Vlatko Stefanovski
Vladimir "Vlatko" Stefanovski (ˈvɫatkɔ stɛ'fanɔfski; born January 24, 1957) is a Macedonian ethno-rock guitar virtuoso.[1]
Vlatko Stefanovski

Тиверополник · CC BY-SA 4.0
- Born
- 1957. · Prilep.
- Nationality
- North Macedonia.
- Occupation
- guitarist, film score composer and musician.
- Fields
- ethno jazz, electropop and electronic rock.
- Languages
- Macedonian.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Vladimir "Vlatko" Stefanovski (ˈvɫatkɔ stɛ'fanɔfski; born January 24, 1957) is a Macedonian ethno-rock guitar virtuoso.[1]
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Vlatko Stefanovski (born 1957) is a film score composer, guitarist and jazz guitarist, among other activities and a national of North Macedonia. The film score composer was born in Prilep. Vlatko Stefanovski is a member of Vlatko Stefanovski Trio.
Genres include electronic rock, electropop and ethno jazz. Languages used include Macedonian.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Vlatko Stefanovski. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
original value insufficient · checked 25 September 2026
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q3131452 · wikipedia · Vlatko Stefanovski
In this article
Biography
Biography
Vlatko was born into a typical theatrical family. His parents, as artists, often traveled, so soon Stefanovski moved to Skopje, in the neighborhood Taftalidze.[2] Vlatko Stefanovski lives with his family (consisting of daughter Ana and son Jan) in Skopje.[3] His son (Jan Stefanovski) is a drummer in V.S.Trio (from 2019).[4] Born in Prilep on 24 January 1957, he started playing guitar at the age of 13. Stefanovski was one of the founding members of Leb i sol with whom he recorded 13 albums between 1978 and 1991. He currently splits his time playing with his VS Trio, in an acoustic partnership with Miroslav Tadić or composing for film and theatre. Dramatist Goran Stefanovski was his older brother. Stefanovski has played a wide variety of guitars, including a Gibson SG, Gibson Nighthawk, Scala VS-1(custom), Scala VSTII (custom), a Fender Stratocaster - heavily modified with Schecter and Radulović parts, a Telecaster, a Radulović super-strat and a Pensa-Suhr super-strat. The influence of ethnic and folk music of Southeastern Europe and more specifically of the Music of North Macedonia are recognizable in his occasional use of odd meters (5/4, 7/8) and non-traditional scales (e.g. the Phrygian dominant scale).[5] He played the guitar solo in the song "Za Milion Godina" by YU Rock misija, the former Yugoslav contribution to Bob Geldof's Band Aid.
Career ===== Beginnings and the Invention of Ethno-Rock (1976–1979) =
Career ===== Beginnings and the Invention of Ethno-Rock (1976–1979) =
• Illustration — Stefanovski at concert with Leb i Sol in Sava Center in November 2006. Stefanovski began to achieve fame in the Yugoslavian rock scene during his time with Leb i Sol, his third band. The band's first 1977 single Devetka/Nie Cetvoricata already showcased his guitar prowess, while Vlatko was still only 19 years old. They played their first major concert as an opening act for Bijelo Dugme, commonly regarded as Yugoslavia's most popular band. While the band was then virtually unknown, legend has it that the audience and Bijelo Dugme were both blown away by their performance of 'Kokoška' (Eng: 'Hen'). In his early years, Stefanovski was credited for inventing a style of music known as 'ethno-rock'. This style is characterized by a fusion of classic rock and roll with folk elements, in his case from his native Macedonia. This style dominates the first two albums, Leb i Sol 1 and Leb i Sol 2. Their third album, Ručni Rad (Eng: 'Hand-made') was a departure from this style into more of a jazz-rock fusion.
New Wave Phase (1980–1986)
New Wave Phase (1980–1986)
After the departure of keyboardist Kokan Dimuševski from Leb i Sol, the band began to develop a new wave style more in line with Azra, Haustor, and other popular bands in Yugoslavia at the time. They maintained some elements of their earlier ethno style, as evidenced for example in their rendition of Macedonian folk son 'Ajde Sonce Zajde' on the album Beskonačno (Eng: 'Infinite').
