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Yamantaka Eye

Yamataka Eye (born Tetsurō Yamatsuka, 13 February 1964) is a Japanese vocalist and visual artist, best known as a member of Boredoms, Hanatarash and Naked City. He has changed his stage name three times, from Yamatsuka Eye, to Yamantaka Eye, to Yamataka Eye, and sometimes calls himself eYe or EYヨ. He also DJs under the name DJ 光光光 or "DJ pica pica pica" ("pica" means "bright" or "shiny"), and has used numerous other pseudonyms.

Also recorded as DJ Chaos X · きれい · ダニ · 360° Positive Rockers

Yamantaka Eye

Yamataka Eye of the Boredoms at All Tomorrow's Parties 2004

neonwar · CC BY 2.0

Full name
山塚徹郎.
Born
1964. · Kobe.
Nationality
Japan.
Occupation
singer, artist, disc jockey and musician.
Fields
noise music.
Languages
Japanese.

VALÉORINE Encyclopedia

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Documentary summary

Yamataka Eye (born Tetsurō Yamatsuka, 13 February 1964) is a Japanese vocalist and visual artist, best known as a member of Boredoms, Hanatarash and Naked City. He has changed his stage name three times, from Yamatsuka Eye, to Yamantaka Eye, to Yamataka Eye, and sometimes calls himself eYe or EYヨ. He also DJs under the name DJ 光光光 or "DJ pica pica pica" ("pica" means "bright" or "shiny"), and has used numerous other pseudonyms.

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Note VALÉORINE

Yamantaka Eye (born 1964) is an artist, disc jockey and musician, among other activities, of Japanese nationality. The artist was born 山塚徹郎 in Kobe. Yamantaka Eye is also known as Yamataka Eye and Yamatsuka Eye. Yamantaka Eye is a member of Boredoms, Destroy 2 and Hanatarash, among others.

The work spans noise music. Languages used include Japanese.

Composed from admitted, traceable facts · 26 September 2026

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Authority files

wikidata · Q2624743 · wikipedia · Yamantaka Eye

In this article

  1. 01Biography
  2. 02Recordings and discography
  3. 03Archives and collections
  4. 04Notes, references and evidence

The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.

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