Toshiro Mayuzumi
Toshiro Mayuzumi (黛 敏郎, Mayuzumi Toshirō; Japanese pronunciation: [majɯꜜzɯmi toɕiɾoː]; 20 February 1929 – 10 April 1997) was a Japanese composer. He was known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music, being the first artist in his country to explore these techniques.
Also recorded as Toshiro Mayazumi · Toshirō Mayuzumi · Toshiroh Mayazumi
Toshiro Mayuzumi

富樫康『日本の作曲家』 · Public domain
- Born
- 1929. · Yokohama.
- Died
- 1997. · Shinkawa-dōri.
- Nationality
- Japan and Empire of Japan.
- Occupation
- composer, choreographer, conductor, musicologist, music educator and pianist.
- Fields
- music.
- Education
- Tokyo Academy of Music and Kibogaoka Senior High School.
- Honours
- Kikuchi Kan Prize, Otaka prize and Medal with Purple Ribbon.
- Languages
- Japanese.
VALÉORINE Encyclopedia
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Documentary summary
Toshiro Mayuzumi (黛 敏郎, Mayuzumi Toshirō; Japanese pronunciation: [majɯꜜzɯmi toɕiɾoː]; 20 February 1929 – 10 April 1997) was a Japanese composer. He was known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music, being the first artist in his country to explore these techniques.
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Note VALÉORINE
Toshiro Mayuzumi (1929–1997) was a Japanese and Japanese choreographer, composer and conductor, among other activities. Born in Yokohama, the choreographer died in Shinkawa-dōri.
Toshiro Mayuzumi studied at Kibogaoka Senior High School and Tokyo Academy of Music. The choreographer was a member of Japan Society for Contemporary Music, JASRAC and Nihon Sakkyokuka Kyōgikai, among others. Toshiro Mayuzumi was active in music.
Genres include opera and symphony. Languages used include Japanese. The choreographer received Kikuchi Kan Prize, Medal with Purple Ribbon and Otaka prize.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q520111 · wikipedia · Toshiro Mayuzumi
In this article
Biography
Biography
Over the span of his career, he wrote symphonies, ballets, operas, and film scores. Mayuzumi was the first Japanese composer to be nominated for an Academy Award for Best Original Score, for the 1966 film The Bible: In the Beginning.. He was the recipient of an Otaka prize by the NHK Symphony Orchestra and the Purple Medal of Merit. John Huston called him a "modern Beethoven".
Born in Yokohama, Mayuzumi was a student of Tomojirō Ikenouchi and Akira Ifukube at the Tokyo University of the Arts immediately following the Second World War, graduating in 1951. He then went to Europe where he attended the Paris Conservatoire national supérieur de musique, studying with Aubin and becoming familiar with the new developments of Olivier Messiaen and Pierre Boulez, as well as with the techniques of musique concrète He was initially enthusiastic about avant-garde Western music, especially that of Varèse, but beginning in 1957 he turned to pan-Asianism. A prolific composer for the cinema, he composed more than a hundred film scores between Wagaya wa tanoshii (My House Is Fun) in 1951 and Jo no mai in 1984. The best-known film with a score by Mayuzumi is The Bible: In the Beginning... (1966), for which he was nominated for an Academy Award and a Golden Globe Award for Best Original Score. As of 2025, he is one of only two Japanese-born composers to be nominated for a Best Original Score Oscar (the other was Ryuichi Sakamoto for The Last Emperor). Mayuzumi has received a special award from the Suntory Music Award in July 1997. He died in Kawasaki, Kanagawa at the age of 68 in April 1997.
Politics
Politics
Mayuzumi served as the chairman of the Nihon wo mamoru Kokumin Kaigi (Japanese: 日本を守る国民会議, lit. 'National Conference to Defend [or Protect] Japan'), an ultraconservative organization that supported constitutional revision. He was pivotal in its merger with the Nihon wo mamoru Kai (Japanese: 日本を守る会, lit. 'Society for the Protection of Japan') to form the Nippon Kaigi, and was slated to become the organization's first leader, but passed away shortly before it was inaugurated. Mayuzumi became the first representative of the Liberal Democratic Party's supporter organization, the Liberal National Congress, in 1977, and continued to serve as its representative until his death 20 years later. When foreign minister and deputy prime minister Tsutomu Hata stated that "[Japan] must tell [its] children what their forefathers did in Asia before and during the war", Mayuzumi stated in response "It's deplorable that the prime minister of Japan would talk so carelessly. In the past, people have been more indirect about the war".
