Andrés Parladé
Illustration — Self-portrait, dressed as a hunter (1907) • Illustration — Scene with Dogs (1902) Andrés Parladé y Heredia, after 1903, the third Count of Aguiar (1 June 1859, Málaga - 4 April 1933, Seville) was a Spanish genre and portrait painter who is best remembered for his hunting-related scenes, many of which feature dogs.
Also recorded as Andres Parlade Heredia · Andres Parlade · Andreas Parlade Heredia · Andrés Parladé Heredia
Andrés Parladé
- Born
- 1859 · Málaga.
- Died
- 1933 · Seville.
- Nationality
- Spain
- Occupation
- painter · lawyer · politician · jurist
- Fields
- portrait
- Teachers
- José Moreno Carbonero
- Languages
- Spanish
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Illustration — Self-portrait, dressed as a hunter (1907) • Illustration — Scene with Dogs (1902) Andrés Parladé y Heredia, after 1903, the third Count of Aguiar (1 June 1859, Málaga - 4 April 1933, Seville) was a Spanish genre and portrait painter who is best remembered for his hunting-related scenes, many of which feature dogs.
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In this article
Biography
Biography
Training under José Moreno Carbonero is recorded. The recorded working language is Spanish. Subjects and genres recorded for the work are portrait. Positions recorded include member of the Senate of Spain. Work by Andrés Parladé is recorded in the collections of Museo del Prado, Musée d'Orsay and Museo de Bellas Artes de Sevilla.
He began his artistic studies in his hometown, with the portrait and history painter, Moreno Carbonero. Later, he moved to Seville, where he studied law. In 1882, he went to Paris, having decided to devote himself entirely to painting, and studied with Léon Bonnat at the École des Beaux Arts. After his stay in Paris, he travelled to Rome, where he remained until 1891, when he settled permanently in Seville. In 1902, he was named an Academician at the Real Academia de Bellas Artes de Santa Isabel de Hungría. The following year, he succeeded his father, Andrés Parladé y Sánchez de Quirós, as Count of Aguiar. In 1909, he was appointed Senator for the Province of Seville. With a recommendation from the Academia, he was placed in charge of the excavations being carried out at the archaeological site in the ancient Roman city of Italica, near Santiponce, in 1919. This would be his primary occupation until his death. His paintings may be divided into two very distinct stages. In his first stage, which lasted through the end of the 19th century, he followed in the steps of his teacher, Carbonero, and focused on painting historical scenes. In his second stage, begun around the turn of the century, he switched to a modified costumbrista style, originally focused on bullfighting and notable for his attention to detail. Later, he turned to peasant scenes and animals; primarily dogs and horses. Many of his animal scenes involve hunting; a sport that he himself was fond of. He participated in numerous exhibitions outside of Spain; including London (1888), Berlin (1890), París (1899) and San Francisco (1915). His works may be seen at the Museo de Bellas Artes de Sevilla, among several others.
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Places
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Málaga.
Birth place
Seville.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 3
- Biography @ the Real Academia de la Historia
- Biography @ the Museo del Prado
- Enrique Valdivieso, Historia de la pintura sevillana, 1992. Guadalquivir S.L.. Ediciones. .
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 28 September 2026.
Elsewhere in Paintings
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- Andrés López PolancoArtist
- Andrés Marzal de SasArtist
- Andrew Brown DonaldsonArtist
- Andrew Carrick GowArtist
- Andrew ChinnArtist
- Andrew Fisher BunnerArtist
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