Vladimir Becić
Vladimir Becić (1886–1954) was a Croatian painter, best known for his early work in Munich, which had a strong influence on the direction of modern art in Croatia. Becić studied painting in Munich at the prestigious Academy of Arts along with Oskar Herman, Miroslav Kraljević and Josip Račić. This group of Croatian artists are known as the Munich Circle or Munich Four, and are very important figures in Croatian art of the 20th century.
Vladimir Becić

Vladimir Becić · Book Painting in Yugoslavia · Public domain
- Name
- Vladimir Becić
- Born
- 1 June 1886
- Birthplace
- Slavonski Brod, Kingdom of Croatia-Slavonia, Austria-Hungary
- Died
- 24 May 1954
- Place of death
- Zagreb, PR Croatia, FPR Yugoslavia
- Known for
- Painting
- Training
- Munich under Hugo von Habermann, Paris
- Movement
- Modern
- Nationality
- Hungary · Kingdom of Serbs and Croats and Slovenes · Kingdom of Yugoslavia
- Occupation
- painter · university teacher
- Education
- Academy of Fine Arts and Munich · Académie de la Grande Chaumière
- Languages
- Croatian
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Documentary summary
Vladimir Becić (1886–1954) was a Croatian painter, best known for his early work in Munich, which had a strong influence on the direction of modern art in Croatia. Becić studied painting in Munich at the prestigious Academy of Arts along with Oskar Herman, Miroslav Kraljević and Josip Račić. This group of Croatian artists are known as the Munich Circle or Munich Four, and are very important figures in Croatian art of the 20th century.
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wikidata · Q1706000 · wikipedia · Vladimir Becić
In this article
Biography
Biography
After Munich, Becić spent 2 years studying and working in Paris before returning to Zagreb in 1910. During the First World War, Vladimir Becić worked as a war artist on the Salonika front producing a series of images of the soldiers and wounded. Following the end of the war, he spent time in a village near Sarajevo, where he painted landscapes and rural subjects in a style that used colour and tonal variations to depict form and space. Becić was a professor at the Academy of Fine Arts in Zagreb (1924–1947), and a member of the Croatian Academy of Sciences and Arts from 1934.
Vladimir Becić studied at Academy of Fine Arts, Munich and Académie de la Grande Chaumière. The recorded working language is Croatian. The field of work recorded is painting. Édouard Manet is recorded as an influence. Employment is recorded with University of Zagreb. Work by Vladimir Becić is recorded in the collections of National Museum of Fine Arts, Argentina.

King Peter I. leaving Serbia in an ox-cart on Nov. 9 1915 at Jankova klisura in Serbia/Kosovo. Cliche de Vladimir Becic. Appearance in L'Illustration - 1916 La tragedie Serbe
Vladimir Becic - Vladimir Betzitch 9 November 1915 · L'Illustration 1916 - Le roi Pierre la tragédie Serbe. - Piere Ier Karageorgevitch quittant le territoire des la Vielle-Serbie sur un Caisson triné par un attelage des boeufs. The Chickasha daily expr

Kralj Petar I Karađorđević, slika Vladimira Becića
Vladimir Becić · Chickasha Daily Express., February 12, 1916
Key facts
Key facts
• Name — Vladimir Becić • Born — 1 June 1886 • Birthplace — Slavonski Brod, Kingdom of Croatia-Slavonia, Austria-Hungary • Died — 24 May 1954 • Place of death — Zagreb, PR Croatia, FPR Yugoslavia • Known for — Painting • Training — Munich under Hugo von Habermann, Paris • Movement — Modern • Notable Works — paintings (oils and watercolours), drawings, prints
Biography
Biography
