Wilhelm von Kobell

Wilhelm von Kobell studied at Mannheimer Zeichnungsakademie. The recorded working language is German. Subjects and genres recorded for the work are landscape and animal. Places of work recorded in the authority are Mannheim, Munich and Paris. Employment is recorded with Academy of Fine Arts, Munich. Works named in the authority record are Riders at the Tegernsee. Work by Wilhelm von Kobell is recorded in the collections of Städel Museum, Art Institute of Chicago, Metropolitan Museum of Art, Albertina and Bavarian State Painting Collections.

Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. He studied the works in the galleries of Mannheim and Düsseldorf, especially those of Wouvermann, which he copied. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. In 1778, he went to Rome, was made court painter at Mannheim after his return, and afterwards followed his father to Munich, where he became professor at the Academy in 1808. He was supported by Charles Theodore, Elector of Bavaria, who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. In 1809, he visited Vienna, and in 1810 Paris, to make studies for his battle pieces.

His early paintings were landscapes, rural genre scenes, and animal pieces, of which the galleries of Bamberg, Weimar, Mannheim, Karlsruhe, Berlin, Darmstadt, Frankfort, and Wiesbaden contain fine specimens. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art. He gained a reputation through clever work on battle scenes and horses, as well as his very fine etchings and his especially fine aquatint engravings after Wouverman, Berchem, Roos, Ruysdael, and others, in which he reproduced the peculiar style of each master with uncommon success. His battle pieces contain many portraits of famous contemporaries. The New Pinakothek in Munich contains “The Third Day of the Battle of Hanau” (1808), and the Banquet Hall of the Königsbau the “Surrender of Brieg,” “Cavalry Skirmish at Arnhofen,” and the “Battles of Eckmühl and Wagram.”

Wilhelm von Kobell was recorded at birth as Wilhelm Alexander Wolfgang Kobell. His recorded language was German. He was the child of Ferdinand Kobell and Maria Anna Lederer. 2 children are recorded: Ferdinand von Kobell and Sebastian von Kobell.

Wilhelm von Kobell is recorded as painter, university teacher, draftsperson, etcher and artist.