Albert Baur
Illustration — Albert Baur, portrait by Ferdinand Brütt (1894) • Illustration — Presenting the Letter Albert Baur (7 July 1835 – 7 May 1906) was a German painter, illustrator and engraver, associated with the Düsseldorfer Malerschule. He is sometimes referred to as Albert Baur the Elder, to distinguish him from his son, Albert Baur the Younger, who was also an artist.
Also recorded as Albert, Sr. Baur · Sr. Albert Baur · Baur albert · albert bauer
Albert Baur

Ferdinand Brütt · Grosse Berliner Kunstausstellung 1894 · Public domain
- Born
- 1835 · Aachen.
- Died
- 1906 · Düsseldorf.
- Nationality
- Kingdom of Prussia
- Occupation
- painter · university teacher
- Education
- University of Bonn · Kunstakademie Düsseldorf
- Teachers
- Wilhelm Sohn · Heinrich Mücke · Joseph Kehren · Christian Köhler
- Languages
- German
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Documentary summary
Illustration — Albert Baur, portrait by Ferdinand Brütt (1894) • Illustration — Presenting the Letter Albert Baur (7 July 1835 – 7 May 1906) was a German painter, illustrator and engraver, associated with the Düsseldorfer Malerschule. He is sometimes referred to as Albert Baur the Elder, to distinguish him from his son, Albert Baur the Younger, who was also an artist.
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wikidata · Q2637581 · wikipedia · Albert Baur
In this article
Biography
Biography
Albert Baur studied at University of Bonn and Kunstakademie Düsseldorf. Training under Wilhelm Sohn, Heinrich Mücke and Joseph Kehren is recorded. Ferdinand Brütt is recorded as having studied under Albert Baur. The recorded working language is German. Places of work recorded in the authority are Düsseldorf and Weimar. Employment is recorded with Arts and Crafts School, Weimar.
He was born in Aachen to a family of bankers and was originally sent to Bonn to study medicine. In 1854, against his parents' wishes, he quit medical school and enrolled at the Kunstakademie Düsseldorf, where he studied from 1855 to 1857. His primary instructors there were Christian Köhler and Heinrich Mücke. He also took private lessons from Wilhelm Sohn and Joseph Kehren. In 1860, he moved to Munich and spent two years as a student of Moritz von Schwind. In 1863, he married Marie Beuth (1841–1917) and they had four children. In 1864, he received a prize for his matte paintings of the Last Judgment at the Landgericht (building) in Elberfeld. This work was commissioned by the jurist, Johann Friedrich Hector Philippi, the father of Baur's friend and school colleague, Heinrich Ludwig Philippi, whose influence prompted him to specialize in history painting. One of his first major works depicted the body of Otto III being carried across the Alps to Germany. In 1872, he was named a professor at the Grand-Ducal Saxon Art School, Weimar, but his attendance was apparently rather sporadic as he took numerous study trips throughout Europe. He returned to Düsseldorf in 1876 and lived there for the rest of his life. Among the best known works from this later period are a series of "Nischenbilder" (niche paintings) for the Neues Rathaus (Düsseldorf) (Town Hall), depicting the Love of Art, Industriousness, Desire for Knowledge (Wissensdrang) and Patriotism. Later, he added a mural showing Düsseldorf being taken over by Brandenburg in 1609, following a royal succession dispute.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1835
Albert Baur born at Aachen.
1906
Albert Baur died at Düsseldorf.
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Named by the record
Places
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Aachen.
Birth place
Düsseldorf.
Death place
Primary material
Documents and archives
reference work
- “Albert Baur”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q2637581: Albert Baur
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Familienbuch Euregio: Albert Baur
- 2.Unsere Bilder. In: Rhein und Düssel. Illustrierte Sonntagsbeilage zu den Düsseldorfer Neuesten Nachrichten, Nr. 1, vom 7. Januar 1906, S. 8.
Bibliography printed in the source article · 2
- Friedrich Schaarschmidt: Zur Geschichte der Düsseldorfer Kunst, insbesondere im XIX. Jahrhundert. Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1902, Pgs.242, 272, 277, 388, 319, 333, 334 (Online).
- Ludger Meier: "Die Odyssee eines Historienbildes." In: Nachrichtenblatt des Vereins Alter Dionysianer. 66, 2004, pgs.8–20 (Historiengemälde Baurs im ).
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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