Pop Rock Phase (1987–1991)
Pop Rock Phase (1987–1991)
In the late 80s, Stefanovski began to take more artistic control over Leb i Sol, writing nearly all of their songs. These later albums used vocals on all songs, as opposed to their earlier albums, in which nearly every song was instrumental.
End of Leb i Sol & Solo Beginnings (1991–1995)
End of Leb i Sol & Solo Beginnings (1991–1995)
During this period, Stefanovski began working more on side projects, including composing scores for movies and plays, and collaborating with other musicians. During this time he toured with Leb i Sol, but the band did not release any new albums. The only new material they released was their rendition of Macedonian folk classic 'Uči me majko, karaj me' (Eng: teach me mother, scold me). During this time, Stefanovski also released his first solo album, Cowboys & Indians. It received moderate critical acclaim. Some songs off the album still make regular appearances in his set lists today, including the title track and the ballad 'Kandilce'.
Folk Revival, VS Trio, and more Solo Works (1996–)& Equipment
Folk Revival, VS Trio, and more Solo Works (1996–)& Equipment
• Illustration — During a live performance in Kumanovo Since leaving Leb i Sol, Stefanovski has used his newfound freedom to pursue a myriad of other musical projects. Since 1998, he has toured and played Macedonian folk songs exclusively with fellow guitarist Miroslav Tadić. Unlike his previous works, these have been played mostly on acoustic guitar. Stefanovski went back to his early ethno-rock roots from Leb i Sol with his VS Trio. Their debut album in 1998 received great critical acclaim and helped define the new Vlatko Stefanovski sound. Stefanovski recorded several solo albums under his own name during this time period. The sound on these albums ranged from pop on 'Kula od Karti' (Eng: 'Tower of Cards') to pure blues on 'Thunder From the Blue Sky'. In V.S.Trio from 2021 drummer is Jan Stefanovski, and bass Ivan Kukic. In 2006, he did a reunion tour with Leb i Sol, touring the former Yugoslavian countries. After the tour, the band resumed without Stefanovski. In 2012, Tommy Emmanuel, Stochelo Rosenberg and himself have formed a band called Kings of Strings, and have embarked on tour in mid-March.
Equipment
Equipment
Vlatko Stefanovski has used a variety of guitars and amps. His favourite guitars include a Gibson Les Paul Custom 1959, a Gibson Nighthawk, a Gibson SG, the Fender Stratocaster, Telecaster, Pensa Suhr, Gibson L-5, and Radulovic guitars, Yamaha, Hamer, MK guitars signature and his main guitar, a Leo Scala Signature VS. The amps which he uses at concerts are: DV Mark Bad Boy, Vox AC30, Fender '57 Twin, MK signature VS Overdrive special, Fender Deluxe Reverb 57', Fender Hot Road Deville, and Marshall JCM800.
Effects
Effects
He doesn't use much in the way of effects but some of his main pedals are the Fulltone Full-Drive Mosfet 2 10th Anniversary, the Dunlop Crybaby, the Boss DD-7, the Boss CH-1, the Boss CS-3 and the Turbo Rat.
Ballet
Ballet
• Zodiac (with Bodan Arsovski 1989) • Vakuum (1996) • Dabova šuma (1998)
Educational TV Series
Educational TV Series
• Busava Azbuka (1985)
Videos
Videos
• Youtube Search (vlatko+stefanovski) • Youtube Search (vlatko+tadic) • Youtube Search (vlatko+Pajduskoto) • Vlatko Stefanovski trio - Čukni vo drvo • Vlatko Stefanovski trio & Jan Akkerman - Hocus Pocus
Identity and origins
Identity and origins
His recorded language was Macedonian. He was the child of Mirko Stefanovski and Nada Stefanovska.
Work and production
Work and production
His recorded genres are ethno jazz, electropop and electronic rock.

