William Henry Rinehart
William Henry Rinehart (September 13, 1825 – October 28, 1874) was an American sculptor. He is considered "the last important American sculptor to work in the classical style."
Also recorded as W. H. Rinehart · William Henry Rhinehart · William Rinehart
William Henry Rinehart

William Henry Rinehart · U.S. Capitol, Architect of the Capitol, Library of Congress · Public domain
- Name
- William Henry Rinehart
- Born
- 13 September 1825
- Birthplace
- Union Bridge, Maryland, U.S.
- Died
- 28 October 1874
- Place of death
- Rome, Italy
- Known for
- Sculpture
- Training
- Maryland Institute College of Art
- Nationality
- United States
- Occupation
- sculptor · artist
- Fields
- art of sculpture
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Documentary summary
William Henry Rinehart (September 13, 1825 – October 28, 1874) was an American sculptor. He is considered "the last important American sculptor to work in the classical style."
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Documentary evidence
Documentary basis
Authority files
wikidata · Q8012137 · wikipedia · William Henry Rinehart
In this article
Biography
Biography
William Henry Rinehart studied at Maryland Institute College of Art. The field of work recorded is art of sculpture. Works named in the authority record are Roger B. Work by William Henry Rinehart is recorded in the collections of Philadelphia Museum of Art, Metropolitan Museum of Art and Smithsonian American Art Museum.

The bronze doors at the east portico entrance of the Capitol's House wing were designed by the American sculptor Thomas Crawford in Rome in 1855–1857. Upon Crawford's death William H. Rinehart executed the models from the sculptor's sketches in 1863–1867. The models were shipped from Leghorn, Italy, in 1867 but remained stored in the Crypt of the Capitol until 1903, when they were cast by Melzar H
USCapitol · House Bronze Doors

William Henry Rinehart, Henry Elliott Johnston, Jr. as "Cupid Stringing His Bow", 1874, marble, Smithsonian American Art Museum, Bequest of Harriet Lane Johnston, 1906.9.16
William Henry Rinehart · This file is part of the Smithsonian Institution's Open Access collection. Their website states: "We have released these images and data into the Public Domain as Creative Commons Zero (CC0), meanin
Key facts
Key facts
• Name — William Henry Rinehart • Born — 13 September 1825 • Birthplace — Union Bridge, Maryland, U.S. • Died — 28 October 1874 • Place of death — Rome, Italy • Resting Place — Green Mount Cemetery Baltimore, Maryland, U.S. • Relatives — David Rinehart (brother) • Known for — Sculpture • Training — Maryland Institute College of Art
Biography
Biography
The son of and Mary (Snader) Rinehart (1797–1865), William Henry Rinehart was born in Union Bridge, Maryland. His brother was David Rinehart. He attended school until he was nearly eighteen. He then began to work on his father's farm, but also became the assistant of a stone-cutter in the neighborhood. In 1844 he began an apprenticeship in the stone-yard of Baughman and Bevan on the site of what is now the Peabody Institute in Baltimore, and studied sculpture at what is now called the Maryland Institute College of Art. In 1855 Rinehart went to Italy to continue his studies. While there he executed two bas-reliefs in marble, Morning and Evening. On his return, two years later, he opened a studio in Baltimore, where he executed numerous busts, a fountain-figure for the main U.S. Post Office in Washington, DC; and two bronze figures, Backwoodsman and Indian, flanking the clock in the House of Representatives Chamber of the U.S. Capitol. In 1858 he settled in Rome where he would live the rest of his life, except for trips back to the United States in 1866 and 1872. Rinehart's burial was funded by his friends William Thompson Walters and Benjamin Franklin Newcomer and he was buried at Green Mount Cemetery in Baltimore.
