Vera Cuningham
Vera Cuningham (also known as Vera Cunningham) (6 November 1897 – 3 May 1955) was a British artist. Cuningham modelled for and had relationships with fellow artists Bernard Meninsky and Matthew Smith. She lived and exhibited her works in London and Paris, where she fled with Smith at the beginning of their affair.
Also recorded as Vera Irene Walpole Martin Cuningham · Vera Cunningham · Vera Irene Martin Walpole Cuningham
Vera Cuningham
- Name
- Vera Cuningham
- Birth Name
- Vera Irene Walpole Martin Cuningham
- Born
- 6 November 1897
- Birthplace
- Goffs Oak, Hertfordshire, England, United Kingdom
- Died
- 3 May 1955
- Place of death
- Hampstead, London, England, United Kingdom
- Education
- Central School of Arts and Crafts
- Known for
- Painting Modelling
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Occupation
- artist · model · painter
- Languages
- English
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Documentary connections
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Documentary evidence
Documentary basis
Authority files
wikidata · Q18530940 · wikipedia · Vera Cuningham
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The documentary record
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek · Getty Union List of Artist Names
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Biography
Biography
Some of her works are in public collections in England.
Vera Cuningham studied at Central School of Art and Design. The recorded working language is English. Work by Vera Cuningham is recorded in the collections of The Suter Te Aratoi o Whakatū, Manchester Art Gallery, Guildhall Art Gallery and Pallant House Gallery.
Key facts
Key facts
• Name — Vera Cuningham • Birth Name — Vera Irene Walpole Martin Cuningham • Born — 6 November 1897 • Birthplace — Goffs Oak, Hertfordshire, England, United Kingdom • Died — 3 May 1955 • Place of death — Hampstead, London, England, United Kingdom • Education — Central School of Arts and Crafts • Known for — Painting Modelling
Documentary record
Vera Cuningham lived from 6 November 1897 to 3 May 1955 and was a painter and model. Vera Cuningham died on 3 May 1955; the place of death is London, according to the Deutsche Nationalbibliothek, the Getty Union List of Artist Names and the Bibliothèque nationale de France.
Early life and education
Early life and education
Vera Irene Walpole Martin Cuningham was born in 1897 at Goffs Oak, Hertfordshire to Scottish parents. Cuningham attended Central School of Arts and Crafts, where she studied painting. In 1922, she began exhibiting her work with The London Group and became a member of the organization in 1927.
Documentary record
Vera Cuningham was born on 6 November 1897; the birthplace is recorded as Goffes Oak House (Hertfordshire) by the Deutsche Nationalbibliothek, as Goff's Oak, GB by the Bibliothèque nationale de France and as Hertfordshire by the Getty Union List of Artist Names.
Early career and love interests
Early career and love interests
Cuningham modelled for and was in a relationship with Bernard Meninsky when she met Matthew Smith in 1922 or 1923. At the time, Smith was married to Gwen Salmond, but Cuningham and Matthew Smith left their partners and moved to Paris, where they lived at 6 bis Villa Brune. The British Museum states that they both exhibited in 1922 at the Société des Artistes Indépendants and at the Amis de Montparnasse. Smith's paintings of her between 1923 and 1926 include Vera Cuningham, Head and Shoulders, Vera Cuningham in a Chair, Vera Reclining in a Pink Slip, and Vera in a Yellow Dress, all of which are in the Corporation of London Collection. The paintings of her generally fill the canvas, emphasizing her voluptuous figure. Malcolm Yorke described her in his book as "a guffawing, red-haired, rosy-cheeked, plump-bodied, highly sexed young woman who was determined to become a professional artist." Her demeanour may have been in opposition to her family background. For instance, her mother had connections with aristocrats. She had given much of her time to modelling for Smith, but became singularly focused on her own paintings in 1925 and soon after their relationship ended.
Career
Career
In 1929, she had her first solo exhibition at the Bloomsbury Gallery. She was with Smith in Woolhope, near Hereford, in 1932. In the late 1930s, Cuningham produced several theatre designs. She participated in Colling Galleries Civil Defence Artists' shows during World War II. Exhibitions were held in 1948, 1951, and 1954 by Raymond Creuze, her Paris dealer. She lived in Hampstead, London, and at the time of her death on 3 May 1955 she lived at Logs Cottage on Well Road. She had never married, but it has been reported that Cuningham died in the arms of Matthew Smith. A retrospective of her work was held in 1985 by the Barbican Art Gallery.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Goffs Oak.
Birth place
Hampstead.
Death place
Collections
• Susannah and the Elders, 1934, Pallant House Gallery, Chichester • Woman Wearing a Large Hat, early 20th century, gouache painting, Victoria and Albert Museum • Landscape, 1949, Victoria and Albert Museum • Exhuberant Flower, 1954, Manchester City Galleries • Still Life with Mackerel, City of London Corporation • Guildhall Gallery, London
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Vera Cuningham, revision 1323447522 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Barbican Art Gallery. Vera Cuningham: 1897-1955. 1985.
- 2.British Museum. Vera Cunningham (1897-1955).
- 3.Gazette. Vera Irene Walpole Cunningham. 26 August 1955.
- 4.Germaine Greer. The Obstacle Race: The Fortunes of Women Painters and Their Work. Tauris Parke Paperbacks. 53. 2 June 2001. 978-1-86064-677-5.
- 5.Jill Berk Jiminez. Dictionary of Artists' Models. Taylor & Francis. 134–136. 15 October 2013. 978-1-135-95921-0.
- 6.The London Group. History of the London Group: New Members by Year.
- 7.Bath and North East Somerset Council. Matthew Smith (1879-1959) Landscapes, 2010. 45, 46. 3 October 2013.
- 8.Victoria and Albert Museum. Woman Wearing a Large Hat.
- 9.Victoria and Albert Museum. Landscape.
- 10.VIAF. Cuningham, Vera (1897-1955).
Bibliography printed in the source article · 6
- James Thomas Herbert Baily. The Connoisseur: An Illustrated Magazine for Collectors. Hearst Corporation. 248. 1956.
- Redfern Gallery. Vera Cuningham, Leonard Greaves, Paul Nash. 1947.
- Vera Cuningham. Vera Cuningham: Goff's Oak (Hertfordshire), 6th of November 1897, London, 3rd of May 1955. Raymond Creuze. 1984. 9782905037015.
- Public Catalogue Foundation. Oil Paintings in Public Ownership in the City of London. 2009. 978-1-904931-76-8.
- Lund Humphries in association with the Corporation of London. The two Mr. Smiths: the life and work of Sir Matthew Smith, 1879-1959. 1995. 978-0-85331-669-5.
- Lefevre Gallery. Vera Cuningham. 1956.
References
Citations
References
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reference work
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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