Aurora Reyes Flores
Aurora Reyes Flores (born in Hidalgo del Parral, September 9, 1908 – Mexico City, April 26, 1985) was a Mexican artist, known as a painter and writer, and she was the first female muralist in Mexico and first exponent of Mexican muralism. She also went by the name Aurora Reyes.
Also recorded as Aurora Reyes
Aurora Reyes Flores
AlejandroLinaresGarcia · CC BY-SA 3.0
- Name
- Aurora Reyes-Flores
- Born
- 9 September 1908
- Birthplace
- Hidalgo del Parral
- Died
- 26 April 1985
- Place of death
- Mexico City
- Movement
- Mexican muralism
- Field
- Painting
- Training
- Escuela Nacional de Bellas Artes
- Nationality
- Mexico
- Occupation
- painter · poet · art educator · muralist · writer
- Education
- Escuela Nacional Preparatoria · Academy of San Carlos
- Known for
- Attack on the Rural Teacher · Woman of War · Sick Child · Juchitan Market · Portrait of Kroupskaia · Concha and Aurora and Frida
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Aurora Reyes Flores (born in Hidalgo del Parral, September 9, 1908 – Mexico City, April 26, 1985) was a Mexican artist, known as a painter and writer, and she was the first female muralist in Mexico and first exponent of Mexican muralism. She also went by the name Aurora Reyes.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Aurora Reyes Flores (1908–1984) was an art educator, muralist and painter, among other activities, of Mexican nationality. The art educator was born in Hidalgo del Parral and died in Mexico City.
Aurora Reyes Flores was educated at Academy of San Carlos and Escuela Nacional Preparatoria. The art educator was a member of Confederación Nacional Campesina and Liga de Escritores y Artistas Revolucionarios. Aurora Reyes Flores was associated with Mexican muralism.
Among the works are Attack on the Rural Teacher, Concha, Aurora and Frida, Juchitan Market and Portrait of Kroupskaia, among others. Languages used include Spanish.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Aurora Reyes Flores. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q777294 · wikipedia · Aurora Reyes Flores
In this article
Biography
Biography
Aurora Reyes Flores studied at Escuela Nacional Preparatoria and Academy of San Carlos. The recorded working language is Spanish. Works named in the authority record are Attack on the Rural Teacher, Woman of War, Sick Child, Juchitan Market, Portrait of Kroupskaia and Concha, Aurora and Frida.
Participants including Cecilia Santacruz and Lilia Cardenas at the Salón de la Plastica Mexicana in Mexico City
AlejandroLinaresGarcia
Works by Aurora Reyes at a homage to her at the Salón de la Plastica Mexicana in Mexico City
AlejandroLinaresGarcia
Key facts
Key facts
• Name — Aurora Reyes-Flores • Born — 9 September 1908 • Birthplace — Hidalgo del Parral • Died — 26 April 1985 • Place of death — Mexico City • Movement — Mexican muralism • Field — Painting • Training — Escuela Nacional de Bellas Artes • Works — Atentado a los Maestros Rurales
Life
Life
Reyes was the daughter of the soldier León Reyes and his wife Luisa Flores. Her grandfather was general Bernardo Reyes, and her uncle Alfonso Reyes was also a well-known writer and scholar. In 1913, Aurora Reyes and her family fell into poverty in the outbreak of the Mexican Revolution, as they were forced to flee their home, partially due to the political allegiance of her father, Captain Leon Reyes. Her father remained in hiding, while Aurora and the rest of her family went underground in Mexico City, the capital. To stay afloat, Aurora's mother, Luisa Flores, baked bread for her daughters to sell at the Lagunilla market. Apart from the comfort of her hometown, Chihuahua, Aurora witnessed first-hand the sacrifices and harshness of life in poverty. In an interview from 1953, Reyes reflected on her early life, saying, “I am interested in social issues because I have suffered hunger, I myself have suffered misery… I am concerned for the people because I belong to the people. I believe that art has the means to penetrate the emotions of human beings, and that is why it can be a powerful weapon to fight for the people." She joined the Escuela Nacional Preparatoria in 1921, but was expelled due to an altercation with another student regarding her family's political association with Diego Rivera and communism. She married the journalist Jorge Godoy, and gave birth to her son Héctor in 1926. Shortly after divorcing her husband in 1931, she bore her second son Jorge. She had a love interest in Cuban poet Nicolás Guillén. Reyes continued her studies, and received a PhD in Art History from Rutgers University, New Jersey, as well as receiving a Bachelor of Arts from the National University of Buenos Aires, Argentina. In school, she focused on the history of 20th century Mexican art and muralism history. Additionally, in her own studies she specialized in studying female artists. Reyes had relationships with artists that she would parallel with. She had a strong friendship with Frida Kahlo. They were classmates at the Escuela Nacional Prepatoria in the early 1920s; however, Reyes was expelled shortly after enrolling. Her expulsion did not keep them apart; photos captured them together and happy. They remained friends for the rest of their lives. They were important to each other, so much so that Reyes was part of the honor guard at Kahlo's funeral. Another friendship that Reyes had was with Concha Michel. This friendship flourished when Kahlo got married in the late 1920s. Despite her artistic success and outspoken personality, she died nearly forgotten.