Selected works
Selected works
• Bas-reliefs of Morning and Evening (c. 1856), plaster, Smithsonian American Art Museum, Washington, D.C. • Backwoodsman and Indian (1857), bronze, Monumental Clock, House of Representatives Chamber, U.S. Capitol. Now exhibited in the Capitol crypt. • Sleeping Children (1859), marble, Smithsonian American Art Museum. including one at the tomb of Hugh Sisson ("Marble King of Baltimore"), Green Mount Cemetery, Baltimore, Maryland. • Woman of Samaria (1859–1862), marble, Walters Art Museum, Baltimore, Maryland. • Leander (c. 1859), marble, Newark Museum, Newark, New Jersey. Marble replica (c. 1870) at Chrysler Museum of Art. • Bust of Mrs. William T. Walters (1862), marble, Walters Art Museum, Baltimore, Maryland. • Hero (modeled 1866), plaster, Smithsonian American Art Museum, Washington, D.C. • Antigone Pouring a Libation over the Corpse of Her Brother Polynices (modeled 1867–1870), plaster, Smithsonian American Art Museum, Washington, D.C. Marble (1870) at Metropolitan Museum of Art. • Chief Justice Roger B. Taney (1867–1872), bronze, Maryland State House, Annapolis, Maryland. Bronze replica (1872) at Mount Vernon Place, Baltimore, Maryland. Both removed in 2017. • Endymion (1868–1874), plaster, Smithsonian American Art Museum, Washington, D.C. Marble (c. 1874-1875) at National Gallery of Art, Washington D.C. Bronze at Rinehart's grave in Green Mount Cemetery, Baltimore, Maryland. • Clytie (1872), marble, Baltimore Museum of Art. Marble (1872) at Metropolitan Museum of Art. • Latona and Her Children – Apollo and Diana (modeled c. 1870–1872), plaster, Smithsonian American Art Museum, Washington, D.C. Marble replica (1874) at Metropolitan Museum of Art. • Atalanta (1874), marble, Baltimore Museum of Art. • Illustration — Morning (c. 1856), Smithsonian American Art Museum, Washington, D.C. • Illustration — Rinehart's drawing for the Monumental Clock (1858), House of Representatives Chamber, U.S. Capitol. • Illustration — Sleeping Children (1859, this example 1869), Smithsonian American Art Museum, Washington, D.C. • Illustration — Woman of Samaria (1859–1862), Walters Art Museum, Baltimore, Maryland • Illustration — Thetis (1861), Walters Art Museum, Baltimore, Maryland. • Illustration — Bust of Mrs. William T. Walters (1862), Walters Art Museum, Baltimore, Maryland. • Illustration — Hero (1866), Smithsonian American Art Museum, Washington, D.C. • Illustration — Chief Justice Roger B. Taney (1867–72), Mount Vernon Place, Baltimore, Maryland. • Illustration — Clytie (1872), Baltimore Museum of Art, Baltimore, Maryland. • Illustration — Latona and Her Children - Apollo and Diana (1871–74), Metropolitan Museum of Art, New York City
Articles
Articles
• Metropolitan Museum of Art (New York, N.Y.) William Henry Rinehart (1825–1874) (New York: The Museum, ©1999–©2001) • Stebbins, Theodore E. William Henry Rinehart (Boston, MA: Museum of Fine Arts, Boston, 1992)
Life and career
Dated record
Life and career
The full dated record · 2 entries
1825
William Henry Rinehart was born in 1825 at Union Bridge.
1874
William Henry Rinehart died in 1874 at Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Union Bridge.
Birth place
Rome.
Death place
Books
• Davenport, Ray, Davenport's Art Reference and Price Guide, Gold Edition (Ventura, California, 2005); • Ross, Marvin C. Walters Art Gallery; Johns Hopkins University; Peabody Institute. A catalogue of the work of William Henry Rinehart, Maryland sculptor, 1825–1874 (Baltimore: Trustees of the Peabody Institute and the Walters Art Gallery, 1948) • Rusk, William Sener. William Henry Rinehart, sculptor (Baltimore, Md., N.T.A. Munder, 1939) • Appleton's Cyclopedia of American Biography, edited by James Grant Wilson and John Fiske, New York: D. Appleton and Company, 1887–1889
Legacy
Rinehart was financially successful in his lifetime, executing many commissions for wealthy and cultured clients. American patrons often traveled to Italy to meet Rinehart and plan projects for their estates back in America. Rinehart's most important patron and sponsor was William T. Walters, founder of Baltimore's Walters Art Gallery (now the Walters Art Museum). William Henry Rinehart left his estate in trust for the teaching of sculpture at the Maryland Institute College of Art. In his name, MICA established the Rinehart School of Sculpture and a Rinehart fellowship. The Rinehart School's alumni would include the estimable Hans Schuler, born the year Rinehart died. According to artcyclopedia.com and askart.com, Rinehart's sculptures, neoclassical in style and mostly of human figures, are in public collections such as those of the Metropolitan Museum of Art (New York City), the National Gallery of Art, (Washington, DC), the Walters Art Museum (Baltimore), the Museum of Fine Arts, Boston, the Brooklyn Museum of Art (New York City), the Carnegie Museum (Pittsburgh), and Ohio's Columbus Museum of Art, among others.
