Alexander Nasmyth
Alexander Nasmyth (9 September 175810 April 1840) was a Scottish portrait and landscape painter, a pupil of Allan Ramsay. He also undertook several architectural commissions.
Also recorded as Alexander Naysmith · Alexander Nesmyth · Naysmuth · A. Nasmyth
Alexander Nasmyth

Stephencdickson · CC BY-SA 3.0
- Name
- Alexander Nasmyth
- Born
- 9 September 1758
- Birthplace
- Edinburgh, Scotland
- Died
- 10 April 1840
- Field
- Painting
- Nationality
- United Kingdom of Great Britain and Ireland · Kingdom of Great Britain
- Occupation
- painter
- Fields
- landscape painting
- Education
- Royal High School · Edinburgh College of Art
- Teachers
- Allan Ramsay
- Languages
- English
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Documentary summary
Alexander Nasmyth (9 September 175810 April 1840) was a Scottish portrait and landscape painter, a pupil of Allan Ramsay. He also undertook several architectural commissions.
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wikidata · Q966180 · wikipedia · Alexander Nasmyth
In this article
Key facts
Key facts
• Name — Alexander Nasmyth • Born — 9 September 1758 • Birthplace — Edinburgh, Scotland • Died — 10 April 1840 • Place of death — Edinburgh, Scotland • Field — Painting
Biography
Biography
• Illustration — View of the City of Edinburgh, Yale Center for British Art • Illustration — The grave of Alexander Nasmyth, St Cuthbert's Churchyard Nasmyth was born in Edinburgh on 9 September 1758. He studied at the Royal High School and the Trustees' Academy and was apprenticed to a coachbuilder. Aged sixteen, he was taken to London by portrait painter Allan Ramsay where he worked on subordinate parts of Ramsay's works. Nasmyth returned to Edinburgh in 1778, where he worked as a portrait painter. Offered a loan by Patrick Miller of Dalswinton, Nasmyth left in 1782 for Italy, where he remained two years furthering his studies. In Italy he devoted most of his attention to landscape painting, and is recorded as having copied a work by Claude Lorrain. Nasmyth returned to Scotland where for the next few years he continued his career as a portraitist. He painted some works in the style of Ramsay, but most were conversation pieces with outdoor settings. His portrait of Robert Burns, who became a close friend, is now in the Scottish National Gallery. Eventually, Nasmyth's strong Liberal opinions offended many of his aristocratic patrons in a politically charged Edinburgh, leading to a falling off in commissions for portraits, and in 1792 he completely abandoned the genre, turning instead to landscape painting. He also began painting scenery for theatres, an activity he continued for the next thirty years, and in 1796 painted a panorama. His landscapes are all of actual places, and architecture is usually an important element. Some works were painted to illustrate the effects that new buildings would have on an area, such as Inverary from the Sea, painted for the Duke of Argyll to show the setting a proposed lighthouse. Nasmyth had a great interest in engineering, and proposed several ideas that were later widely used, although he never patented any of them. In October 1788, when Patrick Miller sailed the world's first successful steamship, designed by William Symington, on Dalswinton Loch, Nasmyth was one of the crew. He was employed by members of the Scottish nobility in the improvement and beautification of their estates. He designed the circular temple covering St Bernard's Well by the Water of Leith (1789), and bridges at Almondell, West Lothian, and Tongland, Kirkcudbrightshire. In 1815 he was one of those invited to submit proposals for the expansion of Edinburgh New Town. Nasmyth set up a drawing school and "instilled a whole generation with the importance of drawing as a tool of empirical investigation"; his pupils included David Wilkie, David Roberts, Clarkson Stanfield and John Thomson of Duddingston; and it was probably from him that John James Ruskin (father of John Ruskin) learned to paint as a schoolboy in Edinburgh in the later 1790s. Another successful pupil was the painter, teacher, art dealer and connoisseur Andrew Wilson, who had his first art training under Nasmyth. Nasmyth was not only the tutor to the polymath Mary Somerville but he also introduced her to the leading intellectuals in Edinburgh. Nasmyth died at home, 47 York Place (roughly opposite the house of Sir Henry Raeburn), in Edinburgh. He was buried in St Cuthbert's Churchyard at the west end of Princes Street. The grave lies in the southern section towards the south-west.
Family
Family
He married Barbara Foulis, the daughter of Sir James Foulis, 5th Baronet of Colinton, on 3 January 1786. Nasmyth's eldest six daughters all became notable artists. His daughters were Jane, Barbara, Margaret, Elizabeth, Anne and Charlotte. His eldest son, Patrick Nasmyth, studied under his father, then went to London and attracted attention as a landscapist. Another son, James Nasmyth, invented the steam hammer. He had three other children, Alexander, George and Mary.