Vladimir Becić was born in Slavonski Brod on 1 June 1886. He initially studied law in Zagreb and attended the private art school of Menci Clement Crnčić and Bela Čikoš Sesija. In 1905, he gave up his law studies for art, moving to Munich, where he first studied with Heinrich Knirr, and then at the Academy of Arts. In 1909, he went to Paris where he enrolled in the Academy La Grande Chaumiére and worked as a draftsman at the magazine Le Rire. He returned to Zagreb in 1910, where he staged his first solo exhibit. He exhibited his artworks as a part of the Kingdom of Serbia's pavilion at the International Exhibition of Art of 1911. Becić then worked in Osijek, Belgrade and Bitolj. He joined the Serbian army shortly before the outbreak of the First World War. He was then a war correspondent and artist for the magazine "L'Illustration" on the Salonika front, creating a series of images of the soldiers and the wounded. In 1919, he held his second solo exhibit, also in Zagreb. From 1919 to 1923, Vladimir Becić lived and worked in the village of Blažuj near Sarajevo, producing a series of oils and watercolours of landscapes, peasants and shepherds that show an increasingly mature style of tonal painting using colour forms for rounded volume and space. He then moved back to Zagreb, where he taught at the Academy of Fine Arts (Croatian: Akademija likovnih umjetnosti) (1924–1947). In 1930, Vladimir Becić, together with Ljubo Babić and Jerolim Miše formed "Group Three" (Grupa trojice). Becić became a member of the Croatian Academy of Sciences and Arts in 1934, at that time called the Yugoslav Academy of Sciences and Art. Vladimir Becić died in Zagreb on 24 May 1954.
Works
Works
• Guslar (Guslac) 1906 • Nude Study (Studija Akta) 1906 • Woman Nude in Front of Mirror (Ženski Akt pred ogledalom) 1906 • Oak (Hrast) 1907 • Nude Girl at a Table (Akt djevojcica kod stola) 1907 • Nude with Newspaper (Ženski akt s novinama) 1907 • Nude in Front of Mirror (Akt pred ogledalom) 1908 • Girl with Doll (Djevojčica s lutkom) 1908 • Portrait of Miroslav Kraljević (Portret Miroslava Kraljevića) 1908 • Self-portrait with Hat (Autoportret sa polucilindrom) 1908 • Still Life (Mrtva Priroda) 1909 • Watermelons (Lubenice) 1911 • Hill Landscape with Stream (Planinski pejzaž s potokom) 1923 • Vera 1926 • Peasant Woman (Saljanka) 1926 • Fisherman (Ribar) 1932 • Girl with Flower (Djevojka s cvijecem) 1933 • Small Meadows (Male sjenokoše) 1934 • Boy with Corn (Dječak s kukuruzom) 1935 • Crabs (Rakovi) 1936 • Ragotin 1937 • Tovarenje ugljena, 1938 • Samoborski pejsaž, 1941.
Solo shows
Solo shows
• 1910 in Zagreb • 1919 in Zagreb • 1984 Vladimir Becic - Umjetnicki paviljon / Art Pavilion Zagreb, Zagreb • 2005 Adris Gallery, Rovinj Vladimir Becić, Svjedok Istine Postojanja
Group shows
Group shows
• 1973 Paintings of the Munich Circle - Umjetnicki paviljon / Art Pavilion Zagreb, Zagreb • 2007 Iz fundusa galerije - Museum of Modern Art Dubrovnik, Dubrovnik • 2008 From the holdings of the museum - Museum of Modern Art Dubrovnik, Dubrovnik
Dealers
Dealers
• Galerija Kaptol, Zagreb Croatia
Online gallery
Online gallery
Online gallery of paintings at Gallery Adris
Identity
Identity
Vladimir Becić is recorded with the occupation university teacher. Recorded as having studied at Academy of Fine Arts, Munich and Académie de la Grande Chaumière.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1886
Vladimir Becić was born on 1 June 1886.
1954
Vladimir Becić died on 24 May 1954.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Vladimir Becić was born at Slavonski Brod.
Birthplace
Vladimir Becić died at Zagreb.
Deathplace
Slavonski Brod.
Birth place
Zagreb.
