Arpana Caur
Arpana Caur is an Indian contemporary painter and graphic artist. Caur focuses on depictions of women's conditions in modern India, life and death, violence, and the environment. Clothing is a recurring theme in her work, in reference to the established image of women.
Also recorded as Arpana Cour
Arpana Caur

Dhiraj · CC BY-SA 4.0
- Name
- Arpana Caur
- Known for
- Painting
- Born
- 1954
- Birthplace
- Delhi, India
- Nationality
- India
- Occupation
- artist · painter
- Education
- Lady Shri Ram College for Women
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Arpana Caur is an Indian contemporary painter and graphic artist. Caur focuses on depictions of women's conditions in modern India, life and death, violence, and the environment. Clothing is a recurring theme in her work, in reference to the established image of women.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Arpana Caur (born 1954) is an artist and painter, of Indian nationality. The artist was born in New Delhi. Arpana Caur was educated at Lady Shri Ram College for Women. Works are held at National Gallery of Modern Art, National Gallery of Modern Art, Bengaluru and Victoria and Albert Museum.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Arpana Caur. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
getty · 500122717 · gnd · 132637537 · wikidata · Q698746 · wikipedia · Arpana Caur
In this article
Key facts
Key facts
• Name — Arpana Caur • Known for — Painting • Born — 1954 • Birthplace — Delhi, India • Mother — Ajeet Caur
Early life and education
Early life and education
Arpana Caur was born in 1954, in Delhi to a Sikh family who fled the Pakistani West Punjab to the Republic of India in 1947 during the confusion of the partition of British India. Her mother, Ajeet Caur, is a Panjabi-language writer. Caur adopted her first name, Arpana, at the age of fifteen, as an expression of her personal development. She was exposed to art, music, and literature early in her life. She learned the sitar and wrote poetry, however she enjoyed painting the most. At the age of nine, she made her first oil painting, 'Mother & Daughter', inspired by the works of Amrita Shergil. Caur graduated from the University of Delhi with a Master of Arts degree in literature. She did not obtain formal education in painting, and was largely self taught. However, she received training in etching at the Garhi Studios in New Delhi, which she completed in 1982. In a 2011 interview with Yashodhara Dalmia, when asked if she considered herself a feminist, Caur stated that she does not, as the themes she incorporates, or is curious about, go beyond gender and are ones that every human is faced with.
Solo exhibitions
Solo exhibitions
• YEAR — EXHIBITION DETAILS • 2009 — Mural on Tiles for outer wall of SAARC Secretariat, Kathmandu • 2007 — Indigo Blue Gallery, Singapore • 2005 — Mahua Gallery, Bangalore • 2004 — Galerie Mueller & Plate, Munich • 2003 — Academy of Fine Arts and Literature, New Delhi • October Gallery, London • 2002 — Cymroza Gallery, Mumbai • 2001 — Academy of Fine Arts and Literature, New Delhi • 1999 — CIMA Gallery, Kolkata • 1998 — Fine Art Resources, Berlin • Foundation for Indian Artists Galerie, Amsterdam • Cymroza Gallery, Mumbai • 1997 — Arks Gallery, London • 1996 — Sakshi Gallery, Mumbai and Bangalore • 1994 — Cymroza Gallery, Mumbai • 1993 — Rabindra Bhawan Gallery, New Delhi • 1991 — Collins Gallery, Glasgow • 1988 — Art Heritage New Delhi • 1987 — October Gallery, London • 1985 — Art Heritage, New Delhi • Cymroza Gallery, Mumbai • 1984 — Ethnographic Museum, Stockholm • National Museum, Copenhagen • Jehangir Gallery, Mumbai • 1982 — Chapter Gallery, Cardiff • Jehangir Gallery, Mumbai • October Gallery, London • 1981 — City hall Gallery, Ottawa • 1980 — Jehangir Gallery, Mumbai • 1979 — Rabindra Bhawan Gallery, New Delhi • Gallery Arts 38, London • 1975 — Shridharani Gallery, New Delhi
Group exhibitions
Group exhibitions
1995 Inside Out: Contemporary Women Artists of India, Middlesbrough Art Gallery 1992 Crossing Black Waters 1988 Graven Images 1988 Numaish Lait Kala 1984 First Indo- Greek Cultural Symposium and group shows, Athens and Delphi 1981 Executed two large murals for India International Trade Fair, New Delhi
Social consciousness
Early life and training
Early life and training
Arpana Caur was born on 4 September 1954 in New Delhi. Caur held the nationality of India. Caur was educated at Lady Shri Ram College for Women. Recorded mother: Ajit Cour.

Flickr description Nepali poet Suman Pokhrel and Indian painter Arpana Cour during South Asian Literature Festival 2018 in New Delhi, India
Suman · Suman Pokhrel with Arpana Cour
Life and career
Dated record
Life and career
Explore 1954–2001
The full dated record · 4 entries
1954
Arpana Caur was born on 4 September 1954.
