Ubaldo Gandolfi
Illustration — Mercury About to Behead Argus Ubaldo Gandolfi (1728–1781) was an Italian painter, draughtsman and sculptor of the late-Baroque period, mainly active in and near Bologna. He is known for his biblical, mythological and allegorical subjects as well as his portraits and nudes. Ubaldo and his brother Gaetano were during their lifetime among the first and most celebrated artists of Italy.
Also recorded as Gandolfi · Ul. Gandolph · Gandolffy
Ubaldo Gandolfi

Ubaldo Gandolfi · Wellcome Collection, London · Wellcome Collection · Public Domain Mark
- Born
- 1728 · San Giovanni in Persiceto.
- Died
- 1781 · Ravenna.
- Occupation
- painter
- Education
- Academy of Fine Arts of Bologna
- Teachers
- Ercole Graziani the Younger · Ercole Lelli · Felice Torelli
- Known for
- Study of a Young Woman, Head and Shoulders · Statue of Henry IV and Holy Roman Emperor at Canossa
- Languages
- Italian
VALÉORINE Encyclopedia
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Documentary summary
Illustration — Mercury About to Behead Argus Ubaldo Gandolfi (1728–1781) was an Italian painter, draughtsman and sculptor of the late-Baroque period, mainly active in and near Bologna. He is known for his biblical, mythological and allegorical subjects as well as his portraits and nudes. Ubaldo and his brother Gaetano were during their lifetime among the first and most celebrated artists of Italy.
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wikidata · Q1649002 · wikipedia · Ubaldo Gandolfi
In this article
Life
Life
This fame was gained by the excellent quality of their works, which lead to many and important commissions they had from courts and countries all over Europe.
Ubaldo Gandolfi studied at Academy of Fine Arts of Bologna. Training under Ercole Graziani the Younger, Ercole Lelli and Felice Torelli is recorded. The recorded working language is Italian. Works named in the authority record are Study of a Young Woman, Head and Shoulders and Statue of Henry IV, Holy Roman Emperor at Canossa. Work by Ubaldo Gandolfi is recorded in the collections of Museo del Prado, Art Institute of Chicago, The Nelson-Atkins Museum of Art, National Gallery of Canada and Städel Museum.
He was born in San Matteo della Decima on an estate in the Po Valley estate which his father managed for a landowner. He enrolled by the age of 17 at the Clementine Academy, where he apprenticed with Ercole Graziani the Younger, Felice Torelli, and Ercole Lelli. The Gandolfi family produced a number of prominent artists, including Ubaldo's brother Gaetano, his own sons Giovanni Battista and Ubaldo Lorenzo, as well as his brother's sons Mauro and grandchildren Democrito (who was a pupil of Antonio Canova) and Clementina. Ubaldo, Gaetano and Mauro are considered among the last representatives of the grand manner of painting characteristic of the Bolognese school, that had risen to prominence nearly two centuries earlier with the members of the Carracci family.The Bolognese school of painting focused on realistic depictions of human anatomy and drawing from live models. Gandolfi's work ranges from Baroque to Neoclassic styles, and specifically recalls the style of Ludovico Carracci. He completed, in 1770–1775, a series of canvases on mythological narratives for the Palazzo Marescalchi in Bologna (two are now in Museum of North Carolina). A series of seven saints painted by Gandolfi is on display at the Quadreria of the Palazzo Rossi Poggi Marsili in Bologna. He died in Ravenna in 1781. • Illustration — Sleeping Legionary His pupils include Giuseppe Grimanti, Giovanni Lipparini (il Rosolino), and Nicola Levoli.
Gallery
Gallery
• Illustration — Hercules and the Lernean Hydra • Illustration — Selene and Endymion • Illustration — Head of an Old Woman • Illustration — Seated Male Nude
Life and career
Dated record
Life and career
The full dated record · 2 entries
1728
Ubaldo Gandolfi was born in 1728 at San Giovanni in Persiceto.
1781
Ubaldo Gandolfi died in 1781 at Ravenna.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
San Giovanni in Persiceto.
Birth place
Ravenna.
Death place
Primary material
Documents and archives
reference work
- “Ubaldo Gandolfi”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1649002: Ubaldo Gandolfi
General reference · Wikidata
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Gaetano e Ubaldo Gandolfi - Opere scelte, Cento (FE) - 13 Aprile - 16 Giugno - 2002 (in Italian)
- 2.Ubaldo Gandolfi: An Italian Master of Baroque and Neoclassical Art
- 3.Ubaldo Gandolfi, Mercury About to Behead Argus, at the North Carolina Museum of Art
- 4.Guida del forestiere per la città di Bologna e suoi sobborghi, by Girolamo Bianconi; Annesio Nobili, Bologna, 1820, page 504.
- 5.Annali della città di Bologna dalle sua origine, 1796, Volume 8, page 740.
Bibliography printed in the source article · 4
- Cazort, Mimi, Bella Pittura: The Art of the Gandolfi, Ottawa, National Gallery of Canada, 1993.,
- Cazort, Mimi, The Art of Embellishment: Drawings and Paintings by Gaetano and Mauro Gandolfi for a Festive Carriage, in Record of The Art Museum, Princeton University, Volume 52, Number 2, 1993.
- Rosasco, Betsy, Drawings by the Gandolfi Family and Their Followers in The Art Museum: A Checklist, in Record of The Art Museum, Princeton University, Volume 52, Number 2, 1993.
- Vicenza, Neri Pozza, I Gandolfi: Ubaldo, Gaetano, Mauro, disegni e dipinti, Neri Pozza Editore, 1987.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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