Architectural commissions
Architectural commissions
Nasmyth obtained several commissions as architect (in terms of a masterplan and artistic concept): notably Rosneath House and Dunglass Castle. In 1810, he designed the Nasmyth Bridge as part of the Almondell Estate, now in the Almondell and Calderwood Country Park.
Gallery
Gallery
• Illustration — View of Tantallon Castle and the Bass Rock • Illustration — A View of Edinburgh from the West (1822–6) • Illustration — The Port of Leith, 1824 • Illustration — High Street and the Lawn Market, Edinburgh, 1824 • Illustration — Princes Street, 1825 • Illustration — A Highland Loch landscape • Illustration — Pass of the Cows, Highlands • Illustration — Stage design for Heart of Midlothian; Deans' Cottage • Illustration — Robert Burns (1787) • Illustration — Robert Burns, 17591796. Poet
Identity and origins
Identity and origins
The authorities additionally record the headings Alexander Naysmith, Alexander Nesmyth, Naysmuth, A. Nasmyth and A. His recorded language was English. 4 children are recorded: Patrick Nasmyth, James Nasmyth, Jane Nasmyth and Barbara Nasmyth.

Geddes, Andrew; Alexander Nasmyth (1758-1840), HRSA; Royal Scottish Academy of Art Architecture; http: www.artuk.org/artworks/alexander-nasmyth-17581840-hrsa-186546 wild guess at 1810 for date
Andrew Geddes died 1844
Life and career
Dated record
Life and career
The full dated record · 2 entries
1758
Alexander Nasmyth born at Edinburgh.
1840
Alexander Nasmyth died at Edinburgh.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.19. 248-249.
- 2.Skinner, Basil (1966), Scots in Italy in the 18th Century, National Galleries of Scotland, Edinburgh, p. 25
- 3.Macmillan 1986, p.142. Macmillan suggests that his interest in Classical landscape painting may have been due to the example of the Scottish artist Jacob More, then resident in Rome.
- 4.Macmillan 1986, p.142
- 5.Macmillan 1986, p.144
- 6.Macmillan 1986, p.141
- 7.Macmillan 1986, p.145
- 8.LB27905. St Bernard's Well, off St Bernard's Bridge, including Stair, Walls, Railings and Plaque.
- 9.Macmillan 1986, p.142.
- 10.Warrell, Ian. Ruskin, Turner and the Pre-Raphaelites. Tate Gallery Publishing. 13. 2000.
- 11.Chapman, Allan. Mary Somerville and the World of Science. Springer. 17. 2014. 978-3-319-09399-4.
- 12.(178) - Scottish Post Office Directories > Towns > Edinburgh > 1805-1834 Post Office annual directory > 1832-1833 Scottish Directories - National Library of Scotland.
- 13.Grant's Old and New Edinburgh vol.III
- 14.Nasmyth, James. James Nasmyth, Engineer: An Autobiography. John Murray, Albemarle Street. 32. 1885.
- 15.Cooksey, J. C. B. Nasmyth family (per. 1788–1884).
- 16.Scotland's Lost Houses by Ian Gow
Bibliography printed in the source article · 6
- Macmillan, Duncan. Painting in Scotland: The Golden Age: [Talbot Rice Art Centre, University of Edinburgh, 8-31 August 1986: Tate Gallery, London, 15 October 1986-4 January 1987]. Phaidon Press. 1986. 9780714824550.
- Nasmyth, James. James Nasmyth, Engineer: An Autobiography. John Murray. 1885.
- For an account of Andrew Wilson see "The Scottish Claude" by John Ramm, Antique Dealer & Collectors Guide, July 1997, Vol 50, No. 12
- Skinner, Basil (1966), Scots in Italy in the 18th Century, National Galleries of Scotland, Edinburgh
- Macmillan, Duncan (1984), Scottish Painting: The Later Enlightenment, in Parker, Geoff (ed.), Cencrastus No. 19, Winter 1984, pp. 25 – 27,
- J. C. B. Cooksey, Alexander Nasmyth H.R.S.A. 1758-1840: a Man of the Scottish Renaissance (Southampton, 1991)
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Formation and teaching. Nasmyth studied at Royal High School and Edinburgh College of Art. He trained under Allan Ramsay.
Recognition and collections
Work by Alexander Nasmyth is
Minneapolis Institute of Art, National Gallery of Victoria, National Galleries Scotland and Yale Center for British Art
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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