Toshinori Kondo

Kondo worked between 1948 and 2020 across trumpeter, composer, jazz musician, record producer and film score composer and 2 further recorded occupations. The registers place that work in jazz and dub music. This article rests on 47 catalogued compositions, 49 issued recordings and 1 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

• Name — Toshinori Kondo • Born — 15 December 1948 • Died — 17 October 2020 • Instrument — Trumpet • Birthplace — Ehime Prefecture, Japan • Occupation — Trumpeter, composer • Place of death — Kawasaki, Kanagawa, Japan • Genre — Jazz, jazz fusion, avant-garde jazz

Kondo was born in Ehime Prefecture. He attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brötzmann. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. In the 1990s he was part of the collective called Die Like a Dog whose first album Fragments Of Music, Life And Death of Albert Ayler was released in 1994. In 2002, he worked on an international peace festival in Hiroshima after being approached by the Dalai Lama about organizing one. He was a former member of Praxis. Kondo cooperated with Bill Laswell to make the album Inamorata in 2007. He founded the band Kondo IMA in 1984. Kondo IMA achieved commercial success but moved to Amsterdam to be alone and to start "Blow the Earth" in 1993. They started "Blow the Earth in Japan" in the summer of 2007 and ended in the autumn of 2011. The film Blow the Earth in Japan is his first experience as a film director.

On October 17, 2020, he died in Kawasaki City, aged 71.

• Environment for Sextet (Ictus, 1979) with John Zorn, Andrea Centazzo, Eugene Chadbourne, Tom Cora, and Polly Bradfield • Fuigo From a Different Dimension (Bellows, 1979) • Moose and Salmon (Music Gallery, 1979) with Henry Kaiser and John Oswald • Possibilities of the Color Plastic (Bellows, 1979) with Eugene Chadbourne • Protocol (Metalanguage, 1979) with Henry Kaiser and Andrea Centazzo • Artless Sky (Caw, 1980) with John Russell and Roger Turner • The Last Supper (Po Torch, 1981) with Paul Lovens • Imitation of Life (Y, 1981) with Tristan Honsinger, Steve Beresford, and David Toop • Death is Our Eternal Friend (DIW, 1983) with Paul Lovens and Paul Lytton • What Are You Talking About? (DIW, 1983) with Tristan Honsinger, Peter Kowald, and Sabu Toyozumi • China Boogie (Polydor, 1985) • Kamikaze Blow (Alfa, 1989) with IMA • Ki-Oku (Sony, 1996) with DJ Krush • Fear No Fall (Lowlands, 1998) with Jim O'Rourke, Zeena Parkins, David Shea, DJ Low, and Dirk Wachtelaer • Aida's Call (Starlight, 1999) with Kaoru Abe, Motoharu Yoshizawa, and Derek Bailey • Charged (Apollo, 1999) with Eraldo Bernocchi and Bill Laswell • Jazz Bunker (Golden Years, 2000) with Han Bennink and Eugene Chadbourne • Life Space Death (Meta, 2001) with Bill Laswell • The Warriors (Ictus, 2007) with Eugene Chadbourne and Andrea Centazzo • The War Fairy Tales (self-released, 2014) • Interstellar (Chant Records, 2020) with Jason Wayne Sneed • Typhoon 19 (TK, 2020) with IMA21 • The Sea is Rough (Bocian, 2020) with Brom • Renzoku Jump (Metalanguage, 2022) with Henry Kaiser, Greg Goodman and John Oswald • Eternal Triangle (I Dischi Di Angelica, 2022) with Massimo Pupillo and Tony Buck With the Die Like a Dog Quartet (Kondo, Peter Brötzmann, William Parker, and Hamid Drake) • Die Like a Dog: Fragments of Music, Life and Death of Albert Ayler (FMP, 1994) • Little Birds Have Fast Hearts Nos. 1 and 2 (FMP, 1998/1999) • Aoyama Crows (FMP, 2002) • The Complete FMP Recordings (Jazzwerkstatt, 2007) compilation • Close Up (FMP, 2011) With Hairy Bones (Kondo, Peter Brötzmann, Massimo Pupillo, and Paal Nilssen-Love) • Hairy Bones (Okka, 2009) • At Fresnes (self-released, 2010) • Snakelust (To Kenji Nakagami) (Clean Feed, 2012)

