Tissa David
Thérèse "Tissa" David (January 5, 1921 – August 21, 2012) was a Romanian-born American animator of Hungarian ethnicity, whose career spanned more than sixty years. She was one of the pioneering women in animation, a field which had been dominated by male animators. Millimeter magazine described her as "one of the few women to have reached the top in the traditionally male-dominated animated cartoon field" and "one of the world's best and busiest" animators in a story published in 1975.
Also recorded as Teréz Dávid
Tissa David
- Born
- 1921
- Died
- 2012
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Thérèse "Tissa" David (January 5, 1921 – August 21, 2012) was a Romanian-born American animator of Hungarian ethnicity, whose career spanned more than sixty years. She was one of the pioneering women in animation, a field which had been dominated by male animators. Millimeter magazine described her as "one of the few women to have reached the top in the traditionally male-dominated animated cartoon field" and "one of the world's best and busiest" animators in a story published in 1975.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Tissa David. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q7809630 · wikipedia · Tissa David
In this article
Early life
Early life
In 1953, David directed Bonjour Paris, becoming the second female animator to direct an animated feature film. David later became one of the first women to create and animate a major character in a film when she designed Raggedy Ann for the 1977 film, Raggedy Ann & Andy: A Musical Adventure.
Born in 1921 in Cluj, Romania, to an ethnic Hungarian family, Thérèse "Tissa" David was the second oldest of her family's ten children. She first became interested in animation after watching the 1937 Walt Disney animated film, Snow White and the Seven Dwarfs. David initially earned a degree as a teacher. She then enrolled at the Academy of Beaux Arts in Budapest. However, she dropped out of the school to begin her career as an assistant animator at Magyar Film Iroda, a Budapest studio. In 2002, she described seeing her first animation project as, "the most exciting moment in my life." She survived the bombings during the Siege of Budapest in 1944 by eating beans and horse meat. David became the co-owner of the Studio Mackassy and Trsi after the end of World War II, where she oversaw the animated productions.
Bonjour Paris
Bonjour Paris
David moved to Paris, France, in March 1950 with her friend, Judit Reigl, to escape the Hungarian Communist authorities. She initially worked as a maid and cleaner in Paris while she learned French. David became the animation director and principal animator for the animated film, Bonjour Paris, after less than a year of living in Paris. She became the second woman to direct an animated feature film with her work on Bonjour Paris, which would be released in 1953. (The first female animator to direct an animated film was Lotte Reiniger.) David also worked for Paul Grimault and Jean Image, both of whom were film producers, while living in Paris.
Career in the United States
Career in the United States
In 1955, David emigrated to the United States and learned English, settling in New York City. In 1956, David joined UPA, where she became the assistant of animator Grim Natwick. She first worked with Natwick while both were employed at UPA animation studio. David and Natwick later partnered for freelance work for hundreds of animated television commercials. David and Natwick also collaborated to create the last theatrical short released starring the character, Mr. Magoo. Her television commercial portfolio, which spanned the 1950s, 1960s and 1970s, included spots for Piel's Beer, for which she drew the characters, Bert and Harry, who were voiced by Bob and Ray, an American comedy team. David also created animated commercials for Barneys New York, Vlasic Pickles, WQXR, Perrier, Esso and Shell, IBM, Cheerios and Excedrin. David also worked on films, short films, and commercials with husband and wife animators, John Hubley and Faith Hubley, for Hubley Studios. Her credits with the Hubleys included Of Demons and Men and Eggs, both released in 1970, and the 1974 short film, Cockaboody. David animated the little girls in Cockaboody. In 1977 she animated on A Doonesbury Special. She animated two characters, a man and a woman, for the Hubleys' 1976 independent animated film, Everybody Rides the Carousel. Actress Meryl Streep provided the voice for David's young woman in the film. David, already an animation pioneer, became one of the first women to animate a major film character with the release of Raggedy Ann & Andy: A Musical Adventure in 1977. David animated the Raggedy Ann character for the film, which was directed by Richard Williams. She noted that "I project a lot of myself into Raggedy Ann." In 1977, David told the New York Times that she designed Raggedy Ann as "a plain Jane with a heart of candy – and she's all female." She elaborated on the production during the same interview saying, "If the work is good, then perhaps I will prove a point... To create a female character in an animated film, you must think like a woman and 'feel' like a woman. In other words, you must be a woman." David began animating for R.O. Blechman in the late 1970s. Her work with Blechman included television productions such as the television film Simple Gifts. In 1988, David was awarded the Winsor McCay Award during the Annie Awards. David collaborated with Michael Sporn Animation later in her career, working on Sporn's 1990 adaptation of The Marzipan Pig, as well as Ira Sleeps Over, a 1991 animated television film. David also served as the animation director for Poe, based on the life of Edgar Allan Poe, which Sporn released in 2013.
Death
Death
David died from a brain tumor at her apartment on the Upper East Side of Manhattan, New York City, on August 21, 2012, at the age of 91.
Primary material
Documents and archives
reference work
- “Tissa David”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q7809630: Tissa David
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Cannemaker, John. Thérèse "Tissa" David (1921–2012): Her Animating Spirit. Wall Street Journal. 2012-08-27.
- 2.Master animator Tissa David dies at 91, She was one of first women in male-dominated field. Variety. 2012-08-27.
- 3.Passings: Tissa David, master animator who broke ground in the field for women, dies at 91. Los Angeles Times. 2012-08-26.
- 4.Beck, Jerry. Tissa David 1921–2012. Cartoon Brew. 2012-08-22.
- 5.Culhane, John. Can 'Raggedy Ann' Compete With Disney?; 'Raggedy Ann and Andy'. New York Times. 1977-03-20.
- 6.Sporn, Michael. Tissa David 1921–2012. Michael Sporn Animation. 2012-08-22.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Tisa FarrowPerson
- Tisca ChopraPerson
- Tisha CampbellPerson
- Tisha SterlingPerson
- Tista DasPerson
- Titanic SinclairPerson
- Titi KamalPerson
- Titi Rajo BintangPerson
Best supported in this field
For owners
Own a work by Tissa David?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.