Operas
Operas
Kinkakuji (Der Tempelbrand; The Golden Pavilion) (1976, Berlin) Kojiki (Days of the Gods) (1996, Linz)
Ballet
Ballet
Bugaku (1962) Olympics (1965) The Kabuki (1986) M (1996)
Orchestral works
Orchestral works
Rumba Rhapsody (1948) Symphonic Mood (1950) Bacchanale (1954) Ektoplasm (1954) Tonepleromas 55 (1955) phonology Symphonique (1957) Nirvana Symphony for male chorus and orchestra (1958) Mandala Symphony (1960) Echigojishi (1960) Music with Sculpture (1961) Textures for wind orchestra (1962) Samsara (1962) Essay in Sonorities (Mozartiana) (1963) Essay for string orchestra (1963) Fireworks (1963) Ongaku no tanjō [Birth of Music] (1964) Concerto for percussion and wind orchestra (1965) Concertino for xylophone and orchestra (1965) Shu [Incantation] (1967) Tateyama (1974) ARIA in G for Solo Violin and Orchestra (1978) Capriccio for Solo Violin and String Orchestra (1988) Mukyūdō [Perpetual Motion] (1989)
Ensemble/Instrumental works
Ensemble/Instrumental works
Sonata, for violin and piano (1946) Twelve Preludes, for piano (1946) Hors d'œuvre, for piano (1947) Divertimento, for 10 instruments (1948) String Quartet (1952) Sextet, for flute, clarinet, bass clarinet, horn, trumpet, and piano (1955) Pieces, for prepared piano and string quartet (1957) Mikrokosmos, for clavioline, guitar, musical saw, vibraphone, xylophone, percussion, and piano (1957) Bunraku, for violoncello solo (1960) Prelude, for string quartet (1961) Metamusic, for saxophone, violin, and piano (1961) Shōwa Ten-pyō Raku, for gagaku ensemble (1970) Rokudan, for harp (1989)
Electronic music
Electronic music
X, Y, Z for musique concrète (1953) Boxing for Radio Drama (1954) Music for Sine Wave by Proportion of Prime Number (1955) Music for Modulated Wave by Proportion of Prime Number (1955) Invention for Square Wave and Saw-tooth Wave (1955) Variations on Numerical Principle of 7 (1956; with Makoto Moroi) Aoi no ue (1957) Campanology for multi-piano (1959) Olympic Campanology (1964) Mandala for solo voice and electronic sounds (1969)
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Yokohama.
Birth place
Shinkawa-dōri.
Death place
Film scores
Home Sweet Home (1951) The Woman in the Rumor (噂の女 Uwasa no onna) (1954) Street of Shame (1956) The Balloon (1956) The Unbalanced Wheel (気違い部落 Kichigai buraku) (1957) Enjō (1958) Stolen Desire (1958) Good Morning (1959) When a Woman Ascends the Stairs (1960) The Warped Ones (1960) The Big Wave (1961) Foundry Town (1962) Black Sun (1964) Tokyo Olympiad (1965) The Pornographers (1966) The Bible: In the Beginning... (1966) Reflections in a Golden Eye (1967) Thirst for Love (1967) Profound Desires of the Gods (1968) Jo no Mai (1984)

黛敏郎(1954年)
産業経済新聞社(Sankei Shinbun Co., Ltd.) · 『サンケイグラフ』1954年10月3日号、産業経済新聞社 ”The Sankei Graphic”, Sankei Shinbun Co., Ltd. 1954.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Mayuzumi Orchestral Works. Gramophone.
- 2.Suntory. 過去の受賞者 サントリー音楽賞. サントリー.
- 3.Katayama, Morihide. 「日本会議」誕生の知られざるキーパーソン・黛敏郎. Gentosha plus. Gentosha. 17 December 2018.
- 4.Reid, T. R. OPENLY APOLOGETIC, JAPAN RECALLS WAR'S END. Washington Post. 1993-08-16. 0190-8286.
Bibliography printed in the source article · 2
- Heifetz, Robin J. 1984. "East-West Synthesis in Japanese Composition: 1950-1970". The Journal of Musicology 3, no. 4 (Autumn): 443–455.
- Loubet, Emmanuelle, Curtis Roads, and Brigitte Robindoré. 1997. "The Beginnings of Electronic Music in Japan, with a Focus on the NHK Studio: The 1950s and 1960s". Computer Music Journal 21, no. 4 (Winter): 11–22.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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