1989
Time Image No. 2 is dated 1989.
1996
The Embroiderer is dated 1996.
2001
Immersion, Emergence is dated 2001.
Reviews, articles texts
Eddie Chambers, 'Inside Out: Contemporary Women Artists of India', Art Monthly no193, (February 1996) 35-37. Besides this, her work has been covered extensively in newspapers, magazines, art books and International Herald Tribune, Arts Review London, Citizen Ottawa, Die Welt and Dagens Nhyter Stockholm. Caur has also been cinematically covered with numerous films and biopics by BBC London, Sidharth Tagore, Chandermani, Doordarshan and Raqs Media.
Film producer
Film producer
In August 2026, she co-produced a drama film Rehmat, directed by Gurvinder Singh based on her mother's short stories, which made it to the 79th Locarno Film Festival in the Main Competition.
Paintings, drawings and prints, 1984–2006
Catalogued output
Paintings, drawings and prints, 1984–2006
These are objects catalogued as visual works, each held or recorded by the institution named against it. 6 works carry dates between 1984 and 2006. The 1980s are the densest part of the run, with 3 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 9 titles in all, from 1984 to 2006.
The run opens with So What - I and closes with Nanak: Journeys
So What - I
1984
In Vrindaban
1987
Time Image No
The Embroiderer
1996
Immersion, Emergence
2001
Journeys
2006
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
3 further works are catalogued under Caur's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Day and Night
Influences and style
Caur's paintings draw from events and situations around her, with her work focusing on social issues that highlight the victimized. She has been influenced by existing traditions, namely those from the Gond, Godna, Madhubani, Pahari miniatures (hill-paintings), and folk art forms. Caur's mother's had a strong influence on her, which can be seen in her work, where the woman often occupies a central focus. Her work also draws from Punjabi literature. Caur's works include watercolour and gauche paintings, and sculptures incorporating motifs, myths, and stories. Throughout her career, she has featured scissors as a motif so frequently that it has earned her the nickname kainchi. Spirituality, time, life and death are recurring themes throughout her work. Nature and figures play a significant role in her storytelling. In the 1990s, Caur created a series of collaborations with Indian folk artists from the Indigenous ethnic groups of Warli and Godna, who live in the Madhubani region of the Indian state of Bihar. She is one of the first contemporary artists to have collaborated with folk artisans. In 1995, she was commissioned to create the mural 'Tears from Hiroshima' by the Hiroshima Museum of Modern Art, in order to commemorate the 50th anniversary of the bombing of Hiroshima. It was displayed at the Documenta in Kassel. Caur expressed fear at the temporary aspect of the installation. She included in the mural pots brimming with water, signifying tears within the context of the man-made tragedy.
Collections
Collections
Caur's paintings have been collected extensively in collections, both public and private, which include: • Victoria and Albert Museum London • Rockefeller Collection, New York • Museum of Contemporary Art, Los Angeles • Singapore Museum of Modern Art, Singapore • National Gallery of Modern Art, New Delhi, Bangalore and Mumbai • Government Museum and Art Gallery, Chandigarh • Ethnographic Museum, Stockholm • Kunst Museum, Düsseldorf • Bradford Museum, Bradford, U.K • Glenbarra Museum, Japan • Deutsche Bank, Mumbai and Chandigarh • Kapany Collection, San Francisco • Asian Art Museum, San Francisco • Jehangir Nicholson Art Foundation, Mumbai • Birla Akademi Collection, Calcutta • Peabody Essex Museum, Boston • Reubens Museum, New York • Venkatappa Museum (Roerich & Hebbar), Bangalore • Bharat Bhawan, Bhopal • Bengal Foundation, Dhaka • J.K Kejriwal Museum Collection, Bangalore Dhaka Museum
Documents and archives
Primary material
Documents and archives
institutional register
- Gemeinsame Normdatei 132637537, Arpana Caur.
General reference · GND (German National Library)
- Wikidata, structured authority record Q698746: Arpana Caur
General reference · Wikimedia Foundation
scholarly publication
- Indian women painters from the 1970s to the 1990s with special reference to the work of Arpana Caur
Scholarly · Crossref registry
reference work
- “Arpana Caur”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Awards and honours
• 2017 B. C. Sanyal award. • 2011 Rotary Club of Delhi: The Lifetime Achievement Award for Vocational Excellence • 2010 Sikh Art and Film Foundation, New York: The Lifetime Achievement Award • 2009 Chief Guest for Conferring B.F.A. degrees, Delhi College of Art Convocation • 2007 T.K. Padamini Award, Kerala Govt. • 2001 Advisory Committee Member: National Gallery of Modern Art Delhi, Lalit Kala Academy, and Sahitya Kala Parishad • 1995–98 Selection Committee member, Republic Day Pageants for Ministry of Defence, Govt. of India • 1995 Commissioned by Hiroshima Museum to excite a large work for its permanent collection on the occasion of the 50th Anniversary of the Holocaust • 1991–92 Purchase Committee Member, National Gallery of Modern Art, New Delhi • 1990–2000 Collaborated with Gonna artist Sat Narain Pandey and for the first time in India, co-signed works with him • 1990–02 Jury Member, Republic Day Pageants New Delhi Nominated Eminent Artist by Lalit Kala Academy • 1989 Jury Member, National Exhibition, New Delhi • 1987 VI Triennele Gold Medal for Painting (International exhibition) • 1986 Gold Medal at 6th India Triennale (awarded by the Lalit Kala Akademi) • 1985 All India Fine Arts Society Award • 1984 Research Grant from Lalit Kala Academy for painting in Garhi Studio, New Delhi
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.India Art Festival is now bigger and better. Millennium Post. 2017-11-21.