Art
Art
Reyes is the first female Mexican-born muralist, and a distinguished writer. From 1921 to 1923, she was a student at the Escuela Nacional de Bellas Artes. She had her first solo exhibition at the ARS Gallery in 1925. She exhibited her work at the Salón de la Plástica Mexicana and participated in collective exhibitions in France, Cuba, the United States and Mexico. In 1927, she began teaching drawing and painting for the Secretariat of Public Education, from which she retired in 1964. She created seven murals in her lifetime. In 1936, she completed a mural called Atentado a los maestros rurales (Attack on Rural Schoolteachers) at the Centro Escolar Revolución. This mural showed how capitalism was at the core of brutality in the Mexican society. In 1937 Reyes painted Woman of War. This work shows a woman ready to participate in the war due to her deceased child. The child was a victim of war; the mother has nothing left and is ready to fight. Between 1960 and 1972 she painted another four murals in the Auditorium of 15th May of the Sindicato Nacional de Trabajadores de la Educación (SNTE). In 1978 she finished her sixth mural at the Hernán Cortés house in Coyoacán. Her literary works include Nueve estancias en el desierto, Humanos paisajes, and Espiral en retorno. She received awards for her poetry. • Illustration — Juchitan Market, 1953 • Illustration — Sick Child, 1937 • Illustration — Portrait of Kroupskaia, 1930 • Illustration — Woman of War, 1937
Politics
Politics
Reyes was outspoken and political, earning the nickname "Magnolia Iracunda" (Fiery Magnolia). Her family's time in Mexico City left them very poor, which later influenced her politics. She was member of the Partido Comunista Mexicano, a founding member of the Liga de Escritores y Artistas Revolucionarios and of the Confederación Nacional Campesina. Reyes was also a member of the Enseñanza de la República Mexicana in which she defended the rights and participation of women in government and teaching positions. Reyes was also part of other issues. She fought for women's right to vote and their right to hold elected civil posts, an extension on maternity leave and recognition of breastfeeding time for mothers of young children. She also promoted the creation of daycare centers for the children of schoolteachers. In 1960 she participated with other intellectuals in a hunger strike on behalf of political prisoners in Mexico. In 1968, she participated in the student uprising, which forced her into hiding at the La Castañeda psychiatric hospital for a time.
Identity and origins
Identity and origins
The authorities additionally record the heading Aurora Reyes. Her recorded language was Spanish. Other recorded relations include Bernardo Reyes and Alfonso Reyes.
Career and activity
Career and activity
Her work is associated with Mexican muralism. She belonged to Liga de Escritores y Artistas Revolucionarios and Confederación Nacional Campesina.
Work and production
Work and production
Works recorded as notable number 6: Attack on the Rural Teacher, Woman of War, Sick Child, Juchitan Market, Portrait of Kroupskaia and Concha, Aurora and Frida.
Identity
Identity
Aurora Reyes Flores is recorded with the occupation art educator. Recorded as painter, poet, art educator, muralist and writer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1908
Aurora Reyes Flores was born on 9 September 1908.
1984
Aurora Reyes Flores died on 26 April 1984.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Hidalgo del Parral.
Birth place
Mexico City.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q777294: Aurora Reyes Flores
General reference · Wikidata
reference work
- “Aurora Reyes Flores”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Aurora Reyes fue la primera muralista mexicana. Vanguardia.
- 2.The Great Women of Muralism in Mexico. Mexicanist.com. 2020-01-04.
- 3.Arias-Jirasek. Women Artists of Modern Mexico: Mujeres artistas en el México de la modernidad/Frida's Contemporaries: Las contemporáneas de Frida. Frida National Museum of Mexican Art/museo Mural Diego Rivera. 156. 2008. 978-1-889410-05-0.
- 4.Mirkin, Dina Comisarenco. Aurora Reyes: Writing by Painting and Painting by Writing. Hilario Books.
- 5.Mirkin, Dina. Frida Kahlo and Aurora Reyes Painting to the Voice of Concha Michel. Woman's Art Journal. Fall–Winter 2019.
- 6.Mirkin, Dina. To Paint the Unspeakable: Mexican Female Artists' Iconography of the 1930s and Early 1940s. Woman's Art Journal. Spring–Summer 2008.
- 7.Erika Cervantes : (Spanish), CimacNoticias, 2003.
- 8.Mirkin, Dina. Aurora Reyes's 'Ataque a la Maestra Rural': The First Mural Created by a Mexican Female Artist. Woman's Art Journal. Autumn 2005 – Winter 2006.
- 9.Dina Comisarenco Mirkin: Aurora Reyes's "Ataque a la Maestra Rural": The First Mural Created by a Mexican Female Artist], 2005.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
18,717 published records in this field, each with its sources named.
- Aurelio LuiniArtist
- Aurelio SuárezArtist
- Aurora Altisent i BalmasArtist
- Aurora MiraArtist
- Aurore de Lafond de FénionArtist
- Austen DeansArtist
- Austen Henry LayardArtist
- Austin Osman SpareArtist
Best supported in this field
For owners
Own a work by Aurora Reyes Flores?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.