Thomas Leeson Scrase Rowbotham
Thomas Leeson Scrase Rowbotham (sometimes called Thomas Leeson Rowbotham the Elder or Thomas Leeson Rowbotham Senior; and his third forename sometimes given as Scarse) (1782–1853) was an English watercolourist and oil painter. He was a skilled painter of landscapes and marine subjects, became professor of drawing at the Royal Naval School and produced books on painting and drawing. He contributed 258 watercolours of scenes from Bristol, England to the topographical collection of George Weare Braikenridge.
Also recorded as Thomas Leeson Rowbotham · Rowbotham · Thomas Lesson Rowbotham
Thomas Leeson Scrase Rowbotham

Thomas L. Rowbotham · Bristol museum and art gallery · Public domain
- Name
- Thomas Leeson Scrase Rowbotham
- Born
- 1782
- Birthplace
- Bath, Somerset
- Died
- 1853
- Place of death
- Camberwell, London
- Known for
- Watercolour, Oil painting
- Nationality
- Kingdom of Great Britain · United Kingdom of Great Britain and Ireland
- Occupation
- painter
- Fields
- watercolor
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wikidata · Q7791789 · wikipedia · Thomas Leeson Scrase Rowbotham
In this article
Biography
Biography
The Braikenridge Collection makes Bristol's early 19th century appearance one of the best documented of any English city. Rowbotham was born in Bath, Somerset in 1782, where he became a teacher of marine painting, cottage figures and landscape. His father had become owner of the Theatre Royal, Bath. Besides the 258 watercolours, he also produced around 100 drawings for Braikenridge depicting views of Brislington, Bristol. In 1832 he also produced some large panoramas of Bristol. In 1832 and 1833 he collaborated with William James Müller to produce engravings of the Bristol Riots of 1831. Rowbotham does not seem to have participated in the activities of the Bristol School of artists. However, in late 1832 or early 1833 Rowbotham was a founder member of the formal sketching club for evening sketching meetings, which was the successor of the more informal Bristol School. Later he became professor of drawing at the Royal Naval School, New Cross, London. He wrote The Art of Landscape Painting in Water Colours, jointly with his son, and The Art of Sketching from Nature, for which his son provided the illustrations. He died in 1853 at Camberwell, London. His professorship at the Royal Naval School was taken over by his son. The Braikenridge Collection is in the Bristol City Museum and Art Gallery.
The field of work recorded is watercolor. Places of work recorded in the authority are Bristol. Work by Thomas Leeson Scrase Rowbotham is recorded in the collections of Yale Center for British Art and Bristol City Museum & Art Gallery.

Queen Square en regardant du sud-ouest: Aquarelle, gouache et crayon sur papier
Thomas L. Rowbotham · Bristol museum and art gallery

Aquarelle et gouache sur papier avec grattage
Thomas L.S. Rowbotham W.J. Müller · Bristol museum and art gallery
Key facts
Key facts
• Name — Thomas Leeson Scrase Rowbotham • Born — 1782 • Birthplace — Bath, Somerset • Died — 1853 • Place of death — Camberwell, London • Known for — Watercolour, Oil painting
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Bath.
Birth place
Camberwell.
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reference work
- “Thomas Leeson Scrase Rowbotham”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q7791789: Thomas Leeson Scrase Rowbotham
General reference · Wikidata
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Thomas Leeson Scrase Rowbotham, revision 1364711062 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Stoddard, Sheena. Bristol before the Camera: The City in 1820–30. Redcliffe. 106–108. 2001. 1-900178-68-0.
- 2.Gomme, A. Bristol: an architectural history. Lund Humphries. 11. 1979. 0-85331-409-8.
- 3.Foyle, Andrew. Pevsner Architectural Guide, Bristol. Yale University Press. 19. 2004. 0-300-10442-1.
- 4.Matthew, H.C.G. Oxford Dictionary of National Biography, Vol. 47. Oxford University Press. 846. 2004. 0-19-861397-0.
- 5.Stoddard, Sheena. Bristol before the Camera: The City in 1820–30. Redcliffe. 5. 2001. 1-900178-68-0.
- 6.Greenacre, Francis. The Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840 (exhibition catalogue). City Art Gallery, Bristol. 14. 1973.
- 7.Greenacre, Francis. The Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840 (exhibition catalogue). City Art Gallery, Bristol. 261–262. 1973.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
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