Viktor Madarász

Viktor Madarász was a Hungarian painter (1830–1917). He was born at Štítnik and died at Budapest.

Also recorded as Viktor von Madarasz; Victor Madarász; Viktor Madarasz; Victor Madarasz.

Contents

Identity and origins

The authorities additionally record the headings Viktor von Madarasz, Victor Madarász, Viktor Madarasz and Victor Madarasz. His recorded language was Hungarian.

He was the child of András Madarász. One child is recorded: Adelina Katona Madarasz.

Recognition and collections

Work by Viktor Madarász is held by Hungarian National Gallery, Bratislava City Gallery, Tatra Gallery and Museum of Fine Arts, Budapest.

Identity

What the record establishes about Viktor Madarász.

Péter Zrínyi and Kristóf Frangepán in Prison at Wiener Neustadt is dated 1864 and held by Hungarian National Gallery (inventory 2794). http://www.wikidata.org/.well-known/genid/ef782dc806929b96f2cf3d4d65e17d99 records 1 object associated with this heading. Venus of Urbino is catalogued and held by http://www.wikidata.org/.well-known/genid/ef782dc806929b96f2cf3d4d65e17d99. Portrait of József Eötvös (sketch) is catalogued and held by Hungarian National Gallery (inventory 50.71(10.043)). Ilona Zrínyi before the Investigating Judge is dated 1859 and held by Hungarian National Gallery (inventory 2805). Ilona Zrinyi before the judge is catalogued and held by Museum of Fine Arts, Budapest (inventory 946/1).

Gábor Bethlen among his Scholars is dated 1870 and held by Hungarian National Gallery (inventory 2732). The Mourning of László Hunyadi is dated 1859 and held by Hungarian National Gallery (inventory 2800). Miklós Zrínyi poet and general is dated 1858 and held by Hungarian National Gallery (inventory 4882). portrait of Amédée Thierry is catalogued and held by Museum of Fine Arts, Budapest (inventory 948/1). Portrait of his Wife is dated 1871 and held by Hungarian National Gallery (inventory FK10.526). Portrait of Miklós Izsó is dated 1873 and held by Hungarian National Gallery (inventory 7497).

Study of a Window is catalogued and held by Hungarian National Gallery (inventory 2883). The Exile's Dream is dated 1856 and held by Hungarian National Gallery (inventory 5244). Dózsa's People is dated 1868 and held by Hungarian National Gallery (inventory 54.324). Felicián Zách is dated 1858 and held by Hungarian National Gallery (inventory 66.14T). Self-Portrait is dated 1863 and held by Hungarian National Gallery (inventory 7585). Dobozi is dated 1868 and held by Hungarian National Gallery (inventory 59.153T).

Munich Central Collecting Point records 2 objects associated with this heading. Museum of Fine Arts, Budapest records 2 objects associated with this heading. Hungarian National Gallery records 14 objects associated with this heading. Viktor Madarász is recorded with the citizenship of Hungary. Viktor Madarász is recorded as painter.

Authority records

The identifiers under which Viktor Madarász may be traced in institutional catalogues.

Viktor Madarász is established in the international name authorities as Wikidata Q178279.

In public collections

Work associated with this heading is recorded in 4 named public collections.

Hungarian National Gallery: 14 recorded objects, read from the institution's own published catalogue. Museum of Fine Arts, Budapest: 2 recorded objects, read from the institution's own published catalogue. Munich Central Collecting Point: 2 recorded objects, read from the institution's own published catalogue. http://www.wikidata.org/.well-known/genid/ef782dc806929b96f2cf3d4d65e17d99: 1 recorded object, read from the institution's own published catalogue.

Literature

4 scholarly publications naming this subject were located in the registry of record.

Madarász, Viktor. Madarász, Viktor, Oxford Art Online, 2003. Patrons, mediators, institutions: The Parisian career of the painter Viktor Madarász (1830–1917) in the context of social connections, Acta Historiae Artium, 2018. Madarász von Kisfalud, László.

Scholarly footprint

Bibliographic registers publish measured figures for this heading: 18 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

Evidence base

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.

In detail

the recorded working language is Hungarian.

Subjects and genres recorded for the work are portrait. The authority associates the name with Impressionism.

Work by Viktor Madarász is recorded in the collections of Hungarian National Gallery, Bratislava City Gallery, Tatra Gallery and Museum of Fine Arts, Budapest.

Chronology

  1. 1830Viktor Madarász born at Štítnik.
  2. 1830Viktor Madarász was born in 1830 at Štítnik.
  3. 1856The Exile's Dream is dated 1856 and held by Hungarian National Gallery (inventory 5244).
  4. 1856The Exile's Dream (Hungarian National Gallery).
  5. 1858Miklós Zrínyi poet and general is dated 1858 and held by Hungarian National Gallery (inventory 4882).
  6. 1858Felicián Zách is dated 1858 and held by Hungarian National Gallery (inventory 66.14T).
  7. 1858Felicián Zách (Hungarian National Gallery).
  8. 1859Ilona Zrínyi before the Investigating Judge is dated 1859 and held by Hungarian National Gallery (inventory 2805).
  9. 1859The Mourning of László Hunyadi is dated 1859 and held by Hungarian National Gallery (inventory 2800).
  10. 1859The Mourning of László Hunyadi (Hungarian National Gallery).
  11. 1859Ilona Zrínyi before the Investigating Judge (Hungarian National Gallery).
  12. 1863Self-Portrait is dated 1863 and held by Hungarian National Gallery (inventory 7585).
  13. 1863Self-Portrait (Hungarian National Gallery).
  14. 1864Péter Zrínyi and Kristóf Frangepán in Prison at Wiener Neustadt is dated 1864 and held by Hungarian National Gallery (inventory 2794).
  15. 1864Péter Zrínyi and Kristóf Frangepán in Prison at Wiener Neustadt (Hungarian National Gallery).
  16. 1868Dózsa's People is dated 1868 and held by Hungarian National Gallery (inventory 54.324).
  17. 1868Dobozi is dated 1868 and held by Hungarian National Gallery (inventory 59.153T).
  18. 1870Gábor Bethlen among his Scholars is dated 1870 and held by Hungarian National Gallery (inventory 2732).
  19. 1871Portrait of his Wife is dated 1871 and held by Hungarian National Gallery (inventory FK10.526).
  20. 1873Portrait of Miklós Izsó is dated 1873 and held by Hungarian National Gallery (inventory 7497).
  21. 1917Viktor Madarász died at Budapest.
  22. 1917Viktor Madarász died in 1917 at Budapest.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Madarász von Kisfalud, László

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Madarász, Iván, Oxford Music Online, 2001

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Madarász, Viktor

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    Madarász, Viktor, Oxford Art Online, 2003

    scholarly publication · Scholarly

    Consult the source
  5. 5.

    Patrons, mediators, institutions: The Parisian career of the painter Viktor Madarász (1830–1917) in the context of social connections, Acta Historiae Artium, 2018

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    Internet Archive, 1 digitised item catalogued under Viktor Madarász as creator.

    digital repository · Unverified

    Consult the source
  7. 7.

    Wikidata, structured authority record Q178279: Viktor Madarász

    reference work · Reputable secondary · Wikimedia Foundation

    Consult the source
  8. 8.

    “Viktor Madarász”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source

Elsewhere in Paintings

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