Yasuzō Masumura
25 August 1924 – 23 November 1986 was a Japanese film director.
Also recorded as Yasuzo Masumura · Yasuzou Masumura · Masumura Yasuzō · Masumura Yasuzo
Yasuzō Masumura

キネマ旬報社 · 『 キネマ旬報 』1962年4月上旬春の特別号 " Kinema Junpo ", Early April 1962 issue. · Public domain
- Name
- Yasuzō Masumura
- Born
- 25 August 1924
- Birthplace
- Kōfu, Yamanashi, Japan
- Died
- 23 November 1986
- Place of death
- Tokyo, Japan
- Occupation
- Film director, screenwriter
- Nationality
- Japan · Empire of Japan
- Education
- University of Tokyo · Experimental Centre of Cinematography
- Languages
- Japanese
Encyclopédie VALÉORINE
Le dossier documentaire
Chaque énoncé est lu dans les notices d’autorité des institutions nommées. Choisissez « Preuve » à côté d’un énoncé pour voir la notice d’où il est tiré, l’endroit précis et la date de lecture.
Yasuzō Masumura (25 août 1924 – 23 novembre 1986) figure comme réalisateur dans les notices d'autorité de la Bibliothèque nationale de France et de la Deutsche Nationalbibliothek.
Vie
Yasuzō Masumura naquit le 25 août 1924 à Kofu, Japon et mourut le 23 novembre 1986.
Institutions citées
Bibliothèque nationale de France · Deutsche Nationalbibliothek
Chaîne de lecture complète (JSON)Reference Check
Propose documentary evidence for Yasuzō Masumura. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q1203444 · wikipedia · Yasuzō Masumura
In this article
Key facts
Key facts
• Name — Yasuzō Masumura • Born — 25 August 1924 • Birthplace — Kōfu, Yamanashi, Japan • Died — 23 November 1986 • Place of death — Tokyo, Japan • Occupation — Film director, screenwriter
Biography
Biography
Masumura was born in Kōfu, Yamanashi. After graduating from the law department at the University of Tokyo, he worked as an assistant director at the Daiei Film studio. He later returned to university to study philosophy and graduated in 1951. The following year, he won a scholarship allowing him to study film in Italy at the Centro Sperimentale di Cinematografia under Michelangelo Antonioni, Federico Fellini and Luchino Visconti. Masumura returned to Japan in 1953. From 1955, he worked as a second-unit director on films directed by Kenji Mizoguchi, Kon Ichikawa and Daisuke Ito. In 1957, he directed his own first film Kisses, which caused film critic (and future director) Nagisa Ōshima to note, "a powerful irresistible force has arrived in Japanese Cinema." Over the next three decades, he directed 58 films in a variety of genres.
Filmography
Filmography
• Title — Year — Credited as • |Director — | Screenwriter — Assistant director • Princess Yang Kwei Fei — 1955 • Street of Shame — 1956 • Punishment Room — 1956 • Nihonbashi — 1956 • The Crowded Streetcar — 1957 • Kisses — 1957 • The Blue Sky Maiden — 1957 • Warm Current — 1957 • The Precipice — 1958 • Giants and Toys — 1958 • The Lowest Man — 1958 • Disobedience — 1958 • The Most Valuable Wife — 1959 • The Cast-Off — 1959 • Beauty the Enemy — 1959 • Across the Darkness — 1959 • A Woman's Testament (first segment) — 1960 • Afraid to Die — 1960 • The Woman Who Touched the Legs — 1960 • A False Student — 1960 • Love and Life — 1961 • A Lustful Man — 1961 • A Wife Confesses — 1961 • The Burdened Sisters — 1961 • Stolen Pleasure — 1962 • Black Test Car — 1962 • A Woman's Life — 1962 • The Black Report — 1963 • When Women Lie — 1963 • Sentimental Mobsters — 1963 • Modern Fraud Story: Cheat — 1964 • With My Husband's Consent — 1964 • Seventeen-year-old Wolf — 1964 • Manji — 1964 • Super-Express — 1964 • Hoodlum Soldier — 1965 • Seisaku's Wife — 1965 • Irezumi — 1966 • Nakano Spy School — 1966 • Red Angel (Movie) — 1966 • Two Wives — 1967 • A Certain Killer — 1967 • Just for You — 1967 • A Fool's Love — 1967 • The Wife of Seishu Hanaoka — 1967 • Evil Trio — 1968 • The Sex Check — 1968 • The House of Wooden Blocks — 1968 • One Day at Summer's End — 1968 • Blind Beast — 1969 • A Thousand Cranes — 1969 • Vixen — 1969 • Electric Jellyfish — 1970 • Ode to the Yakuza — 1970 • The Hot Little Girl — 1970 • Games — 1971 • New Hoodlum Soldier Story: Firing Line — 1972 • Music — 1972 • Hanzo the Razor:The Snare — 1973 • Hanzo the Razor: Who's Got the Gold? — 1974 • Akumyo: Notorious Dragon — 1974 • Mainline to Terror — 1975 • Lullaby of the Earth — 1976 • The Love Suicides at Sonezaki — 1978 • The Garden of Eden — 1980 • For My Daughter's 7th Birthday — 1982
Identity and origins
Identity and origins
The authorities additionally record the headings Yasuzo Masumura, Yasuzou Masumura, Masumura Yasuzō, Masumura Yasuzo and Masumura Yasuzou. His recorded language was Japanese.

Yasuzo Masumura
キネマ旬報社 撮影者不明 · キネマ旬報社『キネマ旬報』10月号(1960)より
Life and career
Dated record
Life and career
The full dated record · 1 entries
1986
Yasuzō Masumura died at Japan.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Kofu.
Birth place
Japan.
Death place
Legacy
According to film critic Shigehiko Hasumi, filmmaker Shinji Aoyama had declared Masumura "the most important filmmaker in the history of postwar Japanese cinema."
Primary material
Documents and archives
reference work
- “Yasuzō Masumura”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1203444: Yasuzō Masumura
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Yasuzō Masumura, revision 1352610435 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.増村保造 (Masumura Yasuzō). Kotobank.
- 2.増村保造. Kinenote.
- 3.Rosenbaum, Jonathan. Tales of Ordinary Madness: Films by Yasuzo Masumura. Chicago Reader. April 30, 1998.
- 4.Mes, Tom. Yasuzo Masumura: Passion and Excess. Midnight Eye. June 1, 2010.
- 5.Kisses. Independent Cinema Offices.
- 6.Parkinson, David. Yasuzo Masumura 2005. BBC. 28 February 2006.
- 7.Rosenbaum, Jonathan. Dialogue Between Shigehiko Hasumi and Jonathan Rosenbaum on Howard Hawks and Yasuzo Masumura. JonathanRosenbaum.net. 3 October 2021.
Bibliography printed in the source article · 1
- Arrow Films. Blind Beast. 2021.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Yasuzō Masumura studied at University of Tokyo and Experimental Centre of Cinematography.
The recorded source classes are reference work. Every statement above restates one of those records; where they are silent, this article is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Yasushi AkimotoPerson
- Yasushi SasakiPerson
- Yasutaka TsutsuiPerson
- Yasuyuki KasePerson
- Yavuz BingölPerson
- Yavuz ÖzkanPerson
- Yaw SkyfacePerson
- Yaya DaCostaPerson
Best supported in this field
For owners
Own a work by Yasuzō Masumura?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.