Sven Erixson

Niels Bruun is recorded as having studied under Sven Erixson. The recorded working language is Swedish. Work by Sven Erixson is recorded in the collections of Nationalmuseum, Finnish National Gallery and Statens Museum for Kunst. Distinctions recorded are Prince Eugen Medal.

• Name — Sven Erixson • Born — 23 November 1899 • Birth Name — Sven Leonard Erixson • Birthplace — Tumba, Sweden • Died — 17 May 1970 • Place of death — Saltsjöbaden, Sweden • Notable Works — Lorca's Blood Wedding, 1944 • Illustration — Sven Erixson in his studio.

Erixson's journey to becoming an established artist was a long one. He started his apprenticeship to a master painter at age of 14. He continued his artistic education by studying decorative painting, while he took a position as a teacher of drawing at the Konstfack. This was followed by a year of study at the Royal Swedish Academy of Arts, to which he later returned as a Professor of painting 1943–53.

Erixson's artistic production was extensive and diverse. He painted landscapes with figures, city and port pictures, interiors, floral pieces. He drew inspiration from a variety of sources, ranging from Medieval Folk art to German Expressionism. He devoted a significant time throughout his artistic life to travel, the source of various motifs, mostly from Spain and the south of France. During his travels he was always keen on study both old masters and the biggest contemporary artists of his time: Goya and Velazquez at Museo del Prado; El Greco in Toledo; Paul Klee, Lovis Corinth, Gustav Klimt and Egon Schiele at the Bavarian National Museum. Erixson belong to Sweden's great modern painters, and his work is represented in most Swedish art museums. He was one of the artists who in 1932 started the artist-led gallery 'Color and shape' (Färg och Form) in Stockholm. His many artistic commissions include frescos at the Holy Cross Chapel at Woodland Cemetery in Stockholm (1938 to 1940), as well as his great fresco in the town hall of Huddinge (1948 to 1949), into which he wove his own childhood memories of the railroad town. Alongside his painting, Erixson often tried other artistic tasks, often involving his decorative imagination. For example, he created the theatrical decor of Garcia Lorca's Blood Wedding (1944), and the decor and costume sketches for the opera Aniara (1959).