 Aurore-Étiennette de Lafond de Fénion (1788–1859) was a French history and genre painter active during the Napoleonic period and the Bourbon Restoration. She was known for her sentimental historical scenes, royalist subjects, and domestic genre painting. She exhibited regularly at the Paris Salon between 1812 and 1822 and received several medals at provincial and national exhibitions.
Also recorded as Aurore de Lafond · Aurore Étiennette de Lafond de Fénion · Aurore Delafond · Aurore Lafond de Fénion
Aurore de Lafond de Fénion

Aurore de Lafond de Fénion · Mutualart · Public domain
- Full name
- Aure Étiennette de Lafond.
- Born
- 1788. · Saint-Maixent-l'École.
- Died
- 1859. · Liergues.
- Nationality
- France.
- Occupation
- painter.
- Fields
- genre and portrait.
- Movements
- Troubadour style.
- Teachers
- Jean-Baptiste Regnault.
- Languages
- French.
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Documentary evidence
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wikidata · Q97694014 · wikipedia · Aurore de Lafond de Fénion
In this article
Life
Life
Aure Étiennette de Lafond was born on 17 February 1788 in Saint-Maixent-l’École, in the department of Deux-Sèvres, to Jean-François-Bruno de Lafond and Marie-Anne-Antoinette Mollière de Favreuille. She was baptised the same day at the church of Saint-Léger. She later settled in Paris, where she studied academic figure painting under Jean-Baptiste Regnault. During her career she worked under several professional names, exhibiting first as Delafond and later as Lafond de Fénion. She lived and maintained her studio on the Left Bank of the Seine in the 6th and 7th arrondissements of Paris, notably at rue des Marais-Saint-Germain - today rue Visconti, rue Guénégaud, and later rue de Bac. In June 1834 she married Jean-Léon Le Prevost. Lafond de Fénion's career coincided with the Bourbon Restoration, and several of her most important works were connected to royalist memory and Bourbon patronage, particularly through the Duchess of Berry. She died on 5 November 1859 in the institution run by the Sisters of the Holy Family of Liergues.
Works
Works
Lafond de Fénion worked primarily in history painting and genre scenes, often mixing sentimental narrative, domestic imagery, and political symbolism. Her work reflects the post-Revolutionary taste for moralised historical subjects and scenes of royalist loyalty, particularly those associated with the Vendée and the Bourbon family. She achieved notable success in both Paris and the provinces. In 1820 she received a medal in Douai, followed in 1822 by a gold medal at the Musée Royal and an honourable mention in Lille. In 1825 she received a second medal in Douai. At least one of her works entered the collection of Marie-Caroline, Duchess of Berry, one of the most important female patrons of the Restoration.
Salon Exhibitions
Salon Exhibitions
Paris 1812 • La Fidélité Paris 1814 • Portrait en pied d’un garde d’honneur Paris 1817 • Une scène maternelle • Portrait de femme Paris 1819 • Clotilde de Vallon-Chalys, poétesse du XVe siècle • Portrait d’homme Paris 1822 • S.A.R. Madame la duchesse de Berry au berceau de sa fille, alors âgée de neuf mois (property of the Duchess of Berry) • Fleurette à la fontaine de la Garenne • La Veuve du Vendéen Paris 1824 • Fleurette et Henri à la fontaine de la Garenne • La Veuve du Vendéen
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Saint-Maixent-l'École.
Birth place
Liergues.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Aurore de Lafond de Fénion, revision 1360549877 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.de Lafond, Aure Étienne. Baptism. Archives départementales des Deux-Sèvres et de la Vienne. 182. 1788-02-17.
- 2.Siret, Adolphe. Dictionnaire historique des peintres de toutes les écoles: depuis l'origine de la peinture jusqu'a nos jours . Librairie internationale. 1874.
- 3.Chavignerie, Émile Bellier de La. Dictionnaire général des artistes de l'école française depuis l'origine des arts du dessin jusqu'à nos jours. Renouard. 1882.
- 4.Gabet, Charles. Dictionnaire des artistes de l'école française au XIX. Siècle . 1831.
- 5.le Prévost, Jean-Léon. Reconstituted marriage certificate. archives.paris.fr. 1834-06-19.
- 6.de Lafond, Aure Étienne. Death certificate. archives.rhone.fr. 7. 1859-11-06.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
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