Death place
Legacy
The beginnings of modernity in Croatian art are primarily linked to the Munich Cycle of painters, some of whose key works are housed in the Museum of Contemporary Art collection. These include oil paintings by Vladimir Becic dating back to the period 1910–1922, the most important phase in his artistic career, including works from the early 40s. Vladimir Becić's earliest works date from the time of the Munich school, and together with the works of Josip Račić and Miroslav Kraljević, they point to a new direction in Croatian modern painting. Moving away from traditional academic styles, they are strongly influenced by Leibl's realism, and the works of Impressionist artists such as Manet, whose work they saw in an exhibit of 1907. Other influences at that time were Velázquez and Goya. Becić's later works show an approach that is closer to Cézanne, and emphasizing the structure and geometric shapes. His artistic expression was focused towards modeling and clarity. His sketches in oil, and especially watercolour, express the freshness of the immediate experience. He uses rich colour expression, and tone shaping for strong volume. Some insights into Vladimir Becić can be derived from his self-portraits, which he painted from his youngest days until just before his death. They are especially remarkable as they cover his time in Munich, then Paris and finally Osijek. Compared to the contemporary self-portraits of Joseph Racic and Miroslav Kraljevic, the Becic self-portraits are simpler, but show a full and complete expression. His early paintings, above all, show an accurate observation of form, subject and body and their spatial relationships rendered by a trained and skilful hand. The style of his later work owes something to the widespread tendency in Europe to return to nature in all things cultural and artistic after the First World War, and the influence of post-cubism - emphasizing the importance of construction. For Becić, nature was not a shelter, but an incentive, a great teacher of life, order, and organization. According to Miroslav Krleža, Becić holds a deservedly high place in the history of Croatian modern art. Measured with Račić and Kraljević, he is not simply one of three, but is completely different. In 2006, the Croatian Post Office issued a set of stamps depicting Croatian art, one of which was Becić's Still Life of 1909.
Public collections
Public collections
• Museum of Modern Art Dubrovnik, Dubrovnik, Croatia • Gallery of Fine Arts / Galerija likovnih umjetnosti, Osijek, Osijek, Croatia • MMSU - Museum of Modern and Contemporary Art Rijeka, Rijeka, Croatia • Galerija Umjetnina Split, Split, Croatia • MSU Muzej Suvremene Umjetnosti / Museum of Contemporary Art, Zagreb, Croatia
Documents and archives
Primary material
Documents and archives
reference work
- “Vladimir Becić”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1706000: Vladimir Becić
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Elezović, Zvezdana. Kosovske teme paviljona Kraljevine Srbije na međunarodnoj izložbi u Rimu 1911. godine. Baština. 27. 2009.
- 2.Nina Ožegović: Nepoznati crteži Vladimira Becića: Ratna tajna slikarskog klasika, Nacional, br. 655, 2008-06-02; pristupljeno 3. ožujka 2014.
- 3.Naklada Leksikon d.o.o. Becić, Vladimir. I. 77. 1996. 953-96728-1-3.
- 4.ArtFacts.net. Vladimir Becić Exhibits.
- 5.Vladimir Becić - Hrvatski Slikar.
- 6.Adris Gallery. Vladimir Becić Biography.
- 7.Adris Gallery. Vladimir Becić Gallery.
- 8.Miroslav Krleža, O Vladimiru Beciću, Likovne studije, Sabrana djela Miroslava Krleže, NIŠRO "Oslobodjenje", Sarajevo - IKRO "Mladost", Zagreb; Sarajevo 1985, str. 176.
- 9.Museum of Contemporary Art Zagreb.
- 10.Academy of Fine Arts Zagreb.
- 11.Modern Gallery, Zagreb. Modern Gallery.
- 12.Hrvatska Posta. Croatian modern painting - Vladimir Becić (1886. – 1954.).
- 13.Museum of Modern Art, Dubrovnik. Museum of Modern Art Dubrovnik. April 2009.
- 14.Galerija Umjetnina Split.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Formation and teaching. Becić studied at Academy of Fine Arts, Munich and Académie de la Grande Chaumière. His recorded influences include Édouard Manet. Becić worked in painting. He was employed by University of Zagreb. He belonged to Croatian Academy of Sciences and Arts and Association of Fine Artists of Serbia.
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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