With Maki Asakawa • Hi Tomoshi Goro (Express, 1976) • Cat Nap (Express, 1982) • Scandal 1982 (Pignose, 2011) With Borbetomagus • Industrial Strength (Leo, 1983) • Borbeto Jam, (Cadence, 1985) With Peter Brötzmann • Alarm (FMP, 1983) • Berlin Djungle (FMP, 1987) • The März Combo Live in Wuppertal (FMP, 1993) • Stone/Water (Okka, 2000) • Long Story Short (Trost, 2013) • Concert for Fukushima, Wels 2011 (Trost, 2013) • Tonic 2000 Vol. 1 (OMX, 2020) • Tonic 2000 Vol. 2 (OMX, 2020) • Berlin 1999 (OMX, 2020) With DJ Krush • Holonic-The Self Megamix (Sony, 1997) • Cosmic Yard (Es.U.Es, 2018) With Globe Unity Orchestra • Intergalactic Blow (Japo, 1983) • 20th Anniversary (FMP, 1993) With Tristan Honsinger • Picnic (Data, 1985) • From the Broken World (Eastworld, 1992) With Bill Laswell • Points of Order (Innerhythmic, 2001) • The Only Way to Go Is Down (Sublight, 2006) with Method of Defiance • Inamorata (Ohm, 2007) with Method of Defiance • Tokyo Rotation K2: Japan Rise (self-released, 2020) • Tokyo Rotation 4 - Day 3 (self-released, 2021) • Tokyo Rotation 1 - Day 2 Set 1 (self-released, 2021) • Tokyo Rotation 1 - Day 2 Set 2 (self-released, 2021) • Tokyo Rotation 3 - Day 3 Set 1 (self-released, 2021) • Tokyo Rotation 3 - Day 3 Set 2 (self-released, 2021) • Montreux Jazz Festival (self-released, 2022) • Sapporo (self-released, 2022) With others • Evolution Ensemble Unity, Concrete Voices (EEU, 1976) • Jam Rice Sextet, Jam Rice Relaxin (Frasco, 1976) • Yosuke Yamashita and Yasutaka Tsutsui, Ie (Frasco, 1976) • Milford Graves, Meditation Among Us (Kitty, 1977) • King Kong Paradise, Talking About Fussa (Tam, 1977) • Derek Bailey, Duo & Trio Improvisation (Kitty, 1978) • Peter Kuhn, Livin' Right (Big City, 1979) • Eugene Chadbourne, 2000 Statues and the English Channel (Parachute, 1979) • William Parker, Through Acceptance of the Mystery Peace (Centering, 1980) • Misha Mengelberg and the ICP Orchestra, Japan Japon (ICP, 1982) • Herbie Hancock, Sound-System (Columbia, 1984) • Ryuichi Sakamoto, Ongaku Zukan (Midi, 1984) • Autonomous Zone, The Map is Not the Territory (Meldac, 1991) • David Toop, Spirit World (Virgin, 1997) • Ferretti Lindo Giovanni, CO.DEX (Mercury, 2000) • Anarchy, Freaksnegoti (Gold Diggers, 2000) • Peter Kowald, Duos²: Europa America Japan (FMP, 1991) • Robert Miles, Miles_Gurtu (Salt, 2004) • Dirk Wachtelaer, Reconstruction (FMR, 2005) • Somma, Somma (Verba Corrige, 2007) • Sigillum S, 23/20 (Verba Corrige, 2007) • Levity, Chopin Shuffle (Universal, 2010) • Sugizo, Tree of Life (Avex Trax, 2011) • Jon Batiste, Chad Smith, and Bill Laswell, The Process (MOD, 2014) • Rone, Creatures (Infiné, 2014) • Dashmesh, The Peacock's Tale (Invincible, 2016) • Arthur Williams, Forgiveness Suite (NoBusiness, 2016) • Company, 1981 (Honest Jon's, 2019) • Fred Anderson, Live Volume V (FPE, 2019)

Toshinori Kondo was born on 15 December 1948 in Imabari. Kondo held the nationality of Japan. Kondo was educated at Kyoto University and Ehime Prefectural Imabari Nishi High School. Kondo worked as trumpeter, composer, jazz musician and record producer, and the authority record catalogues a further 3 occupations under the same name, among them film score composer, recording artist and musician. The fields Kondo worked in include jazz and dub music. Kondo played the trumpet. Kondo worked in Japanese.