Tony Robert-Fleury

Tony Robert-Fleury studied at Beaux-Arts de Paris and Académie Julian. Training under Joseph-Nicolas Robert-Fleury, Léon Cogniet and Paul Delaroche is recorded. Marie Bashkirtseva, Lilla Cabot Perry and Anna Elizabeth Klumpke are recorded as having studied under Tony Robert-Fleury. The recorded working language is French. The field of work recorded is painting. Subjects and genres recorded for the work are history and portrait. Places of work recorded in the authority are Paris. Employment is recorded with Luxembourg Palace, Hôtel de Ville, Paris and Académie Julian. Positions recorded include chairperson. Works named in the authority record are Anxiety and The Last Day of Corinth. Work by Tony Robert-Fleury is recorded in the collections of Musée d'Orsay, Bowes Museum, Maison de Victor Hugo, National Museum in Kraków and Musée des Beaux-Arts de la ville de Paris. Distinctions recorded are Officer of the Legion of Honour, Knight of the Legion of Honour and Commander of the Legion of Honour.

He was born just outside Paris, and studied under his father Joseph-Nicolas Robert-Fleury and under Paul Delaroche and Léon Cogniet at the École des Beaux-Arts (School of Fine Arts) in Paris. His first painting at the Salon de Paris, in 1866, was a large historical canvas, titled Varsovie, Scène de l'Insurrection Polonaise, recalling the events of 8 April 1861 in Warsaw, when Russian troops quenched riots by force. In the following year, his "Old Women in the Place Navone, Rome" was purchased by the Musée du Luxembourg. In 1870, he painted a canvas of Le Dernier Jour de Corinthe (Last Day of Corinth), which depicted the last day before the Roman legions looted and burned the ancient Greek city, according to Livy. This painting was also purchased by the Musée du Luxembourg, and is now on display at the Musée d'Orsay. In 1880, he painted a ceiling for the Luxembourg Palace in Paris, representing "The Glorification of French Sculpture." Robert-Fleury painted Pinel a la Salpêtrière (1876), which depicts the famed Father of Modern Psychiatry among the inmates of the asylum. Philippe Pinel had been named chief doctor at the asylum in 1795, and had instituted more charitable and rational treatments. In 1875, Robert-Fleury painted Charlotte Corday at Caen, which shows the woman coming to the conclusion that Marat needed to be murdered. In 1882, he painted Vauban donnant le plan des fortifications de Belfort where the celebrated engineer is represented in Louis XIV costume reviewing maps and designs, while in the background laborers are building. Robert-Fleury taught as a professor for many years at the Académie Julian in Paris. Robert-Fleury became president of the Société des artistes français in succession to Bouguereau. He was honoured with Commander of the Legion of Honour in 1907. In 1908, he was elected president of the Taylor Foundation, a position he held until the end of his life. He acquired a great reputation and is renowned for his historical compositions, portraits and genre scenes; at his atelier he taught several well-known painters of the late 19th and early 20th centuries from various countries, including Lovis Corinth, Édouard Vuillard, Louise-Cécile Descamps-Sabouret and Sir George Clausen.