Adelaide Cole Chase
Illustration — The Portrait of a Lady, by Adelaide Cole Chase Adelaide Cole Chase (Boston, MA, 1868–1944, Gloucester, MA) was an American painter of portraits and still lifes. She was a member of the Art Students' Association.
Also recorded as Adelaide Foxcroft Chase · Miss Adelaide Cole · Adelaide (maiden name) Foxcroft Cole · Adelaide Cole
Adelaide Cole Chase

Adelaide Cole Chase (1868-1944) · Public domain
- Born
- 1868. · Boston.
- Died
- 1944. · Gloucester.
- Nationality
- United States.
- Occupation
- painter.
- Fields
- portrait.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — The Portrait of a Lady, by Adelaide Cole Chase Adelaide Cole Chase (Boston, MA, 1868–1944, Gloucester, MA) was an American painter of portraits and still lifes. She was a member of the Art Students' Association.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Adelaide Cole Chase. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q4236417 · wikipedia · Adelaide Cole Chase
In this article
Biography
Biography
• Illustration — "A Portrait", by Adelaide Cole Chase Born in Boston, Massachusetts, she was a daughter of J. Foxcroft Cole, the landscape painter, and of Irma de Pelgrom, a Belgian pianist. Chase traveled extensively with her parents in Europe and the American West as a young girl. At the age of 10, she posed for Winslow Homer, who was a good friend of her father. Her first instruction in drawing and painting was from her father. As a girl she had the advantage of the instruction of Frederic Porter Vinton. Chase studied at the School of the Museum of Fine Arts under Edmund C. Tarbell and Frank Weston Benson, in Paris under Jean-Paul Laurens and Carolus-Duran. Professionally, she has had an almost exclusive interest in the painting of portraits. Twenty-five examples of her portrait work were exhibited in the spring of 1901 at Doll & Richards's in Boston, and these gave the impression of accomplished technical work and a refined and distinguished style. Chase has also exhibited at the Society of American Artists. Among those whose portraits she has painted are Helen F. Smith, Dean of Wells College, and Madam Chase (a charming portrait of old age). She was equally successful with portraits of children, young people, and those of older years, and with sitters of either sex. Her manner was firm and direct, and her portraits have the artistic value of being interesting apart from the personality of the subject. A portrait called a "Woman with a Muff," exhibited at the exhibition of the Society of American Artists, in New York City, was praised. At the 1904 exhibition of the Philadelphia Academy, Chase exhibited a portrait of children, Constance and Gordon Worcester, of which Arthur Hoeber wrote: "She has painted them easily, with deftness and feeling, and apparently caught their character and the delicacy of infancy." She also won silver medals at the St. Louis World's Fair in 1904 and the Panama-Pacific International Exposition in San Francisco in 1915. In 1960, she became an associate member of the National Academy of Design. She married William Chester Chase, an architect of Boston in 1892.

"A Portrait", by Adelaide Cole Chase (From a Copley Print. Copyright, 1901, by Curtis Cameron)
Clara Erskine Clement Waters · [1]

Adelaide Cole Chase - Emily E. Blanchard Shepherd - 1991.711 - Museum of Fine Arts
Adelaide Cole Chase
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Boston.
Birth place
Gloucester.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hirshler, Erica E. A Studio of Her Own: Women Artists in Boston 1870-1940. MFA Publications. 177. 2001.
- 2.Waters, Clara Erskine Clement. Women in the Fine Arts: From the Seventh Century B.C. to the Twentieth Century A.D. Houghton, Mifflin. 79–. 1904.
- 3.Century Company. The Century. 635–. 1901.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
18,623 published records in this field, each with its sources named.
- Adela Ber VukićArtist
- Adela BretonArtist
- Adela DemetjaArtist
- Adélaïde BinartArtist
- Adelaide DamoahArtist
- Adélaïde DucluzeauArtist
- Adelaide E. WadsworthArtist
- Adelaide Eliza IronsideArtist
Best supported in this field
For owners
Own a work by Adelaide Cole Chase?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.