Vlatko Stefanovski with the Big Band Orchestra of the Slovenian Army on April 21, 2017 in the Sava Center in Belgrade (Serbia)
Miomir Magdevski

Vlatko Stefanovski with the Big Band Orchestra of the Slovenian Army on April 21, 2017 in the Sava Center in Belgrade (Serbia)
Miomir Magdevski
Film scores
Film scores
• Šmeker (Zoran Amar, 1985) • Za sreću je potrebno troje (Rajko Grlić,1986) • Zaboravljeni (Darko Bajić,1989) • Klopka (Suada Kapić,1990) • Početni udarac (Darko Bajić,1991) • Suicide guide (Erbil Altanaj,1996) • Nebo gori modro (Jure Pervanje,1996) • Gipsy magic (Stole Popov,1997) • 3 Summer Days (Mirjana Vukomanović,1997) • Journey to the Sun (Yesim Ustaoglu 1998) • Skyhook (Ljubiša Samardžić, 2000) • Serafim, the Lighthouse Keeper's Son (Vicko Ruić, 2002)
Animated films
Animated films
• Cirkus (Darko Markovic, 1979) with LEB I SOL • Vjetar (Goce Vaskov, 1990)
Short films
Short films
• Volim vodu (Goranka Greif Soro, 2002)
Recordings
Recordings
• Kings of Strings(with Tommy Emmanuel & Stochelo Rosenberg) • Zodiac (with Bodan Arsovski - Third ear music -1990) • Cowboys & Indians (Third ear music -1994) • Sarajevo (Third ear music -1996) • Gypsy Magic (Third ear music -1997) • Krushevo (with Miroslav Tadić - MA recordings - 1998) • V. S. Trio (Third ear music - 1998) • Live in Belgrade (with Miroslav Tadić - Third ear music - 2000) • Journey to the Sun (IFR - Kalan -2000) • Kino Kultura (Third ear music -2001) • Kula od karti (Avalon Production -2003) • Treta majka (with Miroslav Tadić - Avalon Production -2004) • Thunder From The Blue Sky (with Jan Akkerman) (2008)
Recordings with Leb i sol
Recordings with Leb i sol
• Leb i sol (PGP-RTB -1978) • Leb i sol 2 (PGP-RTB -1978) • Ručni rad (PGP-RTB -1979) • Beskonačno (PGP-RTB -1980) • Sledovanje (PGP-RTB -1981) • Akustična trauma (PGP-RTB - double live -1982) • Kalabalak (Jugoton -1983) • Tangenta (Jugoton -1984) • Zvučni zid (Jugoton -1985) • Kao kakao (Jugoton -1987) • Putujemo (Jugoton -1989) • Live in New York (Third ear music -1991) • Anthology (Third ear music -1995)
References ==== External links
References ==== External links
• Vlatko Stefanovski home page • Vlatko Stefanovski: Until I Satisfy My Artistic Appetite - A short biography and an interview
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Georgievski, Nenad (2004) "Vlatko Stefanovski and Miroslav Tadic featuring Teodosii Spasov: Treta Majka", allaboutjazz.com, 26 November 2004, retrieved 2011-08-03
- 2.Lokner, Branimir. VLATKO STEFANOVSKI – "Taftalidze Shuffle" – Time Machine Music.
- 3.Veliko slavlje u obitelji Vlatka Stefanovskog. tportal.hr. 2019-09-23.
- 4.Legendarni gitarist Vlatko Stefanovski oduševio publiku u Tvornici, pogledajte kako je bilo. tportal.hr.
- 5.Traynor, Ian (2003) "Memories of happier days", guardian.co.uk, 13 February 2003, retrieved 2011-08-03
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The recorded source classes are reference work. Every statement above restates one of those records; where they are silent, this article is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Music memorabilia
42,108 published records in this field, each with its sources named.
- Vlado PravdićPerson
- Vladyslav ZarembaPerson
- Vlastimir Pavlović CarevacPerson
- Vlastimir PeričićPerson
- Vocalion RecordsOrganisation
- VogueOrganisation
- Voiceprint RecordsOrganisation
- Voices of WonderOrganisation
Best supported in this field
For owners
Own a work by Vlatko Stefanovski?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.