Primary material
Documents and archives
reference work
- “William Henry Rinehart”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q8012137: William Henry Rinehart
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Oxford University Press. Rinehart, William Henry. Benezit Dictionary of Artists. 31 October 2011. 10.1093/benz/9780199773787.article.B00153096.
- 2.William Henry Rinehart: Mrs. Cleveland. Carnegie Museum of Art.
- 3.Bust of the Artist's Mother, Mrs. Israel Rinehart (Mary Snader, 1797-1868) The Walters Art Museum. Online Collection of the Walters Art Museum.
- 4.Mr. David Rinehart died. The Democratic Advocate. 3. 1903-01-24.
- 5.Waldo Newcomer. A Biographical Sketch of Benjamin Franklin Newcomer. 31–32. 1902.
- 6.Morning Smithsonian American Art Museum. americanart.si.edu.
- 7.Evening Smithsonian American Art Museum. americanart.si.edu.
- 8.Davis, Sarah. Around the Clocks. Architect of the Capitol. December 31, 2015.
- 9.Native American Representation in Art. Architect of the Capitol.
- 10.[Backwoodsman figure for the clock in the House of Representatives chamber]. Library of Congress.
- 11.['Indian' figure for the clock in the House of Representatives chamber]. Library of Congress.
- 12.Sleeping Children Smithsonian American Art Museum. americanart.si.edu.
- 13.The Woman of Samaria The Walters Art Museum. Online Collection of the Walters Art Museum.
- 14.Leander, (scuplture). Smithsonian.
- 15.Leander. chrysler.emuseum.com.
- 16.Bust of Mrs. William T. Walters (née Ellen Harper) The Walters Art Museum. Online Collection of the Walters Art Museum.
- 17.Hero Smithsonian American Art Museum. americanart.si.edu.
- 18.Antigone Pouring a Libation over the Corpse of Her Brother Polynices Smithsonian American Art Museum. americanart.si.edu.
- 19.Antigone Pouring a Libation over the Corpse of Her Brother Polynices. The Metropolitan Museum of Art.
- 20.Hicks, Josh. Justice Taney defended slavery in 1857. Now his statue is gone from Md.'s State House. Washington Post. 2023-04-08. 0190-8286.
- 21.Campbell, Colin. Citing 'safety and security,' Pugh has Baltimore Confederate monuments taken down. The Baltimore Sun. August 16, 2017.
- 22.Endymion Smithsonian American Art Museum. americanart.si.edu.
- 23.Endymion, model by 1870, carved c. 1874-1875. National Gallery of Art.
- 24.Endymion. Explore Baltimore Heritage.
- 25.Dennies, Nathan. Green Mount Cemetery. Explore Baltimore Heritage.
- 26.Clytie. baltimore.emuseum.com.
- 27.William Henry Rinehart Clytie American. The Metropolitan Museum of Art. 1872.
- 28.Latona and Her Children Smithsonian American Art Museum. americanart.si.edu.
- 29.William Henry Rinehart Latona and Her Children, Apollo and Diana American. The Metropolitan Museum of Art. 1874.
- 30.Atalanta from Flickr.
- 31.Atalanta. baltimore.emuseum.com.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Sculpture
6,174 published records in this field, each with its sources named.
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- William LaingArtist
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