- 2.Artsy.
- 3.General Artist's Encyclopedia. KG Saur. 17. 342. 1997.
- 4.Dalmia, Yashodhara. Arpana Caur- Abstract Figuration (Conversations). Academy of Fine Arts and Literature. 15. 2011. 978-81-88703-15-9.
- 5.Dalmia, Yashodhara. Arpana Caur Abstract Figuration. Academy of Fine Arts and Literature. 8. 2011. 978-81-88703-15-9.
- 6.Mehrotra, Rajiv. The Spirit of the Muse: Conversations on the Journeys of Artists. Hay House, Inc. 2011. 9789381398173.
- 7.Academy of Fine Arts and Literature. Arpana Caur- Abstract Figuration. 82. 2011. 978-81-88703-15-9.
- 8.Jhaveri, Amrita. A Guide to 101 Modern & Contemporary Indian Artists. India Book House. 101. 2005. 81-7508-423-5.
- 9.Dalmia, Yashodhara. Arpana Caur- Abstracting Figuration. Academy of Fine Arts and Literature. 11. 2011. 978-81-88703-15-9.
- 10.Academy of Fine Arts and Literature. Arpana Caur- Abstract Figuration. 213. 2011. 978-81-88703-15-9.
- 11.Keen, Melanie. Recordings : a select bibliography of contemporary African, Afro-Caribbean and Asian British art. Institute of International Visual Arts and Chelsea College of Art and Design. 1996. 1899846069.
- 12.Academy of Fine Arts and Literature. Arpana Caur- Abstract Figuration. 214. 2011. 978-81-88703-15-9.
- 13.Academy of Fine Arts and Literature. Arpana Caur- Abstract Figuration. 215. 2011. 978-81-88703-15-9.
- 14.Ramachandran, Naman. Paris Outfit Pavo Films Launches With Gurvinder Singh’s ‘Rehmat,’ Starring Naseeruddin Shah (EXCLUSIVE). Variety. 15 May 2026.
- 15.Artists honoured with BC Sanyal Award. business-standard. 17 January 2017.
- 16.Threads of Life: Arpana Caur's journey of becoming an artist living through violence. The Indian Express. 2016-11-13.
- 17.Academy of Fine Arts and Literature. Arpana Caur- Abstract Figuration. 216. 2011. 978-81-88703-15-9.
- 18.Arpana Caur - JNAF.
- 19.Ties That Bind. The Indian Express. 2018-10-09.
- 20.Chowdhury, Kavita. Lunch with BS: Arpana Caur. Business Standard India. 2015-10-23.
- 21.Madhukar, Jayanthi. Artist Arpana Caur talks about her canvasses and what inspired them. The Hindu. 2016-11-12. 0971-751X.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Indian women painters from the 1970s to the 1990s with special reference to the work of Arpana CaurCrossref registry
Institutional witnessreference work
Secondary witnessauthority file
Getty Union List of Artist Names 500122717, Arpana Caur.The Getty Research Institute
Secondary witnessinstitutional register
Gemeinsame Normdatei 132637537, Arpana Caur.GND (German National Library)
General referenceinstitutional register
Wikidata, structured authority record Q698746: Arpana CaurWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Paintings
18,717 published records in this field, each with its sources named.
- Aron of KangeqArtist
- ArotxaArtist
- Árpád BaschArtist
- Árpád SzenesArtist
- Arpenik NalbandyanArtist
- Arpita SinghArtist
- Arrah Lee GaulArtist
- Arran StephensArtist
Best supported in this field
For owners
Own a work by Arpana Caur?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.
Social consciousness
Arpana Caur has led the Academy of Fine Arts & Literature which hosts the South Asian Literature Festival; strengthening bonds between authors from the subcontinent. She is known to have successfully rallied against the felling of trees in New Delhi's Siri forest area during the construction of food courts and restaurants for the 2010 Commonwealth Games Village. She supports a leprosy home in Ghaziabad in memory of her younger sister. The home also offers vocational training for young girls.