Vilmos Huszár
Vilmos Huszár (5 January 1884 – 8 September 1960) was a Hungarian painter and designer. He lived in The Netherlands, where he was one of the founding members of the art movement De Stijl. Huszár was born in Budapest, Hungary.
Also recorded as Vilmos Huszar · Willy Huszar · Willy Huszár · Vilmos Herz
Vilmos Huszár

Anonymous Unknown author · Holland's bankroet door dada. Documenten van een dadaïstische triomftocht door Nederland. Amsterdam: Ravijn, 1995 (ISBN 9072768418): p. 150. · Public domain
- Name
- Vilmos Huszár
- Birth Name
- Vilmos Herz
- Born
- 5 January 1884
- Birthplace
- Budapest, Kingdom of Hungary
- Died
- 8 September 1960
- Place of death
- Hierden, Netherlands
- Nationality
- Kingdom of the Netherlands and Hungary.
- Occupation
- painter, resistance fighter, graphic designer, designer, typographer, exlibrist, graphic artist, goldsmith and sculptor.
- Fields
- abstract art.
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Documentary summary
Vilmos Huszár (5 January 1884 – 8 September 1960) was a Hungarian painter and designer. He lived in The Netherlands, where he was one of the founding members of the art movement De Stijl. Huszár was born in Budapest, Hungary.
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wikidata · Q781561 · wikipedia · Vilmos Huszár
In this article
Biography
Biography
He emigrated to The Netherlands in 1905, settling at first in Voorburg. He was influenced by Cubism and Futurism. He met other influential artists including Piet Mondrian and Theo van Doesburg, both central figures in establishing the De Stijl movement with Huszár in 1917. Huszár also co-founded the De Stijl magazine and designed the cover for the first issue. In 1918, he devised an interior colour scheme for the boys' bedroom, designed with Piet Klaarhamer, in Cornelis Bruynzeel sr. House in Voorburg. From 1920 to 1921 he collaborated with Piet Zwart on furniture designs. He left the De Stijl group in 1923. He collaborated with Gerrit Rietveld on an exhibition interior for the Greater Berlin Art Exhibition. From 1925, Huszár concentrated on graphic design and painting. • Illustration — Packaging design, 1926, Cooper-Hewitt, National Design Museum, New York In 1926 he created a complete visual identity for Miss Blanche Virginia cigarettes, which included packaging, advertising, and point of sale displays. The concept drew on the imagery associated with the emergent "New Women", or Flappers. The Flappers were perceived as young, single, urban, and employed, with independent ideas and a certain disdain for authority and social norms. The smoking of cigarettes was closely associated with their newfound independence. Huszár's work was included in the 1939 exhibition and sale Onze Kunst van Heden (Our Art of Today) at the Rijksmuseum in Amsterdam. The whereabouts of many of Huszár's works are unknown. Many of his paintings and sculptures are only known through photographs that appeared in De Stijl, or from photographs taken by the artist himself. Works that are lost include the Dancing mechanical doll, a device that could adopt several different postures and was used during Dada conferences in the early 1920s. Huszár died in the Dutch town Harderwijk in 1960. From 8 March to 19 May 1985 a large Huszár retrospective was held at the Gemeentemuseum in The Hague. In 2021, a sculpture titled Dutch De Stijl Woman was discovered on eBay by a Hungarian collector who bought it for 95 euros. The finding sparked skepticism among experts on Huszár's body of work, as there were no prior records of sculptures of his. Based on new evidence, art historian Gergely Barki has suggested that the artwork might be a collaborative effort between Huszár and Chris Lanooy, a dutch ceramist. The art first have been displayed on a Parisian "Lost and Found" exhibition.
Key facts
Key facts
• Name — Vilmos Huszár • Birth Name — Vilmos Herz • Born — 5 January 1884 • Birthplace — Budapest, Kingdom of Hungary • Died — 8 September 1960 • Place of death — Hierden, Netherlands • Illustration — Mechano-Dancer, 1922, Private collection, New York
Primary material
Documents and archives
reference work
- “Vilmos Huszár”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q781561: Vilmos Huszár
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Studioso (1993): p. 4.
- 2.Studioso (1993): p. 7.
- 3.Studioso (1993): p. 8.
- 4.Warncke (1990): p. 209.
- 5.Volgens Warncke is dit schilderij vermoedelijk tijdens het bombardement van Rotterdam in mei 1940 verloren gegaan. Meer waarschijnlijk is dat het werk vernietigd werd toen het huis van Van Doesburgs ex-vrouw Helena Milius aan de Klimopstraat als gevolg van het bombardement van het Haagse Bezuidenhout in maart 1945 afbrandde. Milius had namelijk enkele schilderijen van Van Doesburg, waaronder mogelijk ook dit schilderij in beheer.
- 6.Warncke (1990): p. 45.
- 7.Studioso (1993): p. 11.
- 8.Aangehaald in Studioso (1993): p. 12.
- 9.Studioso (1993): p. 15.
- 10.Studioso (1993): p. 16.
- 11.Studioso (1993): p. 20.
- 12.Studioso (1993): p. 23.
- 13.Studioso (1993): p. 19.
- 14.Studioso (1993): p. 24.
- 15.Studioso (1993): p. 31.
- 16.Van Bergeijk (2007): p. 39.
- 17.Overy (1997): pp. 94-95.
- 18.Warnecke (1990): p. 117.
- 19.Studioso (1993): p. 27.
- 20.Warnecke (1990): p. 118.
- 21.Van Bergeijk (2007): pp. 39-40.
- 22.Overy (1997): pp. 94-96.
- 23.Kenneth Frampton, 'Neoplasticisme en architectuur: formatie en transformatie', in Mildred Friedman (redactie; 1982). De Stijl: 1917-1931. Amsterdam: Meulenhoff/Landshoff, p. 102.
- 24.Vilmos Huszàr, 'Ruimte-kleur-compositie van een eetkamer', De Stijl, 5e jaargang, nummer 1 (januari 1922): pp. 7-8.
- 25.Studioso (1993): p. 28.
- 26.Video met reconstructie van de Simultaneïstisch-méchanische dans door Vilmos Huszár - Gemeentemuseum Den Haag.
- 27.Overy (1997): pp. 11, 95.
- 28.Studioso (1993): p. 32.
- 29.Studioso (1993): p. 40.
- 30.Studioso (1993): p. 43.
- 31.Studioso (1993): p. 36.
- 32.Studioso (1993): p. 44.
- 33.Studioso (1993): p. 47.
- 34.De molen van Kisjes in Hierden (2012): p. 35.
- 35.Theo van Doesburg schrijft hierover: ‘Het typografische ornament tusschen titel en tekst op den omslag is van de hongaarschen kunstenaar Vilmos Huszàr. Het is ontleend aan een houtsnede welke als zuiver beeldende kunst bedoeld, hier in toepassing is gebracht om een aesthetisch-harmonische eenheid met den druk te vormen’ (De Stijl, 1e jaargang, nummer 1 (oktober 1917): p. 11.).
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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